Opera is more like melodrama. And the good thing about opera is that if you can accept that people sing instead of talk, then you don't have to go in and out of it. And that means you can have your emotions with you.
If you are using a 35 mm camera, it typically means shoulder mounted-and we actually constructed a shoulder mount for the small video-cameras. So you can discuss where the limit is with all the various ways you can attach a camera to a cameraman.
But if it means that people who used to be limited by a notion of how a proper film should be, if those people now feel that they can make film-then I find that has a certain quality to it.
The essence of my dramaturgical considerations is that I want to chuck out the most superfluous, habitual constraints and escape from rigidity, but at the same time film is a means of communication.
For me as a director, it is extremely fun trying to add the music on the spot. Especially the moment when the music sets in and the emotional chords are engaged, is a very important means of expression.
This way of working with actors that I have found now is normally a great pleasure, because it means giving a lot of freedom to some people-and to see them enjoy that freedom and to give to the project is usually very nice.