Chinua Achebe Thinking Quotations

I think an artist, in my definition of that word, would not be someone who takes sides with the emperor against his powerless subjects. That's different from prescribing a way in which a writer should write.

I think back to the old people I knew when I was growing up, and they always seemed larger than life.

If you ask me, Now, is it your best book? I would say, I don't really know. I wouldn't even want to say. And I'd even go on and say, I don't even think so.

Just think of the work you've set yourself to do, and do it as well as you can.

In dealing with a man who thinks you are a fool, it is good sometimes to remind him that you know what he knows but have chosen to appear foolish for the sake of peace.

Mosquito [...] had asked Ear to marry him, whereupon Ear fell on the floor in uncontrollable laughter. "How much longer do you think you will live?" she asked. "You are already a skeleton." Mosquito went away humiliated, and any time he passed her way he told Ear that he was still alive.

When I think of the standing, the importance and the erudition of all these people who see nothing about racism in Heart of Darkness, I'm convinced that we must really be living in different worlds.

There is a moral obligation, I think, not to ally oneself with power against the powerless.

If you're rooted to a spot, you miss a lot of the grace. So you keep moving, and this is the way I think the world's stories should be told - from many different perspectives.

You don't ever want to say to a young person, You can't, or, You are no good. Some people might be able to do it, but I don't think I am a policeman for literature. So I tell them, Sweat it out, do your best.

Unoka went into an inner room and soon returned with a small wooden disc containing a kola nut, some alligator pepper and a lump of white chalk. "I have kola," he announced when he sat down, and passed the disc over to his guest. "Thank you. He who brings kola brings life. But I think you ought to break it," replied Okoye passing back the disc. "No, it is for you, I think," and they argued like this for a few moments before Unoka accepted the honor of breaking the kola. Okoye, meanwhile, took the lump of chalk, drew some lines on the floor, and then painted his big toe.

I believe in the complexity of the human story, and that there's no way you can tell that story in one way and say, 'this is it.' Always there will be someone who can tell it differently depending on where they are standing ... this is the way I think the world's stories should be told: from many different perspectives.

What really worries me is that those who are in positions of power are not really affected by what we are writing. In the moral dialogue you want to start, you really want to involve the leaders. People ask me: "Why were you so bold as to publish A Man of the People? How did you think the Government was going to take it? You didn't know there was going to be a coup?" I said rather flippantly that nobody was going to read it anyway, so I wasn't likely to be fired from my official position. It's a distressing thought that we cannot engage our leaders in the kind of moral debate we need.

Some people flinch when you talk about art in the context of the needs of society thinking you are introducing something far too common for a discussion of art. Why should art have a purpose and a use? Art shouldn't be concerned with purpose and reason and need, they say. These are improper. But from the very beginning, it seems to me, stories have indeed been meant to be enjoyed, to appeal to that part of us which enjoys good form and good shape and good sound.

One would think he never sucked at his mother’s breast.

Joseph Conrad was a thoroughgoing racist. That this simple truth is glossed over in criticisms of his work is due to the fact that white racism against Africa is such a normal way of thinking that its manifestations go completely unremarked.

I think writers are not only writers, they are also citizens.

I think once you have done all you can to a manuscript, let it find its way in the world.

I'm amazed when I think about students today. They know from day one what they are going to be. We didn't. We just coasted. We just knew that things would work out.

I think dialects should be left alone. People should write in whatever dialect they feel they want to write. In the fullness of time, these dialects will sort themselves out.