Became Quotations

'Sophie's Choice' is actually the reason I became an actress.

My father worked two jobs. He assembled speakers during the day, and then he sold real estate at night and on weekends. And then he eventually, when he was in his mid-50s, became a full-time real estate salesman.

No, originally I thought that writing articles would keep me from having to see a psychiatrist, but I became even more depressed as a result.

I wasn't thinking of a sequel when I finished 'Life Class.' What changed my mind was the perception that the characters had a lot of life left in them, a lot of unresolved conflicts, and also I became interested in the Tonks pastel portraits of facially disfigured soldiers and in the whole area of facial reconstruction.

I know about the sweet home. I went to school with 'em boys, what became Lynyrd Skynyrd; I knew Allen Collins, the skinny girl-beautiful guitarist. I put Allen Collins in every travel piece I do. Travel writing is harrowing, going to Bermuda with a banjo on my knee.

If 'Buffy' the movie was the true love of my childhood, 'Buffy' the series quickly became the true love of my teenage years. It was everything I'd ever wanted in a show and more. 'Buffy' quickly became an obsession, and, shortly thereafter, became my gateway into an incredible, insane, indescribably wonderful new world: shared media fandom.

Later in that administration, I was asked to take a job which I had to turn down as Assistant Secretary of State for Economic Affairs because we were just then putting together the merger of two small law firms that became this law firm. I couldn't leave them at that point.

When I was a kid, I knew the black and white version of 'Jane Eyre,' and I guess I became interested in the idea of romantic love - of unrequited love and the tragedies of that; of what are the important things in life; what should one value over other materials.

Most sketch aficionados have an enormous amount of respect for 'Mr. Show.' I didn't have HBO back then, so I was always trying to find episodes. Bob Odenkirk and David Cross became celebrities, and Jay Johnston - who's lesser known, but brilliant - deserves a lot of credit, too.

As a child growing up in San Francisco in the 1950s, I sometimes met insults when I ventured outside of Chinatown or my neighborhood. I have even been spat on and threatened with a knife. I could have let my anger fester until it became hate. However, I realized they were isolated incidents, and I simply got on with my life.

We weren't dirt poor, but there was no spare money kicking around. While it was very much understood that the way to a better life was through education, books were a luxury we couldn't afford. But when I was six, we actually moved opposite the central library, and that became my home from home.

Over the years, I've become barraged by comments from people, such as, 'Beam me up, Scotty!' and I became defensive. I felt they were derisive and engendered an attitude. I am grateful for the success, but didn't want to be mocked.

In my teens and university and stuff, video games became more realistic, or they started to.

I became the unnatural son of a few score of beaten men.

I wanted to be a boy when I was young because boys got to do all the good stuff. So I became very aggressive and very competitive at a young age.

At first, Hendrix went and became a superstar in London, but if he walked past the Apollo in Harlem, no one would know who he was. I'm the hip-hop version of him.

I was born on July 23rd, 1906, in Sarajevo in the province of Bosnia, which then belonged to the Austrian-Hungarian Monarchy and later, in 1918, became part of Yugoslavia.

The flukey part of it is, back in the early days, I had that guitar decorated with all kinds of crap wallpaper, 'Flower Power' - then that got all shaved off. And during the course of cleaning the bass up again, some of the wood got shaved down, and it probably became a lighter body than the stock factory model.

I became an actress and studied human emotions so that I could give the gift of feelings to my son. This is what my whole journey has been about.

I think sometimes soap acting gets an unfair label for being bad and over the top. The lessons I learned there were so valuable. Seeing yourself every day on television, you learned what worked and didn't work, what was bad acting and what wasn't. Memorizing scripts became second nature.

To me, in retrospect, it was amazing that 'Seinfeld' was a show that had such mass appeal. At first it was a disaster in the ratings, but then it became a cultural phenomenon. I don't know if that's possible anymore, but I don't try for that.

When Richard M. Nixon resigned and Ford became the 38th president of the United States, the Watergate Special Prosecutor's Office, of which I was a member, was preparing for the criminal trials of Nixon's top aides - H.R. Haldeman, John Ehrlichman and John Mitchell.

Most mustaches lie waiting for some Clark Gable or Tom Selleck to fix them in the mind. The greatest are identified with a single man, a bad man, usually, who so wrapped his identity with a particular configuration of facial hair that the two became inseparable.

