Carrie Brownstein Thinking Quotations

I think hip-hop does a very good job of infusing comedy and humor and wit into music, a lot more than other genres.

I think that half of us feel fraudulent in our lives anyway. There's that strange disconnect of not really knowing what we're doing sometimes, or why it matters. It's our existential crisis.

I don't think I would live outside of the Northwest. I think the quality of life in Portland is really good. People move from intense, high-powered jobs, and move to Portland, work half as much and live twice as good.

With Portlandia, I don't think our intention is always to find something funny. Sometimes the humor comes from taking something really seriously. We're okay with making somebody feel uncomfortable or uneasy.

I think hypochondria always plays a part in the healthcare landscape.

I read a lot; fiction and non-fiction are the mediums I find most edifying and inspiring. I watch movies and listen to music and take lots and lots of walks. Nature is a nice reset button for me, it's how I get a lot of thinking done.

I think proteins are really good for your brain. And your brain is where comedy comes from.

I think in some ways, whether you've ever actually been to Portland, people definitely understand this highly curated niche lifestyle, because a lot of people are sort of striving for that now. Or they're hating on it.

I think one of the reasons I haven't been doing music is because I think that some of my performance, like, needs are being taken care of in other mediums.

I got kind of tired of playing, I think. But I think it will be part of my life again, maybe.

I think short-term goals are important. Trying to set a missive for yourself for the entire year can be daunting, and it can feel too easy to fail or fall short of that.

I think that there's always an assumption, when a band goes on hiatus or stops playing, that there's some acrimony brewing under the surface.

I think you should be prepared for a green-screen CGI at all times.

It's very common to think that we're always evolving, that we've changed so much from our younger selves, that within decades we've transformed into these different people. We like to think that. I feel in some ways that I am still so much my younger self. There are ways that I'm different: I feel like I'm wiser and kinder. But I think a lot of the impulses are still the same. I learned that.

The idea of self-effacement, the idea that you feel so powerless that the only tiny morsel of power you have is over your own ability to deny yourself food - that to me is a very profound and sad methodology and indicator of how powerless a lot of people feel in this world. That they will turn that onto themselves until they are physically smaller. I think it's affected my worldview a lot - just being sensitive and empathetic towards the ways people want to be small. I don't wish smallness for anyone.

Wholeness is sort of a dubious concept. Because in terms of the human body and literal wholeness and structures, you think: "here are the structures that help make me whole." Family, or school, or the city I live in. When those structures are dysfunctional or decaying, you end up kind of Frankensteining pieces from everywhere in order to make yourself sated and comfortable and alive.

I think closing-off is the most detrimental thing we can do as people. Also, the idea of not judging oneself.

I think grief is a step towards strength because it allows you to be porous and take everything in, and have it transform you. What will sit within you is despairing, but at least it's feeling. You're not numb. Grief is sort of the allowance of feeling.

I think it's very disheartening and undermining to focus on nostalgia or youthful sentimentality as the lens through which you view art and culture, because then you feel like everything good already happened. I really just try to be in the present with music and just find the things that are invigorating and make me feel happy to be alive right now.

I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.