Jake Gyllenhaal Thinking Quotations

I like the idea of the adventurer's spirit. I think that is very much what a man searches for, in a certain way.

I think it's important for every man to find the right woman and every woman to find the right man.

Chris Cooper once told me to never have any regrets. After Chris said that to me, I walk into every scene thinking, 'exhaust every possibility.' Once you get to a certain place, it's like you just deliver everything you've got. Don't have any regrets. It pops up in my mind over and over and over again.

I think that we all have within us the potential for almost anything. If we play close attention to our lives, then we can get at it somehow.

Not to say that you should be constantly trying to change the world, but I think it's important to know that whatever we do has an implication and has an effect, and because of that it is political.

I think my strength is to do a take all the way through. I am definitely not someone who can do a sprint. Maybe I am not that smart, but it takes me a while to find the moment, and I like to be pushed toward it.

Every man goes through a period of thinking they're attracted to another guy.

I think, when someone say, "When did you feel like an actor?" it's those moments when I feel like, "I'm an actor, wow." That's an extraordinary moment for me. So it's not like I walk around going, "I'm an actor."

But you need to strive to try and communicate and try and change things in a similar way. And then people can think that's pretentious or whatever, but it's your life's work, and you've decided that. That's what they made us believe. So we have a pretty high standard, which is at times great and at times not.

Even as an actor, I think like a storyteller. My parents raised us to look at the script.

There's no shame in somebody who doesn't necessarily do that job knowing a little bit more in that instance than you might know about your own job, you know, and I think that is where movies are such a collaborative art form.

You know, it's flattering when there's a rumor that says I'm bisexual. It means I can play more kinds of roles. I'm open to whatever people want to call me. I've never really been attracted to men sexually, but I don't think I would be afraid of it if it happened.

I wasn't really quite sure where Heath Ledger came from, and I think that's the feeling most people got when they were around him and why he was so extraordinary.

I think I'm generally - fear, fear is very still, so in terms of that kind of fear - there's so many different kinds of fear, but fear is something, particularly in movies, that's interesting, because it's created by the film maker, that was created by [David] Fincher, that's why he's brilliant.

I remember watching Meryl Streep in, The River Wild. There's this scene where she's has a gun pointed at her, it's absurd in a lot of ways. Someone pulls a gun on her I think, I'm not really fully aware of the scene and she just, she starts, you see her terrified. And then all of a sudden she starts to burst out laughing. She starts laughing. Like she can't stop laughing. Because she's terrified and she's emotional and there are no rules to what you're supposed to feel. That to me is like A number one, that's the thing I have to remind myself all the time.

I always say about that movie [ Brokeback mountain], which I think maybe over time is more understood, is that this is about two people desperately looking for love. To be loved. And who were probably capable of it. And they just found it with someone of the same sex.that does not dismiss the fact that it is about, really, primarily, the first kind of very profound gay love story. Hopefully it can create an equality of an idea: that is, it's possible that you can find love anywhere.

Working with Robert, Robert [Elswit] is a storyteller. He's not a cinematographer, he's a storyteller. And to me, that's the graduation I hope to get to in my profession. That I'm not just an actor, I'm a storyteller. And I think that takes a long time in, when you have one job on a movie set. Makeup artists, actor, whatever. To graduate from just that to storyteller.

When somebody's really good, they're not just thinking about their job.

I don't think I'm sharp enough to not prepare and come on set and kill it.

I think you hear a lot of people say 'I support the troops' and all of that, but I really feel deeply that I do.

I'm at a period in my life when I'm figuring out my idea of who I am and what I want and how to hold onto love -- all that big stuff. And I'm starting to realize that it can happen at any age. I know people who are in their 50s who are figuring out what they want and who they are, and I think it's great. It's like you're always approaching life as a beginner.

I think that I have done work where I feel like I've challenged myself, and then what's even more confusing is I've done work where I think I've challenged myself and no one's responded to it, and no one's interested in it.