Over the years, my work became both my vocation and avocation. Since I enjoyed it so much, I never felt a great need to go outside for relaxation. Nevertheless, I became an avid photographer and traveler. Possibly my love for travel stems from the early years when my family seldom went away on vacation.

I've always had this core belief in public service. Even before I became a citizen, I volunteered in the Army.

I became a writer because I love to read, yet I never get to unless I'm reviewing a book or doing research.

In school, I had a tough time fitting in, and dancing was my way of being in my own element. As a teenager, I became a bit disillusioned with it. Even with competitions, I'd win, but still there would be tears.

Now we are using the body scanner to scan the pilots. They became the dangerous people of this country?

'Joker' was a violent, dark, and brutal book, so I wanted to do something a little less heavy. I played around with the idea of a children's book, and that eventually became 'Noel.' And I just kept finding these parallels between things I could do with Batman and Charles Dickens' 'A Christmas Carol.'

I had been offered fellowships to enter as a graduate student at either Harvard or Princeton. But the Princeton fellowship was somewhat more generous, since I had not actually won the Putnam competition... Thus Princeton became the choice for my graduate study location.

I definitely suffered from stage fright. I had to work really hard to come out of my shell. When I was little, I was very loud and loved performing in front of people. I was fearless. When I hit puberty, I became very shy and self-conscious.

I became much happier when I realized I shouldn't depend solely on my career for my sense of self. So I developed other interests and surrounded myself with a small group of friends I could trust.

How can you tell a story with one frame that, by its simplicity, manages to tell a story, a gag that evokes an emotion in you? That became my motto throughout all my life. Simplicity.

As an actor, I was a fantastic rebel. Then I became a directorial rebel and understood rebels from both sides. So now I am a friend who gives advice - not one who knows more, necessarily, but who shares ideas.

There's nothing I dislike more than being in a photo shoot where they say, 'Be yourself.' That's not why I became an actress. That's what I find so funny: that you become an actor, and all of a sudden, everyone wants to know about you. But I didn't become an actor so I could show you me.

Our platform is a one-stop shop, from marketing and promotion through to ticketing. But even in the early days, in 2006-07, when we were mostly carrying shortform video, we became the premier movie marketing platform.

I myself am from a very poor background; I experienced firsthand poverty in this country, and that is not unrelated to my desire, from the moment I became president, to make a priority of poverty reduction in this country.

I became frustrated early on as a playwright by a kind of smug smallness in modern drama. There was a lack of what I now understand as courage in the work of others as well as in my own work, and I found I was mildly amused or interested by such plays but not deeply engaged or enlightened.

I was called a 'CD' by a suicidal teenager, who is alive today because I became her 'Chosen Dad,' who loved her. We all have the potential to re-parent ourselves and others.

I think that's why I became good at art. It was something that I could do that I could be really proud of.

Sputnik quickly became one of the three great shocks to hit America - historians say the equal of Pearl Harbor or 9/11.

I became a minister of the Eucharist when I was 17. My parents aren't very strict Catholics, but for some reason I decided this is what I want to do, and I have kept it up.

I met and became close with John Szarkowski of the Museum of Modern Art. He was incredibly supportive about me working in color.

I grew up in Muenchen where my father has been a professor for pharmaceutic chemistry at the university. He had studied chemistry and medicine, having been a research student in Leipzig with Wilhelm Ostwald, the Nobel Laureate 1909. So I became familiar with the life of a scientist in a chemical laboratory quite early.

I always thought of my mother as a warrior woman, and I became interested in pursuing stories of women who invent lives in order to survive.

One reason we lasted so long is that we usually played two people who were very much in love. As we were realistic actors, we became those two people. So we had a divertissement: I had an affair with him, and he with me.

After a summer trip to Switzerland, which was rich in experiences, I started writing. In the beginning, I aimed at descriptions of nature and folk life until, as the years passed, the description of man became my chief interest.

Napster hijacked our music without asking. They never sought our permission. Our catalog of music simply became available as free downloads on the Napster system.

Like most people, I was not able to start selling my stories right away. So I had many other jobs along the way to becoming a writer, including toy maker, gravedigger, cookware salesman, and assembly line worker. Eventually, I became an elementary teacher and worked with second and fourth graders.

