Screen Quotations

I can't read a computer screen and never use a calculator. It's all in my head and by hand.

I'm still traumatized that I'm going to be on a big screen in a white bikini and naked so who knows!

It's not a natural translation, transition, to take something from stage to screen. Onstage your action is communicated through the spoken word primarily, and on screen it's communicated through pictures. So it's always been kind of unnatural to take something that lives on the stage and turn it into moving pictures.

Browsing for books with a mouse and screen is not nearly as joyful an act as wandering the stacks and getting lost in the labyrinthine corridors of knowledge. The best libraries are places of imagination, education and community. The best libraries have mystery to them.

Watching yourself on screen is always a little weird, but I didn't cringe when I saw myself on 'The Hour.' It actually exceeded my expectations; every shot looks like a vintage postcard and even my most brutally honest friends have said they think it's good.

I remember seeing 'Aladdin' when I was five or six and loving it. I looked at the big screen and said to my mum, 'Whatever this Genie guy does, I want to do.' Mum said I couldn't be a genie, but that Robin Williams, who did the voice-over in the film, was an actor. So I said, 'OK, then, I want to be an actor.'

The reality is: By the time swine flu got on the radar screen of global public health, it had already spread. It was already in the States, it was in Mexico, it was in New Zealand. By the time it reaches that point, you've lost the ability to contain it.

I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.

I remember right after Carter got elected, I was sitting in my apartment in Albany, CA, on a Saturday listening to people call Carter and ask stupid questions while I designed the screen editor.

Certainly as an actor, half of your work is not going to end up on the screen anyway, because in the editorial process, they need to cut to the other actor in the scene. Very often, your best work ends up on the cutting room floor, because it just doesn't work with the overall narrative drive of the story.

Just being able to get paid to do something you love is a wonderful thing. That said, a writer's daily routine, unless you're Dominick Dunne, isn't exactly glamorous. Much of it amounts to drudgery, staring at a computer screen all day in a room by yourself, juggling nouns and verbs to make a demanding editor happy.

I'm not really a big X's and O's guy, but if you want to go there, I'm more of a space-the-floor type of coach: Five out, zero in, and that's the way we play basketball, screen and roll here and there, pocket passes everywhere; it's what it's about.

During the screen test for 'Red Widow' was the first time anyone ever told me that I was good at auditioning.

There's always so much more that can be conveyed on screen visually in the expressions of people's faces, in their bodies, in their body language. And also with sound design, with music.

I've portrayed so many diverse individuals on the screen that my own personality never emerged.

I don't like to watch myself on screen because in my mind there is a touch of George Clooney about me, but when I see it, there is more than a little Donkey from 'Shrek' about me.

We all were there for the readings, the screen tests, and we knew. We knew Dustin was the guy right away.

I watch virtually no TV. All my screen time is computer time for me. When I'm not doing that I'm reading or talking to my friends who I got to know through computers.

People are so busy positioning themselves before the screen and talking on the damn cellphones, communicating, that we're not reading, and in fact we're not really communicating, either. We're not talking to each other. There's just all these screens and wires and technology in between.

Since it was too difficult to get into the Screen Actor's Guild in New York, I moved to Miami in 1982 and started a successful career as a television commercial actress, obtaining my SAG card there.

It is, then, by those shadows of the hoary Past and their fantastic silhouettes on the external screen of every religion and philosophy, that we can, by checking them as we go along, and comparing them, trace out finally the body that produced them.

They warned me, 'you're going to be doing the screen test with Daniel Radcliffe a week after the audition.' And then in the hair and make up department, he walked up behind and scared me. But you get used to him quickly because he tries to make you feel very welcome and at home.

I know for me like I have a reputation of being kind of tough, I have a reputation of also being the girl next door, kind of sweet but I have standards and my thing is, it's me on that screen and I don't have control over everything in this and I'm grateful and thankful.

I still find the best way to understand a hospitalized patient whose care I am taking over is not by staring at the computer screen but by going to see the patient; it's only at the bedside that I can figure out what is important.

It's the first war we've ever fought on the television screen and the first war that our country ever fought where the media had full reign.

