Quentin Tarantino Character Quotations

If there is something magic about the collaborations I have with actors it's because I put the character first.

I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.

When you start writing, you have your characters on a metaphorical paved road, and as they go down it, all these other roads become available that they can go down. And a lot of writers have roadblocks in front of those roads: they won't allow their characters to go down those roads. I've never put any roadblocks on any of these paths. My characters can go wherever they would naturally go, and I'll follow them.

I don't judge my characters, and that's my job not to judge them.

I will never do Pulp [Fiction] 2 but having said that, I could very well do other movies with these characters.

Just because you are a character doesn't mean you have character.

Even Christoph Waltz's character, Colonel Landa in 'Inglourious Basterds', I never judged him.

Batman is not a very interesting character. For any actor. There is simply not much to play. I think Michael Keaton did it the best, and I wish good luck to Ben Affleck. But, you know who would have made a great Batman? Alec Baldwin in the '80s.

My only obligation is to my characters. And they came from where I have been.

Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.

I don't judge my characters, and that's my job not to judge them. It's my job to treat them with respect and to just look at it from their point of view.

My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from.

I see characters lying all the time in a lot of Hollywood movies. They can't do this because it would affect the movie this way or that or this demographic might not like it. To me a character can't do anything good or bad, they can only do something that's true or not.

To me, truth is the big thing. Constantly you're writing something and you get to a place where your characters could go this way or that and I just can't lie. The characters have gotta be true to themselves.

I really become the characters when I'm writing them. I'll become one or two of them more than others, I'm consistent that way.

The way I write is really like putting one foot in front of the other. I really let the characters do most of the work, they start talking and they just lead the way.

One of the things when you write, well the way I write, is that you are writing your scenario and there are different roads that become available that the characters could go down. Screenwriters will have a habit of putting road blocks up against some of those roads because basically they can't afford to have their characters go down there because they think they are writing a movie or trying to sell a script or something like that. I have never put that kind of imposition on my characters. Wherever they go I follow.

I won't even think about acting in a role where I didn't do a back story for a character.

As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.

I surprised myself, that I was in the tissue of the character enough, that I could actually come up with something that I didn't actually feel or didn't believe.

If I'm doing my job right, then I'm not writing the dialogue; the characters are saying the dialogue, and I'm just jotting it down.