Pankaj Mishra Writing Quotations

I feel very privileged to get to read and write and not to have to do things that I don't like, and I don't want to give that up. Everything else is just a bonus and often a distraction from the writing, reading, and traveling that gives me the most pleasure.

The whole idea of mindfulness is all about having a second-level monitoring of your thoughts and being able to recognize them as being negative or harmful before they become a part of your being, before they become some kind of action like writing an angry letter to someone or speaking too strongly to someone.

If you think that what you're doing is not all that important in the larger scheme of things and that you're just an insignificant creature in the whole wide world, which is full of six billion people, and that people are born and die every day and it makes no difference to future generations what you write, and that writing and reading are increasingly irrelevant activities, you'd probably never get out of bed.

So much of writing is fed by vanity and the feeling that what you are doing is the most important thing in the world and it has not been done before and only you can do it. Without these feelings, many writers would not be able to write anything at all.

I think the Buddha presents an image of someone who believes in self-control. I think he's offering, perhaps, a critique of the romantic idea of the passions being this wonderful source of life or vitality that define you or your writing.

Nietzsche's vision of the superman is of someone who's able to control and tame his passions and turn them into something richer than raw emotion and raw feeling. I think the best writing does that too. Untamed passion basically results in bad writing or bad polemics, which so many writers and public intellectuals are vulnerable to.

I found it really disturbing to see a novelist writing a diatribe about Islam and Muslim radical extremists, blurring the distinction between the two.

The act of writing should not be accompanied by the sense of an audience, someone peering over your shoulder, but in nonfiction I think it's almost imperative that you identify an audience so you can confirm or challenge or undermine whatever ideas or prejudices they might have about your subject.

The people who encouraged me weren't necessarily writers or readers themselves. They were people who were just pleased to see me devote my life to reading and writing.

I wrote for many years without showing my writing to anyone, because I was constantly comparing it to what I was reading. You have to compare yourself to the best and feel totally inadequate.

Most of what I read is for reviewing purposes or related to something I want to write about. It's slightly utilitarian. I definitely miss that sense of being a disinterested reader who's reading purely for the pleasure of imagining his way into emotional situations and vividly realized scenes in nineteenth-century France or late nineteenth-century Russia.