Over the past 50 years we got versions of X-ray specs and space vacations, and even death rays. But the X-ray specs don't fit on your face - they're big things that screen your luggage for guns. Space vacations are real, but they cost $20 million. We have death rays, but you have to be a triple Ph.D. to play with them.

The Screen Directors Guild was organized solely by and for the motion picture director... We are not anti-anything: The Guild being formed for the purpose of assisting and improving the director's work in the form of a collective body, rather than as an individual, as was necessary in the past.

Screen is satisfying because it's so technical and mysterious. It's like playing roulette: you get a script, you think it's either great or naff, but you have no idea how it will really turn out. On stage, you are your own editor - and you get brief moments of grace, where suddenly you feel free.

Recently a study proved that working from a larger, less cluttered computer screen increases concentration. I could have told them that. And yes, I write first drafts with a mechanical pencil and a yellow legal pad. There's good reason for this primitive behavior: I am a crackerjack typist. My hand moves far more quickly than my brain.

The Wright brothers flew through the smoke screen of impossibility.

We're so connected, kind of ever-presently, with technology now. People are carrying their phones with them and looking at the screen so much.

I haven't done as many films as I would have liked. A lot of my contemporaries have done more. I don't have 'I will be a movie star' emblazoned on anything, but I'd like do a bit more screen stuff and then when the time is right come back to theatre. When it is good, theatre takes a lot of beating both to watch and perform.

Surprisingly, the Eisenhower Memorial design contains almost none of the known Gehry-box of tricks. His giant etched chain-link curtain, first applied in 1979 to hide an ungracious parking garage at Santa Monica Place, is resurrected for Eisenhower to screen the equally graceless facade of the Department of Education.

Previously, young children had to be shown by their parents how to use a mouse or a remote, and the connection between what they were doing with their hand and what was happening on the screen took some time to grasp. But with the iPad, the connection is obvious, even to toddlers.

I go to universities to talk to the students and teach them how to watch movies. Movies have so many elements - acting, music, art direction, costumes. I also tell them not to watch pirated movies. At the cinema, they can enjoy the big screen and the surround sound.

'Pair of Kings' is so much fun, literally. It is a very physical show with loads of stunts and green screen work, and you never know what great adventure is ahead of you! It's also a nice change in terms of being of similar ages to Doc Shaw and Mitchel Musso.

On stage you need to emphasize every emotion. But on screen you need to tone everything down and make it believable.

I don't sit down in front of my computer screen and think, 'Right. Today I shall begin a story set in this or that period of history.' I just get ideas from the world around me.

We need to bring Android and Chrome to every screen that matters for users, which is why we focused on phone, wearables, car, television, laptops, and even your workplace.

If you don't have a certain amount of stage fright, then it's not going to be that interesting. It's not going to have the inner vibration. I think screen work needs inner vibration.

Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame totally different from the next. So your edges are coolly sharp and have a different feeling, an organic feeling rather than this mechanic feeling you get with digital.

If I get a note on my script or my films, what I say to a studio executive is that, 'You know, this is the film of my legacy, and I never want to be sitting in a theater looking up on the screen and seeing something that I don't believe in.' I will never do that.

My dream was to become a very small blonde movie star like Ida Lupino and those other women I saw up there on the screen during the Depression.

For the BBC and others, a free website is an obvious and relatively cheap addendum to their main purpose of streaming news and entertainment on screen to a mass audience.

I can't say I have enough experience with Hollywood to feel that I've encountered racism there. I can tell you that I did about five fruitless years of auditioning for voiceovers where I did variations on tacos and Latin accents, and my first screen role was as a bellhop on 'The Sopranos.'

There have been discussions of doing 'The Demon Cycle' on both large and small screen scale, and while there is no project currently in development, I think the series has both the big imagery and complex character development to have legs either as a TV series or film franchise.

Just because someone can sit behind a computer screen and have a different name and hide themselves, they feel like they can do anything to anyone.

If I had the opportunity to buy the latest movie that's out that month and watch it on the comfort of my big screen TV, I would pay for that.

One of the joys of being at St. George is you were operating under the radar screen a lot of the time, and you could actually get on with things a lot more quickly and easily.

I like to do on screen what I'm not in life. In life, I'm much more weak and insecure, and so then you know I like to play characters that are stronger than me.

