I have in the past acquired a reputation for concocting non-existent writers and unwritten volumes.
Writers who want to interfere with adaptations of their work are basically undemocratic. The book still stands as an entity on its own.
I'm very aware when I share a stage with other writers that I'm much less driven than they are. I don't wake up in the middle of the night, pregnant with paragraphs. I don't suffer for my text twenty-four hours a day.
The celebrity sense of writers is something which is very tempting... But the enthusiasm comes from the fact that it's such a natural activity, storytelling.
I'm not going to write any more novels. I don't want to end up being one of these angry, bitter writers moaning that only three people are reading him. I don't want that.
In the U.K., a lot of writers won't show up to support activist issues because they figure they're already repairing the world. I don't want to be one of those people.
I am not - thank heavens - one of those 'driven' writers who spend a fortnight buckled with empty fright over an untouched page only to wake at two in the morning feverish with paragraphs.