Became Quotations | Page 3

Then the war became a real problem and along with other shortages, they started to have paper problems.

I was socially isolated as a kid. I had friends, but I wasn't very good at sports and that sort of thing so I became quite comfortable being by myself, exploring. The world was my private playground, and in it, I was supreme. Darwin, Faraday, Huxley and other great scientists were my companions.

My history is pretty different from the history of most professors. I was a high school dropout. I dropped out and became a science fiction writer.

I always wanted so much glamour in my life, so I have always been obsessed with class, and from dating a few people who were from old money and a few from new money in my 20s, I just sort of became obsessed with this idea of clueless rich people.

I love America. I eagerly became a citizen. I have no bitterness toward those casting directors who dismissed me because of my accent, nor toward the producers and directors who wanted to cast me but thought the audience wouldn't accept my accent. I think they're selling their audience short.

I became very attentive to customers because I was desperate not to have people leave and never come back.

When I went to India, I became absolutely obsessed with the idea of building a hotel in India. I've never done a hotel, and I'd love to do public spaces in that culture.

Whether the prayer of Seneca was granted we do not know; but, as we do not again hear of Marcus, it is probable that he died before his father, and that the line of Seneca, like that of so many great men, became extinct in the second generation.

How can finite man commune with an infinite God? To both Christians and Jews, God himself has made that possible by irrupting into the temporal world. To Christians, God became man in the Incarnation; to Jews, the God that spoke out of the fire on Mount Sinai gave his Torah.

I'm a psychologist. I was a psychology faculty member, and then I became an administrator of the department, then the Dean of the College of Arts and Sciences. At the time of the presidential search, I was the dean.

I joined the staff of EMI in Middlesex in 1951, where I worked for a while on radar and guided weapons and later ran a small design laboratory. During this time, I became particularly interested in computers, which were then in their infancy. It was interesting, pioneering work at that time: drums and tape decks had to be designed from scratch.

When we took on the name The Drifters, we became the new Drifters, and signed a contract to be put on salary, which I think was like a hundred dollars a week, a piece, five hundred dollars for all five of us.

She became so important to them that they wondered how they had ever managed without her in the past. And the longer she stayed with them the more indispensable she became, so indispensable in fact that their one fear was that she might some day move on.

My family had a membership to the Riverside Yacht Club where my brother, Sandy, learned to sail, and I competed in local swim races. My sister, Marcia, became a competitive springboard diver, and my brother excelled in water polo.

In the sequence where I am burned at the stake, everything was so casual and hazardous that the bottom of my dress caught fire, and the grips became hysterical as they tried to pull me off the stake.

When I became the manager of the New York Yankees, it was an opportunity to realize my lifelong dream of winning the World Series. We were fortunate enough to succeed in our first season in 1996, and in the years that followed, we wrote some great new chapters in Yankee history.

'Lost Boys' is one of my all-time faves. I just thought it would be great to be a vampire. I remember this movie called 'Once Bitten,' which is about an '80s sort of power girl who became a vampire and was really, like, sexy. Hair like she was from 'Dallas,' shoulder pads, big earrings.

At the same time, of course, Marxism arose - Rosa Luxembourg, Leninism, anarchism - and art became political.

It soon became obvious that we were but on the threshold of the discovery.

When I saw that Wrestlemania had broken an indoor attendance record, I just walked into a wrestling office, Championship Wrestling in Florida, during the offseason, and they introduced me to Hiro Matsuda, who became my mentor... and the rest is history!

When I became director of the Metropolitan Museum of Art, it was stodgy, gray, run by elitists. I said, 'Hey, let's kick the thing around.' I wanted to attract young people to the museum. I said, 'Make it hospitable. I want them to come. I want them to make dates, pick up girls, pick up boys - either way; I don't care.'

When I was in college at Carnegie Mellon, I wanted to be a chemist. So I became one. I worked in a laboratory and went to graduate school at the University of Pittsburgh. Then I taught science at a private girls' school. I had three children and waited until all three were in school before I started writing.

When I was mayor of New York, my views changed. I began as mayor of New York City thinking that I could reform the New York City school system. After two or three years, four years, I became an advocate of choice, of scholarships, and vouchers, and parental choice, because I thought that was the only way to really change the school system.

