Elizabeth Gilbert Two Quotations

Marriage is not simply a romantic union between two people; it's also a political and economic contract of the highest order.

We gallop through our lives like circus performers balancing on two speeding side-by-side horses--one foot is on the horse called "fate," the other on the horse called "free will." And the question you have to ask every day is--which horse is which? Which horse do I need to stop worrying about because it's not under my control, and which do I need to steer with concentrated effort?

Most of us, even if only for two minutes in our lives, have experienced at some time or another an inexplicable and random sense of complete bliss, unrelated to anything that was happening in the outside world.

Marriage is those two thousand indistinguishable conversations, chatted over two thousand indistuinguishable breakfasts, where intimacy turns like a slow wheel. How do you measure the worth of becoming that familiar to somebody—so utterly well known and so thoroughly ever-present that you become an almost invisible necessity, like air?

All of women's stories in the 19th century had either one of two endings: you either had the good Jane Austen marriage at the end and you were happy; or you had the terrible Henry James savage downfall because of your own hubris as a woman, or you've made some great error leading you down a path to ruin. One is the story of love that's successful and the other is the story usually of reckless love that goes terribly wrong that destroys the woman.

I said, "It seems like you have fond feelings towrd your ex-wife. Are you two still close?" "Nah," he said casually. "She thinks I changed my name to motherfucker.

How could two people who were so in love not end up happily ever after? It had to work. Didn’t it?

Now imagine a life in which every day a person is presented with not two or even three but dozens of choices, and you can begin to grasp why the modern world has become, even with all its advantages, a neurosis-generating machine of the highest order.

When you have only two minutes to say good-bye to the person you love most in the world, and you don’t know when you’ll see each other again, you can become logjammed with the effort to say and do and settle everything at once.

I'm not particularly inventive. If you left me in а room and told me to write a novel, I wouldn't be able to do it. But if you gave me two years in a public library around the corner, I could. It all comes from sort of mixing the true and the invented. I'm not a fabulist. I'm more of a reporter.

One of these poems I wrote after having been here only a month. The other, I wrote this morning. In the space between the two poems, I have found acres of grace

As a writer, you always read in two minds: You read as a reader and you enjoy it [a book], and you look at it as a writer, and you just admire the architecture and the construction [of a story].

Just having walked into a prison environment, sat there for two hours, the effect that it had on me. ... I couldn't imagine the effect it would have on a person 24 hours a day. So then I became more intrigued, and we began a correspondence, and I began visiting [Todd Willingham].

Traveling-to-a-place energy and living-in-a-place energy are two fundamentally different energies

There are only two questions that human beings have ever fought over, all through history. 'How much do you love me?' And, 'Who's in charge?' Everything else is somehow manageable. But these two questions of love and control undo us all, trip us up and cause war, grief, and suffering.

There are always two figures in a marriage, two votes, two conflicting sets of decisions, desires and limitations.

To feel physically comfortable with someone else's body is not a decision you make. It has very little thing to do with how two people think or act or talk or even look. The mysterious magnet is either there, buried somewhere deep behind the sternum, or it is not.