Cgi Quotations

Because it was one of my favorites from the Arthurian legend, one of the things that I really enjoyed doing was the legend of the crystal cave. In my head, it was fun to imagine what it was going to look like because there was a lot of CGI involved, in seeing visions of the future reflected within crystals.

I have nothing against these big CGI movies, but there are not enough of the other ones - the ones with stories about character that have a beginning, a middle and an end. I said that to a couple of studio heads and they said, 'That's novel.'

Critics in particular treat CGI as a virus that's infecting film.

I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.

Obviously, with a CGI character, you're building a character in much the same way as a real creature is built. You build the bones, the skeletons, the muscles. You put layers of fat on. You put a layer of skin on which has to have a translucency, depending on what the character is.

People regard CGI as a gimmick; they almost blame CGI for a bad story or a bad script. They talk about CGI as if it's responsible for a drop in standards.

'Nightmare on Elm Street' really lends itself to using new technologies. CGI would be a great way to exploit and embrace the dream sequences.

I don't direct so that I can have an identity and so I can go on to CGI movies. I had a big identity as an actor, and that's not what I'm looking for from directing. Directing is a whole different goal.

I don't have a problem with green screen at all. I think children invented CGI. We invent worlds. A stick can become a sword. Or a bowl of stones can become a bowl of tomatoes. That's what children do, and that's what CGI enables us to do.

Shooting Hulk was very small scale for me because I wasn't involved in the CGI stuff.

Get the shading right, the lighting right, and there are things you can do to make the CGI look more real. People end up going crazy and give themselves a little too much freedom in how they use CGI, and if you overuse it, it draws attention to itself.

The animatronics now are certainly more lifelike than before. They've advanced in exactly the same was as the CGI has. It is all really out of my area of expertise, but it definitely made my job a lot easier to act to something that was a lot more expressive, more real.

We don't have any CGI with any of the car stuff. I think it's a real experience when you see this car going through really fast really wild and you see me driving a lot of the times and also a big chase in downtown Atlanta. It's just incredible.

The skill of the agency, photographer and ourselves combine to create a fantastic image and happy client. Quotes from manufacturers already state that they see CGI as a major part of the solution for future photography. If an agency decides not to embrace this, they run the risk of being left behind by their competitors.

Even today, a lot of the CGI you see in movies is so clean and crisp that it just looks fake. It's weird: the more advanced they get, the faker it looks.

In the sequence where they fly off the Hong Kong building, everybody is convinced it has to be CGI or a composite shot, but that's all real.

CGI is done after the film is done. It's through the computer. Most of the film is not computer-generated special effects. Most of it is that creature that is in the room with you.

He's wanted to diminish the CGI as much as possible and put a man in a suit with CGI changes. He was afraid of the whole thing looking like a cartoon; I suspect he's trying to make the character look as real as possible.

A reader's own imagination is a far more powerful form of CGI than anything any movie can provide because it's unique. In your own imagination, you can enter all sorts of worlds, and they are unique to you because no other reader will interpret a book the same way.

The Global Initiative is important in that it recognizes that change requires collective action. The four priority areas of the CGI reflect also what we are trying to do across town.

The colleagues of the CGI raised questions on the transparency of the compensation fund program and the sustainability of its implementation,

The colleagues of the CGI raised questions on the transparency of the compensation fund program and the sustainability of its implementation,

Working with CGI is more like doing theater where your sort of imagining things. I didn't experience it as restrictive.

A couple of days before we were due to shoot the snow scenes using a combination of artificial snow and CGI in the background, the crew woke up to several feet of the real stuff. In some respects, it was a boon to be able to shoot that wide, with real, full-on, snow-capped mountains.

It seems like they conflate Bruce and the Hulk. It's usually, 'Hulk!' as I'm walking across the street. But sometimes it's 'Banner!' If you go on my Twitter feed, you'll see it's mostly Hulk. I think it was pretty spectacular what we were able to accomplish with CGI with 'The Hulk,' and I can't take full credit for that.

We figured out that we were going to have to do CGI and 2-D animation on screen at the same time. Sixty-five percent of the picture is CGI. That's a big mix. When you marry those two, they can either look very foreign to each other, or they look like they belong together.