Dave Grohl Song Quotations

You know, Nirvana used to start rehearsals with the three of us just jamming. For, like, a half an hour, just noise and freeform crap - and usually it was crap. But sometimes things would come from it, and some songs on Nevermind came from that, and 'Heart Shaped Box' and stuff on 'In Utero' just happened that way.

At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.

There's a reason why the Foo Fighters don't blast out Nirvana songs every night: because we have a lot of respect for them. You know, that's hallowed ground. We have to be careful. We have to tread lightly. We have talked about it before, but the opportunity hasn't really come up, or it just hasn't felt right.

I've always been a fan of melody and emotional melancholy, whether it was Rites of Spring or Tears for Fears or Neil Young. If I hear a song that has a sweet melody, I'm a sucker for it, whether it's Linkin Park or Little Richard.

The thing that will never go away is that connection you make with a band or a song where you're moved by the fact that it's real people making music. You make that human connection with a song like 'Let It Be' or 'Long and Winding Road' or a song like 'Bohemian Rhapsody' or 'Roxanne,' any of those songs. They sound like people making music.

I'd love it if everyone knew one Foo Fighters song.

It's terrifying to play your favorite band's song in front of your favorite band.

Usually, when you go in to make a record, you have 30 songs, and you record 30 of them, and 12 of them make it to the record.

When he comes in and listens to a song that you're asking him to play on and he turns to you and says, 'Hmm, that chorus goes a little long, doesn't it?' you (acquiesce): 'Yes it does. Yes, of course , Mr. John Paul Jones, sir. You are absolutely correct.' It really was one of the most special things that happened to me in my entire life. Sitting down with an acoustic guitar, teaching John Paul Jones a song I'd written while he's playing it on piano - it was too much.

To me the most important thing is getting into a studio and making an album that is 12 or 14 amazing songs, getting up onstage, and making people happy by livening the rock.

Someone curating songs for you through your computer or being able to hold 10,000 songs on your watch - that convenience is pretty incredible, but so is the emotional impact of holding a Beatles record in your hand and listening to Let It Be.

For every Foo Fighters record, we've had two or three beautiful, acoustic-based songs, but they never usually make their way to the record, because we want to make rock records.

When you're sequencing a record, you want the listener to stick with it from beginning to end, and in order to do that, you really have to map out the journey from the first song to the last.

Most of our songs were written on acoustic guitar before they made it to the practice stage.

That’s one of the great things about music. You can sing a song to 85,000 people and they’ll sing it back for 85,000 different reasons.

If you play a Nickleback song backwards you'll hear messages from the devil. Even worse, if you play it forwards you'll hear Nickleback.

I always loved writing songs - writing for myself and demo-ing songs, really with no intention of ever letting anyone else hear them. Finally the Foo Fighters stuff happened when I just went to the studio down the street from my house and recorded some stuff in about five or six days, and all these people wanted to release it as an album. I wanted to release it on my own, with no photos and no names on it.

What's the last thing a drummer says in a band: Hey guys, why don't we try one of my songs?

What we feel most comfortable doing is playing loud, screaming rock songs.

There's a band in a garage right now writing songs for an album that will do the same thing 'Nevermind' did some 20 years ago. We don't know who and where, but it will f***ing happen again. All it takes is for that storm to break.

What I really miss these days in music - is the music. I prefer to listen to melodies and songs, not just sounds.

When I was a teenager, working towards dropping out of high school to starting to tour with bands, I'd drive around in my VW Bug every morning before school, very stoned listening over and over to Zeppelin. This song got to me because it just seemed mystical. There is something about those Celtic tunings that almost sounds Eastern. Somehow it would sweep me up into my own little trance-like state, like Sting with those shamans in the Amazon. But all I had was a bong and a Led Zeppelin cassette.

It's important to me that people feel connected to the band through the music, you know? I don't want it to be wallpaper. I don't want it to be background music. I want it to be clear: This is the song. These are the words. If you feel the same way as I do, sing it as loud as you can.