Philip Roth Writing Quotations

I write fiction and I'm told it's autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.

The road to hell is paved with works-in-progress.

I have a slogan I use when I get anxious writing, which happens quite a bit: ‘the ordeal is part of the commitment.’ It’s one of my mantras. It makes a lot of things doable.

I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.

A life of writing books is a trying adventure in which you cannot find out where you are unless you lose your way.

You can't write good satirical fiction in America because reality will quickly outdo anything you might invent.

Nothing has a more sinister effect on art than the artist's desire to prove that he's good. The terrible temptation of idealism! You must achieve mastery over your idealism, over your virtue as well as over your vice, aesthetic mastery over everything that drives you to write in the first place - your outrage, your politics, your grief, your love!

Don't judge it. Just write it. Don't judge it. It's not for you to judge it.

I often have to write a hundred pages or more before there's a paragraph that's alive.

Writing turns you into somebody who's always wrong. the illusion that you may get it right someday is the perversity that draws you on. What else could? As pathological phenomena go, it doesn't completely wreck your life.

I haven't written a word of fiction since 2009. I have no desire to write fiction. I did what I did and it's done. There's more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date.

When you decide 'to be a writer,' you don't have the faintest idea of what the work is like. When you begin, you write spontaneously out of your limited experience of both the unwritten world and the written world. You're full of naïve exuberance. 'I am a writer!' Rather like the excitement of 'I have a lover!' But working at it nearly every day for fifty years – whether it is being the writer or being the lover – turns out to be an extremely taxing job and hardly the pleasantest of human activities.

Each book starts from ashes.

Any satirist writing a futuristic novel who had imagined a President Reagan during the Eisenhower years would have been accused of perpetrating a piece of crude, contemptible, adolescent, anti-American wickedness, when, in fact, he would have succeeded, as prophetic sentry, where Orwell failed.

I know I'm not going to write as well as I used to. I no longer have the stamina to endure the frustration. Writing is frustration - it's daily frustration, not to mention humiliation.

What I have in mind when I start to write could fit inside an acorn-an acorn, moreover, that rarely if ever grows into an oak. Write fiction and you relinquish reason. You start with an acorn and you end up with a mackerel.

Suicide is the role you write for yourself. You inhabit it and you enact it. All carefully staged -- where they will find you and how they will find you. But one performance only.

What I would really love to happen to me would be if I came upon an idea that would keep me busy until I die so I wouldn't have to go through the business of thinking up a new book. But I wouldn't mind writing a long book which is going to occupy me for the rest of my life.

Each book starts from ashes really. I don't feel that I have this to say or that to say or this story to tell or that story to tell, but I want to be occupied with the writing process while I'm living.

I think I write or publish as much as I do because I can bear being without a book to work on.