Applause felt like approval, and it became a drug that soothed the pain, but only temporarily.

I became a member of the faculty at Northwestern University in 1965 but did not complete my thesis until two years later at a graduate ceremony at which Carnegie Institute of Technology became Carnegie-Mellon University. At Northwestern, I was mentored by the 'three Bobs:' Robert Eisner, Robert Strotz and Robert Clower.

I'm a born-again Christian. I was raised Episcopalian - I've always been of a Christian faith, but I became much more active in it when I married my first husband, Marvin. I changed from Episcopalian to Baptist.

Ray Bradbury published his first story 29 years before I was born. He established himself as an international writer long before I arrived. When my mom was nine months pregnant with me, my father read Bradbury aloud to her as I listened intently, in utero. And I later became his biographer.

After high school, I went to Stanford University and majored in English. Of course, that gave me a chance to do lots more reading and writing. I also received degrees in London and Dublin - where I moved to be near a charming Irishman who became my husband!

I had one of my best years in 1991; I was 31. I made a renewed effort to work harder. I got better at my diet. I paid attention to how much sleep I got. I was always someone of routine. I became more strict.

But somehow, I felt no inclination to be interested in it in any amateur way, let alone professional, until suddenly I became interested. And the first thing I did was to compose: not play an instrument, but to compose.

In the early 1990s we witnessed the emergence of a revitalized contemporary Chinese art world that began as a reaction against the government-approved Social Realist style. Zhang Xiaogang, Huang Yong Ping, Ai WeiWei, Yue Minjun, and Wang Guangyi were among the first group of artists to establish a movement that became known as Cynical Realism.

Scarlett Johansson was wonderful in 'Lost in Translation,' and then, seemingly within a couple of weeks, she became completely Hollywoodised. I was shocked. I didn't recognise her. I hope to God it's just a phase.

My father emigrated from Lithuania to the United States at the age of 12. He received his higher education in New York City and graduated in 1914 from the New York University School of Dentistry. My mother came at the age of 14 from a part of Russia which, after the war, became Poland; she was only 19 when she was married to my father.

I was born and brought up near a village in Nottinghamshire and in my childhood enjoyed the freedom of the rather isolated country life. After the First World War, my father had bought a small farm, which became a marvelous playground for his five children.

But we were really locked in to that kind of format, and as the '90s wore on, it became for me more solidified, in that sense that there weren't as many of those magical shows that were just magic all the way through as there had been in earlier years.

No man ever became great or good except through many and great mistakes.

In 1986, human nature in America started to change. That year, 'The Oprah Winfrey Show,' based in Chicago, became nationally syndicated, and the country entered the beginning stages of a quiet cultural revolution.

I spent three years at RMIT doing a bachelor of arts and media studies. It was a hugely formative experience. As someone who had a private Catholic school upbringing, the world suddenly became a much bigger and better place for me.

I'm sure it came as no surprise to my friends and family when I became an illustrator and then a writer because, from about the age of five, I was one of those children who always had his nose in a book.

By the time I became chairman and there was more of a feeling of urgency, there was a willingness to accept more forceful measures to try to deal with the inflation.

They fired director Richard Donner because they didn't want to pay him, and he's the reason the franchise became so successful in the first place. There's a big part of Superman II that he did that no one has ever seen.

It's more enjoyable when I'm disguised in some way; stepping into someone else's shoes is part of the reason why I became an actor.

This is Port of Spain to me, a city ideal in its commercial and human proportions, where a citizen is a walker and not a pedestrian, and this is how Athens may have been before it became a cultural echo.

I feel like the rap metal at the end of the 1990s destroyed rock music for everybody and suddenly everybody felt like they had to apologise for being in rock bands. People suddenly felt bad about wanting to reach massive audiences and the sense of theatre, that we have in our live show, became something to avoid.

I'm a school teacher, and later on, well past my formal education, I became very interested in science.

I was always the observer, trying to understand what was going on. I was always the new kid. Writing became my safe place.

I played music and sang from my earliest memories. The first pictures of me show me wandering around with a guitar that was larger than I was, and it became almost second nature to me.

I thought I saw him for what he was-or what I thought he was. And he was talented, no doubt about that. But, he thought his talent was based on misery and that if he became happy it would just go. He believed that.

