Christopher Walken Thinking Quotations

I think that weddings have probably been crashed since the beginning of time. Cavemen crashed them. You go to meet girls. It makes sense.

I think that a good movie creates its own world, and that world needn't refer to anything that's real. If it's consistent, if it's entertaining, if it's interesting, it justifies its being there.

Everybody has to be a little lucky, I think.

I used to be prettier than I am, but I think I look better now. I was a pretty boy. Particularly in my early movies. I don’t like looking at them so much. There’s a sort of pretty thing about me.

Laurence Olivier said in an interview once that when he plays a tragedy he always aims for the funny parts, and the other way around. Because in a comedy you look for what's serious. I think that's true. Sometimes things are really funny if you're absolutely earnest. If you're really serious, it's hilarious.

Also, I think there are huge reactions sometimes, which are also mysterious.

I think I'm getting a little bit of Alzheimer's. Just a little.

I'm scared of everything. I think it's only sensible to be that way.

I never know when I am being funny, and the other way too. I don't think you can think about that. I don't think you can try to be funny. Some people are just funny.

I think the fact that I was raised in show business, in New York City, in the '50s, that's affected my personality to the point that I'm a little different.

Acting has to do with saying it as if you meant it, so for me the words are always very important. It's very important for me to know my lines, know them so well that I don't have to think about them.

I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, 'I wish more people saw that' - because you're good. And it just works out that the movie gets lost. But that's show business.

Both my parents had heavy accents, and so did everybody they knew. It's a rhythm thing - people who speak English where they have to hesitate and think of the right word. And I think it rubbed off.

I think that sometimes when they see me in a movie they expect me to be something nasty. I mean, I play a lot of villains and you show up and they think maybe... That's why it's good to defy expectations sometimes.

You hear about things happening to people - they slip in the bathtub, fall down the stairs, step off the curb in London because they think that the cars come the other way - and they die. You feel you want to die making an effort at something; you don't want to die in some unnecessary way.

And I think that when I play these villains, maybe what is different is that the audience sees me play these and they know that that's Chris and he's having fun and he knows that and he knows that and you know that and everybody knows that.

People think that my favorite roles to do are villains, but I find comedy to be the most challenging and rewarding.

I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play; movies are very expensive to make. Chances are you'll get asked to play that part again.

I think the fact that I grew up in show business had a real effect on my personality. If you were born in New York during the golden age of television, and you grew up on Broadway, that marks you.

My own way of thinking is very conservative, very linear and not particularly imaginative, but if I look for things in different places, sometimes things happen.

One thing that's happened to me is I've been around a long time and I've played a lot of villains and so forth. I think it had to do with, well one thing is that I looked younger than I was for a long time. Now I think I'm suddenly starting to play people's father.

The best thing for me is, when I'm not working, is to be at home and to have a script or two scripts is better, and to be just walking around the house and just thinking about the lines.

I think early on I knew what I was going to do and it was based a lot on familiarity but it was also because I didn't have a lot of skills. There was nothing I wanted t be. I didn't want to be a doctor. I wanted to be in show business.

I think that if I had grown up and had been in show business and the movies twenty five, thirty years earlier, I think I would have made a lot more musical movies.

When I was a kid I joined the circus. I did that. It is true. But it's not like you think. There was a guy, he had his own circus. His name was Carol Jacobs and he owned it. It was a small thing.

I got to playing villains-I don't know how. I think it's like anything else, in the movies in particular that if you establish yourself as something and you're lucky enough to keep getting hired. You know, there are guys who play the guy who gets the girl, guys who are the best friend of that guy, there's the funny guy, the villain.

I think all men when they get older, they look at the mirror and they probably see their father a little bit.

Too many young actors are strutting about and doing films without having developed some of the depth you need to bring off certain kinds of roles. I think that's the problem with the system, where a lot of younger actors who haven't had a chance to develop suddenly become stars.

I tend to play mostly villains and twisted people. Unsavory guys. I think it's my face, the way I look.

I feel like you are this or that because other people say so. I wouldn't know how to play a psychopath. I don't think about it that way. You think about playing the scene but if the other people say that guy is crazy, then you are.

It's impossible for me to play a part without thinking about the audience.

I know that whenever I think about death, I come up against a stone wall.

Death is wonderful because you can't think about it. How are you gonna think about it?

I've always been a character actor, although I'm not quite sure what that means. All my scripts are absolutely covered in notes, so any time I say anything - even 'pass the salt' - I have six subtexts, comments on what I really mean when I'm saying that. Maybe that's what gives the impression that I'm saying one thing and thinking something else.

Can I confess something? I tell you this as an artist, I think you'll understand. Sometimes when I'm driving on the road at night I see two headlights coming toward me. Fast. I have this sudden impulse to turn the wheel quickly, head-on into the oncoming car. I can anticipate the explosion. The sound of shattering glass. The flames rising out of the flowing gasoline.

I don't think I'd be a good director because people would ask me, you know, "What is it? What's going on here? Where should I put the camera?" Or, "What's my motivation?" And I would say, "Do whatever you want!"

It's very bizarre though when you get hired and then the director will say, "I know how this goes." And you're thinking, "Wait a minute, I thought that I was doing this" but basically what they really want, especially if they wrote it, is they want you to do it as they imagined it. It's virtually impossible.

I've been very fortunate, because I've been involved in things that very often lead to obscurity. I was in some pictures that were not successful whatsoever. I think people admire persistence. People notice that I'm still there.