I have a certain temperament, a disposition that I think lends itself to not playing outside the lines that much. But I do test the boundaries, certainly, and break one or two of my own. Some people are mystified by it, but not me.
I was playing with James Taylor at the time. James agreed to let me open for him, if I played with him also. So I got to be the opening act and I got a lot of exposure that way.
Well, I had been doing albums that were a little more pop/commercial and it was really only reflecting one side of my playing and I felt the need to express another side of myself.
There are some logistical and legal nightmares tied to that show, ... for me, the great thrill of doing that show was playing with people I've been a fan of.
When I was 17 or 18 and it was time to figure out what to do with my life, I realized that I didn't enjoy anything as much as I enjoyed playing music. I felt that I had no choice: that I had to become a musician.
If you're playing with somebody from another idiom, you can't react to them in the same way that you react to somebody that is closer to your idiom. You don't fall into the same habits. You find a new way of communicating.
I think Norah Jones is a perfect example. Here's somebody who was playing the music she wanted to play and did it with some conviction, and it happened to be at a moment in time when there was a highly receptive audience for that kind of music.