It became clear to me by 1984 that Microsoft was likely going to be the big winner in the PC software apps and operating system category, partly because of the dynamics of owning and controlling the operating system: that gave you enormous power, and I came to see Bill Gates was fierce competitor.

The weather became so intensely cold that we sent for all the hunters who had remained out with captain Clarke's party, and they returned in the evening several of them frostbitten.

The FSB's invisible presence continued; the agency became an intangible part of my Moscow life - sometimes loudly, sometimes quietly, with someone in a back room clearly turning the volume of minor persecution up and down.

I've always wanted to write science fiction. It was one of my first loves, and I knew if I became a writer someday I'd probably write something in the science fiction vein, but I hesitated for a long while because it's such well-trod ground.

It was only later on that I became more interested in older music.

I realised I'd been spoiled at Liverpool. We were used to winning. In Italy I grew up as a person. I didn't enjoy the football, mind. It was very defensive, but I became a better player because of the work I had to do around the box. Off the pitch, I learned about what to eat and what to drink to be successful, and I learned about life.

I've admired Anthony Hopkins for so long, and when I finally got to meet him in person, I became totally immobile and speechless! I stood there looking at him and couldn't say a word.

'Out' was my real breakthrough, the novel that became a hit in Japan and sold a lot of books, so it was sort of an obvious choice for being the first book to be translated into English.

Father's ideals became part of me and still are today. His reserve, deeply rooted liberal views, his provocative humour, his passion for work and love of risk are also mine.

John Irwin became one of the greatest peace workers in Northern Ireland.

I think I became a writer because of my love of stories and an inability to stop asking, 'What if?'

I have three brothers and one sister, and I'm the third child. Sometimes people say, 'It's only natural you would become a writer - your parents were English professors.' But my four siblings were brought up in the exact same household, and no one else became a writer or an English professor.

It became inevitable that television would address life's mundane problems because television itself is so mundane, part of the ordinary flow of time the way those problems are.

With a lot of help from my high school teachers, I went to college and became a medical tech at a clinic outside Kansas City.

I began my career as an economics professor but became frustrated because the economic theories I taught in the classroom didn't have any meaning in the lives of poor people I saw all around me. I decided to turn away from the textbooks and discover the real-life economics of a poor person's existence.

I pondered what I should do and wasn't sure. Then it just finally became clear.

During this period, I became interested in how the new techniques of cloning and sequencing DNA could influence the study of genetics and I was an early and active proponent of the Human Genome Sequencing Project.

I was a gymnast when I was younger. My parents put me in gymnastics, and I was actually only good at the floor. I was terrible at everything else, especially beam. Unfortunately, you can't be a gymnast unless you're good at all of the apparatuses, so I became a competitive cheerleader. I was just the main tumbler for my squad.

I was surprised at how cosmopolitan the Gold Rush was: prospectors were of all races, genders, and countries. I was equally surprised at how fast gold prospecting became big business.

I was working at a candy-wrapping factory before I became an actor. I admit I snuck some hard candy, which is great because you can suck on it while you're working.

Too many leaders are so caught up in the momentum of work that they lose sight of the opportunity to connect with people. I discovered that the more fully present I was with other people, the more fully present they were with me, and the more productive our relationship became over time.

Most of these experiments required the reduction of the cosmic ray muon flux in order to be successful, and the group necessarily became expert in the operation of deep underground laboratories.

There's a famous tension between Green Lantern and Green Arrow in the comic books. Those guys have always been friends. They started off as not on the same page, and then they quickly became best friends.

I became an inventor by accident. I was out of the Air Force in 1956. No, no, that's not true: I went in in 1956, came out in 1959, was working at the University of Washington, and I came up with an idea, from reading a magazine article, for a new kind of a phonograph tone arm.

In a crazy world where he would get nominated, I'd like to see Obama run against Herman Cain. That would be fantastic. If Herman Cain became president, there'd be a certain sort of morbid curiosity for me.

The Middle East is a land of great injustice. The Israelis can claim - or wish to, at least - that Lord Balfour's Declaration of 1917 promised Britain support for a Jewish homeland in Palestine, which didn't just mean the left-hand bit that became Israel.

