How could a New Yorker possibly take something called the Hollywood String Quartet seriously?
I love working with the quartet. I have more freedom and flexibility.
As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.
The Quartets have been a major part of my work.
It seems to me the structure of the Quartets is too imposed
I would give my best quartet for a good razor,
There are no more barbershop quartets wearing boaters, even though I still like them. Life goes on.
I tried to resist his overtures, but he plied me with symphonies, quartets, chamber music, and cantatas.
Time present and time past Are both perhaps present in time future, And time future contained in time past. If all time is eternally present All time is unredeemable.
In order to possess what you do not possess, you must go by the way of dispossession.
Time present and time past / are both perhaps present in time future.
Only through time time is conquered
There is, it seems to us, At best, only a limited value In the knowledge derived from experience.
In order to arrive at what you are not, you must go through the way in which you are not.
A condition of complete simplicity (Costing not less than everything)
And the end and the beginning where always there, before the beginning and after the end.
The past and future / Are conquered, and reconciled.