I'm pretty much fully digital. I've basically spent a few painstaking days putting sounds into my laptop, just banking them, because I love playing, and I love visually seeing it on my screen and being able to change the sounds more, with different plug-ins. I've created my own synth sounds.

My first job on the screen was 'Sea Patrol,' and that was quite intense, but I guess my first big break was 'SLiDE.'

Comedies are just never that expensive quite frankly. They really aren't. We aren't doing green screen shooting, so even Hangover II in Bangkok might seem like it's expensive, you're flying over and back, but they're just not that expensive to make when you do it the way we do it which is very focused and I've done it before.

You could put all of Rev. Jeremiah Wright's angry sermons on to one loop. You could put that loop up on the big screen at Radio City Music Hall and let it play there 24 hours a day, seven days a week and Barack Obama will still emerge as the next president of the United States.

It's such an awkward, strange thing that was concocted, to have auditions. Back in the old days, you'd just have a screen test, and they'd say, 'Oh, you seem natural in front of the camera,' and you'd just go do 10 pictures for Paramount or whatever.

It took Cianfrance 12 years to bring 'Blue Valentine' to the screen after he first conceived it. He found Gosling and Williams early on, and they hung in there with him. The film finally premiered at Sundance 2010, then screened at Cannes and the Toronto Film Festival before landing in theaters in December.

A lot of the really good features of Windows 10 - things like Windows 10 Hello, where you have facial log in and you don't have to use all your passwords, the Start screen and your ability to go through that, the touch usages of gaming, as the new games come to this product - those are going to run with PCs that have the latest features.

All the screen cowboys behaved like real gentlemen. They didn't drink, they didn't smoke. When they knocked the bad guy down, they always stood with their fists up, waiting for the heavy to get back on his feet. I decided I was going to drag the bad guy to his feet and keep hitting him.

To me, it's about good work, a good story, and tastefully done. There's so many stigmas - oh, you're on the small screen or you do films or you do reality. It's about the project and not the medium on which it's delivered. It's the story you tell, period.

I was thrilled, because I like the big screen and I could then move on to the next thing. It was the biggest break for me. In a way, though, I wish it had been a TV series because then you are working for five years.

Maybe we adults idealize our own red-rover days, the hot afternoons spent playing games that required no coaches, eating foods that involved no nutrition, getting dirty in whole new ways and rarely glancing in the direction of a screen of any kind.

Then I have a head mounted display which actually was designed for the military to do synchronized building entries and that's looking down at my hands, so projected on the big screen behind me, you can see my hands as I'm putting the tracks together.

I would love to do a Broadway play. I would love to do big screen also, motion picture.

Eventually I found it had been working all along-but didn't show anything on screen until it had the first full page of text. I inserted 30 new lines, and suddenly my toy said 'hEllO woRlD'. An hour later I understood alphabet shifting rather better!

With a computer, you make your changes on the screen and then you print out a clean copy. With a typewriter, you can't get a clean manuscript unless you start again from scratch. It's an incredibly tedious process.

Finding the discipline, the motivation, the focus, the passion to sit down in front of a blank piece of paper or a blank computer screen every day and then to make it come alive with characters and with plot is incredibly exciting and at the same time terrifying and frustrating, and sometimes it comes easy and sometimes it comes really hard.

I'm someone who sits at a computer eight hours a day, and I look in that pinhole camera at the top of my screen and think, 'Someone could be watching me.'

Our demand for good looks, expressed in the biting comments that ensue when public figures fall short of perfection, puts enormous pressures on these individuals and may screen out the otherwise qualified. If video killed the radio star, it may also be doing away with the homely politician.

When I started writing comics, 'comics writer' was the most obscure job in the world! If I wanted to be a celebrity, I would have become a moody English screen actor.

After working with Woody Allen, sharing screen space with De Niro was a dream come true.

I grew up in a small town where I went to the movies a lot and fell in love with all these people. I also fell in love with the movie business. So all I saw were actors on the screen so I thought, well, that's what I have to be if I want to be a part of the movie business.

I am a close friend of Robert Loggia. And I just love how, with actors, there's the screen persona. Here is Robert, known for his portrayal of many characters, including gangsters. But in real life, he is elegant and erudite. He sits in the garden reading the sonnets of William Shakespeare.