I said to the German Ambassador that, as long as there was only a dispute between Austria and Serbia alone, I did not feel entitled to intervene; but that, directly it was a matter between Austria and Russia, it became a question of the peace of Europe, which concerned us all.

I grew up without a father, who was kept a mystery to me. There was a sense of uprootedness, things being one day here and the next day not; a sense anything could happen. Then, all of a sudden, my mother met my stepfather, and her life became happier, and my life changed, my name changed.

This wretched brain gave way, and I became a wreck at random driven, without one glimpse of reason or heaven.

Toward the middle and end of the Fifties, West European countries became somewhat more important as providers of aid to underdeveloped countries. It was partly due to the prodding of the United States that these countries, as they regained economic viability, should shoulder their share of the aid burden.

I don't come from an artistic family, so I didn't know what theater was. I was working on Wall Street in the '90s, and I went to see 'Appointment With a High-Wire Lady' at Ensemble Studio Theatre, and it affected me so deeply. It changed everything I thought about the arts. I quit banking and became an actor.

My father was murdered when I was two. Duane, even though he was only a year and 18 days my elder, he became a father figure to me. I would have done anything for my brother - I loved him so much.

As a teenager and a student, I totally cast away the Christian faith. I just believed it was stupid, and only stupid people could believe it. I actually became an anti-Christian, and very antagonistic.

Every time I tried writing my own songs, they would come out very country. I couldn't fight it, and the more I listened to country music, the more I loved it, and it just became very natural.

I remember, when I was at school, we would have a 10-minute storytelling session where we'd all sit on the floor cross-legged, and the teacher would read. It became something we all really looked forward to. That was part of the reason I grew to love stories.

Twitter became a major place to find out what was breaking on the Internet. Facebook became a place to share links. Social media really grew up.

Rock n' roll is dying because people became OK with Nickelback being the biggest band in the world.

I moved to MIT from Stanford in 1984 to teach, and became the founding director of MIT's Computer Science and Artificial Intelligence Lab.

You know, one of the perceptions, again, about FEMA is that there's been a demise in the organization since it became the - under - it started to become part of the Department of Homeland Security.

Have you ever watched someone become American? Last week, at a national citizenship conference I organize, thirty immigrants from 17 countries swore an oath and became citizens of the United States. It was a stirring experience for the hundreds of people in the room.

After Nancy Pelosi became Speaker, we were told, 'She's the first female speaker of the House, so whether we like it or not, we've got to handle this with kid gloves. Don't go after Speaker Pelosi. You can go after other people, but you'll be branded as mean and evil if you go after the first female Speaker of the House.'

When Elvis came out on stage, it became electric. And the way people responded to him was such that, you know, I never saw that kind of response toward any other performer.

So it - we have one enduring, uh, idea that will always live on with the Smothers Brothers, that 'Mom always liked you best.' We're the universal, uh, feeling that every child, every sibling has had somewhere along the line. Or, 'Who did she like best?' And that became kind of a little mantra.

I've been writing for as long as I can remember, and reading even before that. My mom still has stories that I wrote when I was in kindergarten. I was a reader and a re-reader. That's the main reason I became a writer.

I wanted to be a writer as a teen... so storytelling was my first love. In my late teens, design became an obsession as I realized that I could express myself through the medium. Much later, when I founded Fuseproject in 1999, our slogan became 'design brings stories to life.'

My writing became more and more minimalist. In the end, I couldn't write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing.

When I grew into a teenager, I became obsessed with Marlon Brando, Montgomery Cliff, and James Dean.

When I became a standup comic, my hero, one of them, was Richard Pryor, and you know, I think that comedians, like, comedians talk about hacks, and what a hack is, is someone who does stuff that's not original.

We had our first earthquake over here recently. That was a bizarre feeling. I just became disoriented and I remember my dad freaking out. Nothing broke or anything.

For almost 20 years, I've reported on some amazing feats of athleticism for ESPN. But the one thing that stood out, game after game, is that it takes a team to win. When I got cancer, that lesson got personal. And Team Livestrong became my team.

As God took me through the journey that became the Bible study 'Breaking Free', He taught me to look for a common denominator among the things that triggered my destructive habits.

I became interested in making books, starting about 1965, when I did the Serial Project #1, deciding that I needed a small book to show how the work could be understood and how the system worked.