Nick Cave Thinking Quotations

Musicians are at the bottom of the creative pyramid and authors are at the top, and many people think it's unacceptable for someone to attempt to jump from the bottom to the top of the pyramid.

I don't know, maybe Australian humour isn't supposed to be funny. It's as dry as the Sahara, and I think people miss that.

People think I'm a miserable sod but it's only because I get asked such bloody miserable questions.

I love rock-n-roll. I think it's an exciting art form. It's revolutionary. Still revolutionary and it changed people. It changed their hearts. But yeah, even rock-n-roll has a lot of rubbish, really bad music.

Despite what people might think, I'm not interested in being dark all the time. I'm actually searching for some kind of light, and I'm always very happy when I can achieve that.

I don't think Hollywood makes many good films anymore. How many directors can you really trust to have an artistic vision, not a corporate vision or a watered-down communal one?

People often can't separate, or can't understand, that to be funny is to be serious; it's a way of pulling people in and not scaring them off. I think a lot of the funny stuff, underneath it, there's a deep anxiety going on.

I'm not a misogynist, so you can dispense with that. I think I've done wonders for the feminist movement.

I always thought my records were number one; it's just the charts didn't think so.

I don't really do Japanese interviews. I don't think there's much call for me in Japan.

I have a very strange relationship in general with women around my music. There's some that understand it and some that think there should be a law against it.

I've always worn suits. To me they're a very practical kind of thing to wear. You put one on and don't really have to think about what you're going to wear.

You were the local joke, really, ... It kept sliding further into summer, and the locals were thinking it was going to be really funny watching these people try to make a movie under those conditions. Nobody could even open their mouth without a fly crawling into it.

I don't particularly believe all love is doomed. But I guess, one is usually kinda suffering from some aborted love affair or association, rather than being at the peak of one. I think it's fairly obvious that a lot more suffering goes on in the name of love than the little happiness you can squeeze out of it.

When you've been initiated, you can stand in the world differently. And I think it is up to all of us, we can have cheerleaders, we can have supporters, but it comes down to us as individuals, how do we now proceed? Do we have the tools to proceed?

This is how it essentially is for Bunny Junior. He loves his dad. He thinks there is no dad better, cleverer, or more capable, and he stands there beside him with a sense of pride - he's my dad - and he also, of course, stands beside him because he has nowhere else to go.

The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.

There are times when I think I can sing it better, but usually I find that I can't.

I think I have always had a pretty strong creative impulse. And that has probably saved me from abandoning myself completely.

I think there is a certain perversity in my music in that I continue, you know, to eat at the same ball of vomit year after year.

I think there's a certain numbness in modern society, that accepts certain kinds of violence, but represses other kinds of violence.

I think it's an essential fact for any performer or artist to fail as poignantly as they can succeed.

What I think about when I frequent the Museum of Natural History, the Metropolitan [Museum of Art], and I look at these artifacts that are taken out of context and how we're forced to view them as objects, as relics, as sculpture- static. But what's interesting is what it allows me to do in my head in terms of imagining what the possibilities are or imagining the role in which they played within a particular culture which I'm fascinated by.

I was about 12 years old and I was sitting watching the television and it was some kind of talent show, you know, and on marches this monkey, this ape, in a pair of red-checked trousers with a little matching jacket holding a ukelele and it started jigging around playing it, and it was looking straight into the camera, straight at me, and I remember thinking, that's it, that'll be me, you know, that'll be me.

I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.