Marc Jacobs Thinking Quotations

I don't think, 'Gee, I'd like to dress this person.' There was a picture in Us magazine. It was a jersey dress, and Courtney Love was wearing it. I have this thing about Courtney Love, this funny worship.

I think of many people and no one as a muse. I love the way Sofia looks always, and I love the way Kim looks always. Fashion may be part of their world, but it's not their whole life. It's not everything.

You can never please everyone, and I think it's best not to.

I don't think there is ever a wrong time for a polka dot.

Whether it's an $11 flip-flop or a $2 key ring or a $2,000 dress, they're all done with integrity. They're all done with a design sense. As long as the creativity exists, then I don't think it's a sellout. A sellout is putting your name on any piece of crap and then expecting people to buy it because it's got your name on it.

I think scent is sensual. I guess evoking a mood or a spirit is key, and I think with the women's fragrances we have evoked different types, moods or sensibilities of a woman - whether it's Daisy with the sweetness and the innocence or Lola which is more provocative, sexy and sultry.

I think there is something about luxury - it's not something people need, but it's what they want. It really pulls at their heart.

The red carpet doesn't interest me. I think people become all the same; it's like everyone posing from the three-quarter angle in some low-cut, fitted dress; it's all the same.

The thing I most love and hate about fashion is that it changes all the time. But I don't think I or anyone else can singlehandedly get rid of hooker style. Popular taste isn't great by definition. It's just popular.

But in another, I think a woman's going to go into a shop to find a coat or a jacket and I just don't think she's not going to go into a shop because of a bad review she probably didn't even read.

I don't see myself as being as big of an influence as other people seem to think.

I think it's an old fashioned notion that fashion needs to be exclusive to be fashionable.

I do think that in order for a company to be interesting to the investment community, there needs to be a plan; there needs to be a bigger retail footprint. There needs to be this idea - DNA, lifestyle, words I hate.

I think journalists have the right to their opinions but I think their opinions should be based on history and what they see, not what they feel, how long they've been waiting or whether it's raining or it's snowing or whatever.

I've learned a lot about doing accessories and making shoes and handbags. I don't think my perspective has really changed. The subtlety of understanding yarns, what makes a fabric what it is - I've learned technical skills and more about the craft.

I think when I started to get in shape and spend time at the gym, I could be better to other people and be better to myself and get back to loving fashion and experience it myself. I started to wear kilts and lace dresses.

I guess when I look over my shoulder at other designers, I feel like people are so definitive. It's so clear to me what their aesthetic is, what they're projecting. And I look at my own work and I think, Who could ever decipher what the hell is going on?

Anyone who thinks designers don't talk to editors, and editors don't talk to stores doesn't know what's happening...It's called crossover, sampling all references in music, art and fashion.

I think beauty is youth; it's energy. I'm attracted to imperfection, style, confidence, and experimentation. So beauty, to me, is really a lot of things. It's kind of unexpected-what surprises you.

I create the concept, which for me is about deciding upon the right girl and the right 'spirit', and thinking of all the things that visually describe her. It's just like putting together a fashion show; for me, that starts with the spirit and the girls as well.

I think something happens with age. And I find this really a lot in what I read from certain art critics: For people who are all about change-people who are supposed to be intellectually and culturally drawn to the idea of change and how the voice of a creative person affects the world on a bigger scale than just the canvas-I would expect a person in that position to have that open mind. It's only a sign of age that they become so locked in their own rules that they forget that this is what it's all about.