Aasif Mandvi Quotations

I think Islam has been hijacked by the idea that all Muslims are terrorists; that Islam is about hate, about war, about jihad - I think that hijacks the spirituality and beauty that exists within Islam. I believe in allowing Islam to be seen in context and in its entirety and being judged on what it really is, not what you think it is.

'Halal in the Family' will expose a broad audience to some of the realities of being Muslim in America. By using satire, we will encourage people to reconsider their assumptions about Muslims, while providing a balm to those experiencing anti-Muslim bias. I also hope those Uncles and Aunties out there will crack a smile!

For my parents' generation, the idea was not that marriage was about some kind of idealized, romantic love; it was a partnership. It's about creating family; it's about creating offspring. Indian culture is essentially much more of a 'we' culture. It's a communal culture where you do what's best for the community - you procreate.

The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stuff I do always goes back to being a brown kid in a white world.

If you don't acknowledge differences, it's as bad as stereotyping or reducing someone.

I worked with Ismail Merchant on 'The Mystic Masseur,' I did 'Sakina's Restaurant,' I've done plays, I've been on Broadway, I've done movies, I've done TV... but nothing has had the pop culture penetrative impact as 'The Daily Show' has. It's the nature of the beast.

That's the Indian in me - you must put spices on everything. As a kid, whenever we got sick, my mom would take milk and put turmeric in it. That was our medicine. That was the cure-all. Some people turn to Robitussin.

I'm Muslim the way many of my Jewish friends are Jewish: I avoid pork, and I take the big holidays off.

When I was 11 my friend's mom made a peanut butter sandwich. I ate the sandwich and was like, 'I'm never eating anything else again.' And I still eat peanut butter every day. I would put peanut butter on a steak.

An artist's job is simply to take the mirror in front of your face and hold it there. It's not to give you any answers. It is simply to take that mirror and point it at you.

The artist never really has any control over the impact of his work. If he starts thinking about the impact of his work, then he becomes a lesser artist.

I've always said I'm the worst representative of Muslim-Americans that's ever existed, because I've been inside more bars than mosques.

When you're brown and Indian, you get offered a lot of doctor roles.

Being American and being an outsider at the same time, it's a perspective I often bring to a character.

I go to Buzzfeed and 'Huff Po,' IMDB, 'Deadline.' And then I just Google myself, like 'Aasif Mandvi in a hat,' and see what comes up.

I rarely went to the mosque, I never fasted, and I only prayed namaaz on the holy nights because my mom bugged me about it.

I was born in India - but never really lived there.

I'm a little bit like a turducken: I'm sort of like an Indian person, wrapped in a British person, wrapped in an American kind of thing.

My family is Muslim. But I don't consider myself a very devout Muslim, but a cultural Muslim, whatever that means.

One thing I always did in my career was writing. I always was writing. I was trying to create things. For myself, for other people.

The experience of being on a show that is very much in the center of popular culture is exciting. You really feel like you're reaching people.

What's great about 'The Daily Show' is I can use satire and push the envelope. I couldn't do that anywhere else. Even if I was a journalist.

When you're a standup comic, you get up and you try stuff, and you're always kind of seeing how far you can push things.

I always focused on being an actor. I did stand-up briefly, but I also did a lot of dramatic work. But since I've been on 'The Daily Show,' people think I'm a comedian. That's not how I see myself.

I always used to watch 'The Daily Show,' and there were all these comedic geniuses there. I didn't know if I was going to be hired full time or not. At the beginning, I was sort of hired as a part time, on and off guy. When I first got hired - it was August 2006 - and I was working on and off, and they'd call me whenever.

I did a play called 'Disgraced' in 2012 at Lincoln Center, which ultimately won the Pulitzer Prize. I played the lead character, a Muslim American, who had renounced Islam and became very anti-Islam.

I figure if people don't want to make the distinction between a Muslim and a terrorist, then why should I make a distinction between good scared white people and racists?

I never consciously got into comedy. It was sort of one of those things where I was a theater student, I was acting, I was doing comedy, I was doing dramatic stuff, so it's been something that I've always done and enjoyed doing and had an instinct to be relatively good at.

I think I would like to see more roles for South Asian performers that are more inclusive and part of the American Diaspora, the American tapestry, perhaps the way that African American and Hispanic roles have developed.

I was born in Mumbai, but I grew up in England, and then my adulthood has been in the States. I'm an American stuffed with an English person with an Indian person inside. I feel like those things kind of inform me in some way, which I think helps me as an actor.

I'm free to see things objectively because I don't consider myself American, and I don't consider myself British or Indian. I'm kind of an amalgam or mongrel of a lot of different places and experiences. In a lot of ways it's been a good thing for me. It's enabled me to do what I do on 'The Daily Show.'

