Paul Weller Thinking Quotations

I'd like to think I've left something in the world. Without in any way trying to be morbid, but life is very short, and I'd like to think I'd leave some body of work that would inspire other musicians long after I've gone.

I think people are just really disappointed, disappointed with Blair as well, who's just like Bush's lapdog. I think everyone's just disillusioned with politics in our country, and it must be the same in your country.

I think politicians are so far out of step with what people really want.

I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really.

I think the world is really small today, and fashion, from that end of it, it's instantaneous everywhere.

I think anybody goes through a crisis of confidence from time to time. You have to kind of doubt yourself, sometimes. It's the way forward.

Today, we're even into the whole sweat thing. They'll wear a [suit] jacket like this, but they'll wear it with sweat pants and sneakers. But I do think there is every generation - and it won't be as big as it was when you and I were those ages - but every generation all of a sudden experiences that they want to dress up.

I think you have to satisfy yourself first and foremost.

People say you make your best work when in despair, but I think happiness is a good place to write from

It's important to know all those things, but part of our jobs is to move people along and to make people excited to buy music or buy clothes, and give them enjoyment, I think, too.

I still want to do what I want to do, but we also have to think about some sense of protecting the business that's out there as well.

I think the biggest influence for me is when I hear a great piece of music, whatever the style, I'm kind of inspired by that greatness and I'm inspired to try and obtain something that comes close to that greatness.

I don't like to get pigeonholed. I don't like it when people think they have you sewn up.

I'm definitely obsessed about artists and the type of music and the playing and the tone and all that kind of thing - I'm not obsessed about what the best Beatles album is. I just think if The Beatles are great, they're great.

The way that house music has become so white and so sanitized over the decades and the fact it's still going on, well I think it's sad really, but at the time I really loved it. I loved all the black house music that was coming out of Chicago and New Jersey, which I just thought was really soulful.

A lot of young artists and musicians that we work with, you think they're gonna want to come in and buy the rock star-looking leather jacket - whatever it is that you think they're gonna want. They all want a suit. They want a tuxedo jacket, they want a suit. They don't want to look like their dad in it, but they want a suit.

I try to have an open ear, but at the end, it would never change direction to where I think I should go. Because if I listened to everybody else, they're thinking about what's right now or what was the last thing - they're not thinking about what's next.

For me, there's always an early-'70s sense. There's always a sprinkle of it - if I do it exactly like that, sometimes it becomes too costume-y or too thought out. But the influences are there, without a doubt, always, because to me, that was the part that I also felt was the most defining of my own personality and my own style, and I also think that it's timeless. You never look wrong.

Young people can listen to music at any moment in the day or night. Which is great, but I think it kind of devalues it as well. They don't feel the need to own it. They certainly don't feel the need to pay for it. I'd have to save up for weeks to buy an album when I was a kid, and that made it even more great for me when I finally got that thing in my hand.

You can listen to music at any moment in the day or night. Which is great, but I think it kind of devalues it as well.

The whole nostalgia thing, and just sticking with what you always liked and what you know and not taking a chance on something or expanding. I think especially after a certain age.

I think part of what we do is there is a bit of dandy influence, always, or a little sprinkle of it. Not literal Savile Row dandy, but there's a bit of sartorial dandiness in everything that we do - every collection that we do.

My own personal theory is that all popular music, in whatever form it is, to me, it all comes from Africa. Whether it's filtered through America or whatever - African-American. But I still think there's something in that roots music that's very, very African, and I think that's what unites people.

I just pretty much love from 1966 to 1972, that's my time. I think everything that needs to be said was said within that time. That's just a subjective thing, as well.