I was trying to figure out where my intellect, if I really have one, where it fit. And so I was searching. I really didn't know who I was or what I really wanted to be, and in that search, like I think you do as an actor, you end up trying to define whatever that is, and I sort of said, "Oh well, searching spiritually in a way is interesting, and Eastern religion seems to be about a search."

A Separation is another film that I think is extraordinary, and one of those things that feels like it's from another planet, much like Terrence Malick's movies did: at a certain point, you feel like he's an alien from another planet telling us and looking at us and showing us how we are. I also really, really love Jerry McGuire.

I also think within the scene, a specific scene - if I were to play a part that I played 10 years ago now, my interpretation of that scene would be totally different. I would be making different choices. Because I can't somehow subtract all of the experiences that I've had in my life. And it's fascinating to see, because somewhere I'm very reflective in that. You know, I've been playing basically actually close to 40 years old, so I'm somewhere lost in age in this movie. But it's been fascinating to see that I can't subtract that time.

Being the youngest, I constantly have that insecurity of being the youngest, which ultimately is probably my drive. in a lot of ways. In terms of as an artist, the way we could communicate as a family very clearly was through movies and through acting, and when things became complicated with all of our own personalities, that's where we are most clear. I think that's also where we are most brutal with each other as well.

I think also what's interesting is that Maggie [Gyllenhaal] knows how much the choices that I make reflect what's going on in my life. Admittedly, probably, as my sister, and as someone who loves me - like, she can't wait to see become a father.

I think my family love each other so much and expect so much from each other, and I think we expect a type of honesty in the work that we all do.

Hardest emotion? They're all pretty damn hard; I don't know really if there's one specifically, but I do think, I don't know what's happening or what I'm feeling when I'm actually listening.

I walk around thinking job to job, trying to not have regrets.

I think I work as hard as I do now, because of a lot of lessons I've learned early on.

We are all from different cultures. Heath's [Ledger] Australian, really. I'm from here. Ang's [Lee] from China. But I think Ang gets very close in preproduction and rehearsals. And then he allows his actors - I don't think scared of actors, but I think he's scared of getting in on the scenes he's watching. The space he's watching. So he just totally disconnects from you while you're shooting.

I don't think I've made a mistake. I think I have behaved in ways that I am proud of; I think I've behaved in ways I'm not.

I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David [Fincher], and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.

When I look at that now, all I think about is what a master [David Fincher] I was working with, and all of the things I could have watched and learned - and I didn't. And how, now, in my career, how I would love to have a ton of takes.

I think, now, younger generations do take that for granted in a lot of ways. I don't think that takes away from the struggle of identity and what that is. But the struggle for identity is everybody's struggle. No matter what it is.

Working with Jim Sheridan for instance, we did this movie Brothers. Jim will ask anybody - we'll get a delivery on set, and like the poor delivery guy will be like, "Here's your pizza," and he'll be like, "Come over here. Come here. I want to ask you a question. Do you think this is real? What do you think? Should we do another take?" And they're like, "I, uh, you want your pizza?" There's no shame in everybody's ideas. There's no shame in somebody not knowing.

I think I'm not in this work to not look at life as it is. I'm not in it to say, "I want to wear a mask and escape," you know. I want to know what's happening in the world, and I want to have it touch me in a way that I can do something, my little part like that, and have it somehow translate.

I don't want to be lofty when I say this, but I don't know what a success is any more. I know how we define it, but that was a moment where I went, "Wait, who am I?" You could feel the business, in particular, kind of go "He's all right, let's go over here." I started to go, "Wait, I know why I love to do this." I think I got off track in why I love to do it.

I think, in the initial process of discovering a character and the analytical process - and this is what I did take from Buddhism - initially I think there has to be an analytical, intellectual approach. And that has to be abandoned by the time you're playing the game.

As well as that, every man goes through a period of thinking they're attracted to another guy.