Kiefer Sutherland Thinking Quotations

I think the most attractive thing is a sense of humour. If someone can make you laugh, you've gotten a lot out of the way.

I'm a huge fan of Canadian rock-and-roll. When I was growing up, Rush came out with a record called Hemispheres, and I must have listened to that record for two years straight. Even when I was asleep I had it on. So, yeah, whenever I hear a Rush tune, the first thing I think of is Toronto.

I think that the day you've figured out the differences between women and men is the day that you're no longer attracted to women. It's the difference that is so fantastic and frustrating and angering, and really sexy.

Youth is an amazing thing: I think back on when we did The Lost Boys, and I didn't think I could do anything wrong.

I think when you get the opportunity to work with someone like Lars Von Trier... I mean, Alexander Skarsgård, Charlotte Rampling, John Hurt, just to work with those actors, you take that opportunity when you get it.

I think just in general there's a bunch of films that mattered to me that didn't reach their potential, and on some level you have to assume responsibility for that. And I think over the years that gets difficult.

I've always been shocked that people that I'm actually flying with say, 'Oh, I feel safer on the plane with you.' I'm thinking, 'You must not watch the show because everybody around me gets killed.'

I think one of the things I was most interested in finding out was how differently we approached our work. And my reality was that we didn't approach it very differently at all, which was funny.

Some people think it's because '24' was jump-started by what happened on 9/11. That was never why we made the show. We started production six months prior to 9/11, and we'd already done ten episodes.

If you take a look at our natural history, there's always a moment where the young lion wants to challenge the older lion and, inherently, that's going to be problematic, and I don't think we're any different.

If you're going to break cinema, film, and movies apart, very rarely to you get the opportunity to even think that you've been a part of cinema.

Romania is an interesting place because I think it has been abused, on so many different levels.