Michael Chabon Writing Quotations

I'm never going to be a Tom Clancy. And I wouldn't really want to be - not that I have anything against him, and I wish him continued success - because that's not why I'm writing novels. I'm doing it because I have to. I feel like I have to, anyway.

For me, the goal is always to write a novel that I myself would like to read. People frequently ask me what my favorite book is, and in effect, there's always a capital-F Favorite, capital-B Book that I would like to write myself someday. I try to go for that ideal of writing the best, most entertaining, most beautifully written book that I possibly can.

A true storyteller is really good at writing himself into a corner and then finding a way out of that corner

The problems you have as a novelist tend to have to do with making a living and trying to find ways to supplement the income you get from writing novels. For a lot of writers, that involves teaching. In my case, so far, I've been able to get by working in Hollywood with this TV stuff I've been doing. And it's very important, because my wife is a writer, too, and we don't have health insurance through any employer.

I don't think you could teach someone to be a genius, but you can certainly teach them to not make rookie mistakes and to look at writing the way a writer looks at writing, and not just the way a reader looks at writing. There are a lot of techniques and skills that can be taught that will be helpful to anybody, no matter how gifted they are, and I think writing programs can be very good for people.

Louis Pasteur said, 'Chance favors the prepared mind.' If you're really engaged in the writing, you'll work yourself out of whatever jam you find yourself in.

I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about.

I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.

That's the best thing about writing, when you're in that zone, you're porous, ready to absorb the solution.

Most science fiction seemed to be written for people who already liked science fiction; I wanted to write stories for anyone, anywhere, living at any time in the history of the world.

Jerome Charyn is one of the most important writers in American literature and one of only three now writing whose work makes me truly happy to be a reader.

I love the internet and it has been incredibly useful and I have made discoveries that have been immeasurably crucial to my work [writing] - things I don't know how I ever would have found out otherwise, that are perfect, just what I need for whatever I'm doing.

While writing, I'll go anywhere I find that is quiet, has no internet. I have a big internet problem.

When I finish a first draft, it's always just as much of a mess as it's always been. I still make the same mistakes every time.

The midnight disease is a kind of emotional insomnia; at ever conscious moment its victim—even if he or she writes at dawn, or in the middle of the afternoon—feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbours soundly sleep.

When I'm writing solitude feels very good. But when I'm not writing it feels lonely... Having a big family solves that problem.

You need three things to become a successful novelist: talent, luck and discipline. Discipline is the one element of those three things that you can control, and so that is the one that you have to focus on controlling, and you just have to hope and trust in the other two.