I learned to write fiction the way I learned to read fiction - by skipping the parts that bored me.
I've had the odd good luck of starting slowly and building gradually, something few writers are allowed anymore. As a result I've seen each of my books called the breakthrough. And each was, in its way.
It was often this way, life consisted of a series of false beginnings, bluff declarations of arrival to destinations not even glimpsed.
For me, music is sort of the art that I can't incorporate into my person the way I want to.
The computer is the way I'm making books, but I still think about the physical properties. I visualize the length of a book, the proportions of a book, in material terms.
I'm gregarious with writers and never with manuscripts . . . I [like to] create the illusion of seamless perfection, so I alone know the flawed homely process along the way.
I suppose in a way most of my characters are non-consumers, not terribly interested in all the little baubles and artifacts of contemporary life.