Colm Toibin Writing Quotations

I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner.

The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side.

I have to write a first draft with a fountain pen before I type it up as a second.

I write with a sort of grim determination to deal with things that are hidden and difficult, and this means, I think, that pleasure is out of the question. I would associate this with narcissism anyway, and I would disapprove of it.

The sentences I write have their roots in song and poetry, and take their bearings from music and painting, as much as from the need to impart mere information, or mirror anything. I am not a realist writer, even if I seem like one.

All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much.

I am violently untidy. My desk is overcrowded. I write my first drafts in longhand in a long notebook using a plastic throwaway fountain pen. Then I work on a word processor using a different desk and a different room.

Suffering is too strong a word, but writing is serious work. I pull the stuff up from me - it's not as if it's a pleasure.

I wrote every day between the ages of 12 and 20 when I stopped because I went to Barcelona, where life was too exciting to write.

John McGovern taught me that it's OK to write repeatedly about the same things.

Anyone who works in the arts knows, if you're writing a novel or a play or anything, you have to be ready for someone to say, 'Your time is up.'