No one wants to be pretentious about what they do or take it seriously, because that is just weird.
I think therapy is a helpful thing. I think everyone knows it. You do it for your life, you do it for yourself, because you want to explore some things, and get at the bottom of some things. It's about your life, the quality of your life.
I think directors should be confident in their leadership capabilities. I think directors should be confident in what they want to do.
When you have a child, as anyone knows who has them, that's basically all you want to talk about.
If I was a little bit younger I would worry more. I'd want to do one thing at a time but now I try to do a bunch of different things at a time if I can.
I know that obviously, that if you want to get the story, if you want to get close to somebody, if you want to find out what is really the truth or what's really interesting, you have to create a trust between these two things, between the journalist and the subject.
There's things that you don't want to do and they keep haunting you and following you. Bennett Miller directed this project [Capote], who is a friend of mine since I was 16, and Danny Futterman wrote it, and he's also been a friend of mine since I was 16.
You have to have a personal connection. You have to really want to do it, because if you don't, investing yourself personally, your thoughts, your emotions, yourself into a part, is something you're not going to want to do as much.
I don't want to repeat myself.
I feel like the need to want to create and make something is stronger than the difficulties are going through.