The sheer ease with which we can produce a superficial image often leads to creative disaster.
I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints.
Detroits industrial ruins are picturesque, like crumbling Rome in an 18th-century etching.
Your thoughts construct patterns like scaffolding in your mind. You are really etching chemical patterns. In most cases, people get stuck in those patterns, just like grooves in a record, and they never get out of them.