Athol Fugard became famous as a playwright, so although 'Tsotsi' the book was written in the '60s, it was only published in the '80s. It was then optioned pretty much every year by producers. I think the problem was that holding onto its period setting made it very hard to get finance.

The Son of God became man so that we might become God.

There's something unique about the United States, a sense of individual rights and freedoms, and a sense of social and civic responsibility that we contributed to so much of the world. We lost that mission in the 1980s and 1990s, when we entered a gilded age, and the culture of individualism became a culture of avarice.

I'm coaching 'swing at this, don't swing at that,' and in the middle of it, a kid looks at me and says, 'Coach, I think I'm going to fail history.' Or maybe their girlfriend just dumped them. These are kids, and once I embraced that, this became a lot more fun.

I was the first journalist allowed on a hunting boat during harp seal season in almost 15 years. Around the late 1970s, white coat pups became the poster child for the anti-fur movement, and by the '80s, the media was lambasting the hunters for killing them.

It became obvious to me that if Abril was to consider itself a communications group, it could not remain indefinitely in paper and ink.

I became a Christian late, in my late 30s, so I had a lot of things that I was bringing into my Christian life that I regret. And I had a lot of questions about faith, so that's where I start when I write.

This CD became something of a personal journey for me. The tone of the whole CD is uplifting and inspirational. It's an upper. We have enough downers in the world.

The life of the village became more and more affected by strikes and lock-outs.

I had a sister who was killed in a motorcycle wreck when I was around 4 years old. My parents adopted her son, and so my nephew became my brother. He was three years older than me, so through him, I was exposed to hip-hop.

As a kid, I didn't need to be convinced the future promised peril and oppression, so when I started thinking up the middle-grade science fiction novel that became 'The Boy at the End of the World,' it seemed only natural to build the story around a dark vision of the future. In my book, civilization has nearly destroyed itself.

Henson had never spoken to me about Kermit, but he had spoken to Frank Oz about the idea of me doing the character if he became too busy. I felt flattered.

As I became a venture capitalist, it's almost like I went to the dark side for a while.

I grew up and I kind of took the road of becoming a pilot, which was another dream I had of flying, and once I did attend the air force academy, that dream of flying became more like a project, and I wanted to be a fighter pilot, which I did. I became a fighter pilot.

For the several thousands of years before they became firefighters and physicians, women were sirens, enchantresses, snares. At times it seems as if female powerlessness is male self-preservation in disguise. And for millennia, this has made for a zero-sum game: A woman's intelligence was a man's deception.

My family's support and the negative environment of the day toward blacks in South Carolina became the forces that led me out of the South - first to New York, then to Philadelphia, where I found opportunity in the form of a PAL gym and my trainer, Yank Durham.

Having a mustache and never smiling became a permanent component of my persona through the quaintly self-important decade of the seventies.

It was not until I was in my forties, in the fifth decade of my life, that the sense of place, the spirit of place, became of paramount importance to me. It was then that I began my travels, that I discovered, through photography, the quality of light, and that I gradually became able to paint the mood of place.

My mom's always been a good cook, so I took a lot of stuff from her, but most of the stuff I took from Emeril or Bobby Flay right off the TV and make it. I just loved to cook, so it just became a thing. It's a release. Even if I'm alone, I'll cook a full meal, maybe even a two-course meal, just because I love to cook. It's my secret love!

The act of song writing and recording became one and the same to me; because I essentially recorded everything I did from the day I began trying to write songs. I've always had a lot to say. I'd always written poems.

I knew I never wanted to become an archaeologist. But at school I became intrigued by what people were doing on an everyday basis in the past.

Something happens between a novel and its reader which is similar to the process of developing photographs, the way they did it before the digital age. The photograph, as it was printed in the darkroom, became visible bit by bit. As you read your way through a novel, the same chemical process takes place.

I never took a photograph. Instead, I became a good listener.

I found I loved musicals as much or more than the pure dance world. I also think I became tired of dancing for other dancers.

As soon as I became proactive in producing my own stuff, I started getting other roles.

When I became governor, spending actually increased 28 percent my first term. Revenue increased 42 percent my first term without raising anybody's taxes. We did it because we had more taxpayers with more taxable income. That's how you get the revenue up. We did that without raising anybody's taxes.