Wisdom comes from within. Knowledge is acquired and can sometimes put a screen on your wisdom.

Whether one likes it or not, the screen is a profoundly important source of imagery and storytelling for this generation. For me, books remain a stunning place to tell stories, but the screen has a place.

When I was old enough to go to movies alone, I got to see 'Frankenstein' and 'Dracula' on the big screen. I just fell in love with them.

It seemed like a wonderful honor to have the Film Society of Lincoln Center screen 'The Films of Raquel Welch.' It shows a lot of a variety in what they've chosen; it kind of runs the gamut of my film career.

People are patronizing the theatres with renewed enthusiasm - there is an entire picnic-like attitude when families go out to see movies, which is a very good sign. They want to see larger-than-life characters on the big screen and not just watch movies on television or on DVDs.

Once we were in the studio, we realized we were getting certain effects through the shooting of the dramatic scenes on video, shooting off a screen and then getting wave patterns and stuff like that.

It's tough to make it as an actor, tougher still to make it as an actress - the Screen Actors Guild is eager to provide the statistics to verify the latter.

We've recognized that Twitter is the second screen for TV, and TV is more fun with Twitter. There are a bunch of ways that we can be complementary to broadcasters.

The experienced writer says to the anguished novice: 'Just do it; get something, anything, on to the screen or page, just establish a flow of words, and criticise them later.' You give this advice but can't always take it.

I like to direct for the big screen.

I got to do Disney Sunday movies. I got to do a TV pilot there. And it really helped me to realise that I needed to not just be a writer, but a producer, to see my work up on the screen the way I wanted it to look and play.

I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.

If you really love films, and you really want to get the full impact, there's a huge difference between watching something on a small screen with a mediocre sound system and watching it on a giant screen in a giant theater with a huge beautiful sound system. I mean, the difference is electric.

The best feeling is when you are remembered for the character you play on the screen and people associate you with that character. There is no better feeling than that feeling.

I actually love actresses who look like they feel really natural. I like Patricia Clarkson, Laura Linney, Frances McDormand. Those are actresses where the second they show up on screen you're like, oh my gosh, this movie just got so much better.

Youku Tudou kicked off 2014 in a positive direction. Mobile has become the number one screen for Youku Tudou, and we are the undisputed leader in all of the important mobile video traffic metrics.

I really want to be the black Tina Fey, where I just am able to produce my own content and produce other content for other minority filmmakers and put their voices on screen and basically be able to have free range to produce.

When we finally came to start work on this, the joy was it was only Joel and I, we didn't have to answer to anybody, and we didn't have to submit a screen play or anything like that. We just wrote it and then made it.

The chemistry of a pair on screen is known only when the audience reacts to it.

You write because you have an idea in your mind that feels so genuine, so important, so true. And yet, by the time this idea passes through the different filters of your mind, and into your hand, and onto the page or computer screen - it becomes distorted, and it's been diminished.

I would love to work with Marion Cotillard... and my sister! I've never worked with Dakota before in a movie. It'd be so cool to be on screen interacting with each other one day. It will happen, I'm just not sure when.

I completely took off my eyebrows one time for a screen test. I hadn't even gotten the role yet. So you have to have a commitment.

When you go in to do a screen test, you negotiate your contract and sign all your paperwork before you even get on a plane.

I have this set-up at my house where I have one big movie theater screen that's 9 ft. by 16 ft. Then, I have nine 63-inch monitors around it; four on either side and one underneath. So I get all nine one o'clock games, and I can switch them onto the big screen. That's what I do on the Sundays during the season.

The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.

I have kissed in almost all the films except in 'Once Upon A Time In Mumbaai.' I'm not sure if my kissing on screen has anything to do with the success of a film, but producers make sure to put a kissing scene or two. They feel my kissing scenes are my lucky streak.

A century ago, scientists believed there was only one obvious stomping ground for alien biology in our solar system: Mars. Because it was reminiscent of Earth, Mars was assumed to be chock-a-block with animate beings, and its putative inhabitants got a lot of column inches and screen time.

I always hope that people feel less alone when they see a movie that I make. That some part of the story played out on the big screen will resonate for individuals in the audience in a way that gives them comfort.