Brian Henson Dad Quotations

Lew Grade told my dad, I'll make your TV show. I know it's going to be a big hit,' ... The show had definitely not run its course when my dad decided to end the show. My dad just liked doing a lot of stuff. He was so full of stuff he wanted to do.

The first big thing that I did with my dad was the bicycle sequence in "The Great Muppet Caper," where Kermit and Piggy are riding bicycles in Battersea Park in London and that was a complex marionetting and cranes driving through the park, it was a complicated scene, and I did that with my dad.

But initially when I was working with my dad, it was in special effects puppets with radio control and motors and puppet effects.

At that point, I thought probably special effects, something like that, and indeed, the early days when I was working with my dad, after I left school, I only went to less than one year of college, and then I was transferring, and then I delayed my transfer, and I did a movie, and then another movie, and then I never finished college.

I guess I learned a couple of good lessons from my dad. One was when you're creating something, what you want when you're working with a team of other artists, is everybody to work with some creative freedom, so that you really get the best out of everybody.

And my dad's answer would be usually something to the affect of, A, it came out better than he imagined, but also, he said, "No, it would be impossible for me to imagine the way it will come out." He said, "Yes, I story-boarded it, I had a plan, but then I work with an army of great artists and I want all of them to create inside that creation."

The first show that my dad and my mom did together was for, was a comedy series, a short form that went in the middle of late-night news, and then through all of their career, it was always the "Ed Sullivan Show," it was a variety act, my dad was on the "Jimmy Dean Show" for a few years.

It was actually what my dad did and with the Muppets, the years with the Muppets, it was really all targeted to adults. It was in a time when everything had to be safe for the whole family. But he was targeting adults.

"Sesame Street" was really the first kid's show that my dad did. He did a couple of TV specials that were targeted for kids before "Sesame Street," but really, it was, it's kind of going back to our roots, when we start to get adult. This show gets very adult sometimes, and that's because of the audience.

Really, initially what I very quickly realized that I was loving about the show was, because it reminded me of when I was a kid and I would visit the sets where my dad was shooting with the other puppeteers.

And it was a whole lot of fun, and in many ways, what we've done with the show is just taken that part of my early memories of visiting my dad, shooting with the Muppets, and taking that and making a show that's really an expansion of that and presenting a show that's all that.

And that was always my father's favorite part about shooting as well. Often my dad would shoot very, very late, he was quite a workaholic, they would do 20, 20-hour shoots and stuff like that.

In the show, we have recreated two sketches that my dad had, or pieces that my dad had developed. One that he had developed with my mother, one that Frank Oz had developed with my dad. And these are old pieces from the '50's and '60's, and we're going to develop more, too.

It's really great to do one piece, "I've Grown Accustomed To Your Face," my dad developed in 1956, when he was 20 years old, and it's great to do that piece again now and see that it still really works as well as it ever did.

Oh, well, I can't tell you; it would be telling you the end. It's a one-character lip-syncing because in the early days, that's what my dad was doing.

My dad and mom were, they would take what were popular hits, and lip-sync to them with puppets and do a ridiculous story.

With puppets, you follow the head and the arms will follow, but Frank didn't really do that with the Swedish Chef. He and my dad were best friends, but they were very competitive. They were always doing things to see who could be funnier and how could they upstage each other, ... Frank was often leading. He'd be picking stuff up and choking things. My dad would be talking mock-Swedish and he'd have to try to keep up. After a while, Frank would say, Maybe someone else should do the hands,' but my dad would never let him. He said, No, you're doing the hands.'

What happened was that because my dad had made 'Sesame Street' and it was a huge hit, everyone said, 'Oh, ('The Muppet Show') is for kids. We don't want something that's feeling extra silly.' It was never intended to be for kids. My dad was a very determined salesman. He always had faith that his work would be successful. He never stopped trying to sell The Muppets.