Interesting enough, we had a reunion of the 12 of us who graduated, right? The only one who wasn't there was the guy who became a priest, and he was literally in prison in Libya, for being a Catholic priest. Isn't that interesting? Everybody else made the reunion but that guy.

As a teenager, rather than setting myself on a course to pursue fame (quite common growing up in L.A., the entertainment capital of the world), happiness, fulfillment, and spiritual enlightenment (also quite common), I skipped right on to trying to be successful. 'Let's just get on with it,' I felt. 'Onward' became my motto.

You grow up with a heightened sense of the Civil Rights Movement, but I think it wasn't until I became of age that I really had a great appreciation for the struggle that took place.

I was born in 1976. I grew up in a traditional Mexican family. As a child, I had a pretty normal life: I would go to school, play with my friends and cousins. But then my father became President of Mexico, and my life changed.

When I started off in music, I started with a real innocence, a real love for the instrument, the writing the songs, the playing the songs and the sharing and the recording and experimenting. It was exciting. Then, this thing called success came, and something happened at some point where I became disenchanted, and I lost the innocence.

My mother's family is Christian: her father was a Baptist lay preacher, and her brother, in a leap of Anglican upward mobility, became a vicar in the Church of Wales. But my mother converted to Islam on marrying my father. She was not obliged to; Muslim men are free to marry ahl al-kitab, or people of the Book - among them, Jews and Christians.

A friend of mine has a son who became deaf through meningitis. He called me one spring and asked me to keep a week out of my schedule because he wanted to start a school for deaf kids. I wanted to help.

I came up with the idea for what later became Paychex in 1970 when I was working for Electronic Accounting Systems, a company that sold payroll processing to companies with 50 to 1,000 employees.

I arrived at school pensive, introverted, and not very sporty, so magic became a place of mystery and intrigue, an escape for my boyish mind.

In that sense, I became politicized because the people in the coal mining villages who were involved in the struggle knew why they were there. But they couldn't understand why some pop star from London would want to be there.

Elizabeth Taylor was the first star for whom an offscreen narrative was equally as important as an onscreen one. Her private life became as much of a driving force of her fame and success as any role she played in the movies.

When I became a parent and hit my thirties, I got my hands on an acoustic guitar. I started writing quiet, simple songs at home and, with a little encouragement, I got more courage and found my voice. I have people and movements who have inspired me to carry on, but I try to write about things I know, nothing too complicated, really.

I used a baritone guitar with a very unusual tuning that became the body of the composition, while the classical guitar is on top of it with the main rhythm part.

I have so many pairs of oxfords; it's ridiculous. It started because at my school you have to wear oxfords for our uniform, but after I got my first pair, I realized they were really comfortable, so they became my regular walking shoes, too.

I do not remember exactly when I became interested in astronomy, but I know it was at a very young age. I did organize an astronomy club for my friends at the age of 11. We would meet once a week to learn about the constellations.

The dinosaurs became extinct because they didn't have a space program.

I was a student of Sanford Meisner for three years at the Neighborhood Playhouse, and I studied with Lee Strasburg for five years and became a member of the Actors Studio. What I studied came right from the horse's mouth. My students have a lot to learn from me, and I am so eager to share it.

I've always been aware of my health - when you are having to go on stage and perform, you need to be feeling good - but when I was diagnosed with a life-threatening illness, I became really, really conscious of my health.

Even when Darwin's teaching first made its appearance, it became clear at once that its scientific, materialist core, its teaching concerning the evolution of living nature, was antagonistic to the idealism that reigned in biology.

When 'You've Lost that Lovin' Feeling' hit, we were doing a show called 'Shindig!' and the Righteous Brothers suddenly became big business.

When I was in school, martial arts made you a dork, and I became self-conscious that I was too masculine. I was a 16-year-old girl with ringworm and cauliflower ears. People made fun of my arms and called me 'Miss Man.' It wasn't until I got older that I realized: These people are idiots. I'm fabulous.

In the mid-'60s in Berkeley, the theory of measure spaces of economic agents became one of my main interests.

Live albums are very important for Rush, and they became sort of a closing chapter for us.

I was a football fan before I became a rugby fan.

Over time, the welfare state has become dysfunctional in a surprising way. But in a way it became a victim of its own success: It became so successful at prolonging life, that it becomes financially unsustainable, unless you make major changes to things like retirement ages.