I've actually changed my view of Los Angeles. When I was younger, I hated it, because I thought it was fake and superficial. As I've gotten older, I've found that to be absolutely true, but I don't care.

In America, people think being South Asian is still kind of exotic. When you go outside New York and Chicago and L.A., there are people who have never tried Indian food... they've never even tasted it!

In order to change the conversation about Muslims in American media, we need a diverse, unified movement of people who are willing to take a stand against anti-Muslim bias.

It is ironic that it doesn't matter how successful I am in any other capacity. Ultimately, my parents marker is do you have a wife? And do you have children?

My tenure at 'The Daily Show' started during the decade after September 11, and fear of Muslims was at an all-time high. Politicians and the media seemed to dial the fright, mistrust, and animosity up to a fever pitch to gain votes and ratings.

One of the first auditions I had in New York was for a commercial where I had to go in and audition to be a snake charmer... It was either some bank commercial or something where they wanted a guy charming a snake... I remember they wanted to know if I actually knew how to snake charm.

People lament that there's no roles being written for South Asian or Muslim characters. But their parents don't want their children to go into the entertainment field. You don't get it both ways.

Religion is so much more than the god you pray to. The religion that you associate with, it's culture, it is family, it is background. That is something that I have always grown up with.

The average Indian doesn't care about Hollywood movies because they have far too many movies of their own to watch, to miss, and I hope a story like 'Million Dollar Arm,' that is actually about India and deals with these two Indian kids, resonates over there and makes people want to go and see the movie.

The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.

The pleasure from acting comes from having great writing to work with. If it's well written and the character is interesting, then, as an actor, that's the raw material I need.

They wanted to audition people for the Middle East correspondent on 'The Daily Show.' They wanted to hire somebody ethnic for that slot. Helms had left, Cordry had left, and they felt that they needed an ethnic face. So, I went in and auditioned, and I got the job.

Traditional television as we have known it will make love to the Internet and have a child. That child will be the future. It's already happening, and it's hot!

When I got to Florida, I was a British kid, but I was also an Indian kid: a brown kid with an English accent. Talk about being an outsider. And that's become the theme of a lot of the stuff I write about.

You can talk about and think about Muslims as you want, but you can't stop Muslims from building a mosque. You can hate Muslims from the comfort of your house or publicly, but when that becomes stopping Muslims from building a mosque or worshipping, then we are crossing the line into something else.

Voter fraud does just barely exist, while racism, according to the Supreme Court, is a thing of the past.

The Daily Show writers are incredibly smart and very well plugged-in but occasionally they would need me for certain specific things, and I'd be like, 'Yeah, I completely know how to do that; I can solve that problem,and then I'd be like, 'Mom?

I came from a very different sort of background and pedigree from the people who were on "The Daily Show". I was an actor. I was sort of - the irony is that I've done as much dramatic work in my career as comedic work and I don't really think of myself as a comedian.

In Britain, you never get away from the fact that you're a foreigner. In the U.S., the view is it doesn't matter where you come from.

If you choose to be a Muslim then you believe that it is on some level wrong to show the image of the Prophet Muhammad.

I'm not really a food connoisseur.

In America, you have this kind of individualism and in the West, essentially, you have this individualism - this idea of my own personal fulfillment.

It's an organic thing that I try not to analyze too much, because I worry that it will go away.

So I had this completely unrealistic idea of what America was — but I wanted to be there.

From my parent's generation the idea was not that marriage was about some kind of idealized, romantic love. It was a partnership. It's about creating family. It's about creating offspring.

Indian culture is essentially much more of a we culture. It's a communal culture where you do what's best for the community - you procreate.

There's this existential crisis in America and in the West of, like - who am I? - based on this searching for individual fulfillment, which you don't necessarily have in the East in the same way because you're kind of told what to do. I'm not saying one is better than the other, I'm just saying that's just, like, the reality.

You do find a lot of your time in the West kind of searching for your place in the world - your voice, your identity, like, who am I? Like, what is my reason for being here, you know? And in that same way who am I to be partnered with, you know?

I grew up on American pop culture so everything that I fantasized about to get out of this sort of humdrum world of Bradford was about America. So when we decided to move there I was on the plane.

For anybody who's ever been on the other end of, like, racial violence logic is not something that can be used.

Paki- bashing was kind of this term that was used in general to beat up anyone that was from the Indian subcontinent.

Bradford specifically there were a lot of Pakistanis there. Even today it has a very large Pakistani population.It was something that I experienced - getting chased home from the bus stop after school by English kids, boarding school, being targeted for praying to what they call Allah wallah ding dong.

When my family decided to leave England I could not have been happier. I was sort of like - America seemed like the land of opportunity and, you know, it was Hollywood to me.

England has an interesting relationship with the Indian subcontinent because the years of colonization and the history between the two places.

Re-colonizing it and sort of reverse-colonizing it to the point that today the national dish of Great Britain is Chicken Tikka Masala.

You can get samosas in any pub in England today, pretty much. So, "Gunga Din" has come back.

For my parents it was all about getting a deal, my dad came to America and he heard of this concept of brunch. He didn't quite know what it was. And he thought it was this other meal that existed between breakfast and lunch. He was kind of like - I remember he sort of was like America has so much food that between breakfast and lunch they have to stop and eat again. They have brunch. It was completely legal it was, like, a legal meal that you could have. I mean, clearly it wasn't the only reason he came to America, but I think it certainly sweetened the pot for him.

We are Muslims. My father would pawn off his Muslim in-laws as Hindus just so that he could get free pancakes.

I said we are Ghodratis and there's nothing that Ghodratis like more than a bargain.

I think family dynamics are definitely very interesting. And in my case my sister did get married. She gave my parents a grandchild.

In some ways for many years I was off the hook.When my niece was born after that their attention was focused on that and she did that. You know, that was in our family that's what she did. I went off and chased this dream and this career that very other few people in our, you know, in my family, but even culturally were doing.

This was in the '70s and there was a lot of racism towards South Asians and there was a lot of hazing and bullying and racism that really probably shaped me in some way in terms of, like, wanting to get out of there.

I think I discovered my first, you know, my first image of a naked woman was sort of sneaking a peek at one of those magazines that was in my dad's store.

I know the Gospel according to Mark better than I know any sura in the Quran.

I was a fan of "The Daily Show" I watched it,I never imagined being on it, but I figured I would just go down there and do my best Stephen Colbert impression.

I thought [when I was 16] my days were just going to be spent hanging out on a beach and my girlfriend was going to be Miss Teen USA and my best friend will be a dolphin.

I mean, but obviously, in people's eyes, it still - it can still link Islam to terrorism. I mean, why does it make a difference that they're white?

Now the bigots have to get creative. Good luck coming up with slurs for Chechens. Go back where you came from, Ushanka head.

Because to Americans, Chechnya might as well be a suburb of Narnia.

I think one of my favorite pieces I've ever done on the show which was about Hezbollah Israel conflict in 2006 and it was very pointed. It was a beautifully crafted piece of satire and it's a weird thing to say but it had a joke in there about 9/11 and I remember the audience sort of laughing but also kind of not knowing how to respond to that joke and it was just so - and I remember the tension after we did this joke on the air and there was this palpable gasp in the audience, but they were also laughing. And I thought oh, wow, that is something that is not being said in the Zeitgeist.

It's an ironic thing about being an immigrant kid, growing up - 'cause I grew up in the UK and went to a British boarding school and we would go to chapel every Sunday morning. And we'd actually have religious studies and religious studies means Christian studies where you study the Bible.

There's no school that you can go to and learn how to be a "Daily Show" correspondent and how to interview people and, you know, essentially leave your soul outside the door and go in there and kind of, you know, destroy people's lives sometimes.

Samantha Bee said to me when I first started on the "Daily Show", she was like no - there is no - the only way you'll learn this job is by doing this job.

North Carolina precinct chairman and GOP executive committee member Don Yelton thinks his state's new voting restrictions are just fine.

Statistically there is enough voter fraud to sway zero elections.

Of course the law's not racist.

I think you had the GOP down there in North Carolina reaching out to African-American voters and this guy coming on television and using the N-word and saying what Don Yelton said.

My father got a job at Bradford University in textiles. And he came for - I guess, you know, why do people immigrate? - like, for a better life to find, you know, a new world. And, you know, I think he always - he saw it as an opportunity. And so yeah so we came to this coal mining town in the north of England and that's where I grew up.

The idea that I had anything to do with speaking about Islam or about the Muslim world was just absurd to my family. ... I hadn't been to the mosque in like 10 years.

I think politicians and comedians have a lot in common. One is a group of approval-seeking narcissists who will say and do anything to be liked ... and comedians are always talking about politics.

I don't want to tell people what they should think.

America undermines its own ideals when it ignores the very values it is promoting around the world. You cannot ask other people in the world to follow the law and act responsibly if we don't do the same ... and being afraid is not an excuse.

In Britain, you never get away from the fact that you're a foreigner. In the U.S., the view is it doesn't matter where you come from.