Donald Ray Pollock Quotations

Nobody really turns out too happy in any of my stuff. It's really strange, because I'm actually a pretty happy person. I'm not walking around giggling or anything like that, but I've got this feeling that everything is okay with my life.

I would try to write my own story about some East Coast suburbanite having an affair or something like that. So I did that for maybe two years or so, and it just wasn't working for me at all.

'Knockemstiff' is a collection of short stories set in the holler of the same name in southern Ohio where I grew up. I tried to link the stories together through the place and some recurring characters.

I'd always been a big reader, and I loved books, and I always thought writing would be a great way to get by in the world.

Four hundred or so people lived in Knockemstiff in 1957, nearly all of them connected by blood through one godforsaken calamity or another, be it lust or necessity or just plain ignorance.

If the story wasn't overly long, I'd type it out. And I'd carry it around with me for a week and jot notes on it, and then I'd throw it away and do another one.

I would like to write a book that wasn't so violent and weird, but I just don't think I can do that with my talent. I don't think it would come off.

Some people were born just so they could be buried.

Unless he had whiskey running through his veins, Willard came to the clearing every morning and evening to talk to God. Arvin didn't know which was worse, the drinking or the praying. As far back as he could remember, it seemed that his father had fought the Devil all the time.

I'm beginning to believe that anything I do to extend my life is just going to be outweighed by the agony of living it.

When I started graduate school we did this publishing class where we learned about submitting and read interviews with editors from different magazines. A lot of them said they got so many submissions that unless the first page stuck out or the first paragraph or even the first sentence they'll probably send it back. So part of my idea was that if I have a really good first sentence maybe they'll read on a bit further. At least half, maybe more of the stories in Knockemstiff started with the first sentence; I got it down then went from there.

When I turned fifty, I decided to quit the mill and go to graduate school.

I sort of like writing about weird characters, I guess.

I was always a big reader, even when everything was bad and miserable.

I had this bad habit of not writing out a first draft and going back. For me it was the first sentence, then the second sentence, and I might be several weeks on the first page instead of writing a draft and trying to figure it out from there.

I spent thirty-two years in a paper mill in southern Ohio, and before that, I worked in a meatpacking plant and a shoe factory.

Id always been a big reader, and I loved books, and I always thought writing would be a great way to get by in the world.

Michael Koryta is an amazingly talented writer, and I rank The Prophet as one of the sharpest and superbly plotted crime novels I've read in my life.

I'm trying to break myself of that habit [of not writing out a first draft ] because I'm working on a couple novels and I know if I tried to write those books the way I wrote the stories it would take me years to finish.

J.R. Angelella is a truly gifted writer. Zombie is one of the smartest, strangest, and most beautifully crafted coming-of-age stories you will ever encounter.

The Oxys filled holes in me I hadn't realized were empty. It was, at least for those first few months, a wonderful way to be disabled. I felt blessed.

Look, girls don't care how many push-ups you can do. They just want to get high and wear flowers in their hair. Maybe steal a car.

The way I saw the characters these things just happened naturally. At the same time - and I know it's probably not apparent when you read the book - but I really tried to hold back because I didn't want it to become a cartoon.

A lot of people get the wrong impression, think there's something romantic or tragic about hitting bottom.

Knockemstiff is a collection of short stories set in the holler of the same name in southern Ohio where I grew up. I tried to link the stories together through the place and some recurring characters.

I remember a class I taught at Ohio State where I assigned a Mary Gaitskill story, which really wasn't that bad, and I had this one girl refuse to read it. But better that reaction than no reaction at all.

I don't think my book is any more shocking than if I went out right now and brought back your local newspaper and found a story that happened around here yesterday or the day before that's just as shocking as anything in my book.

I worked in a paper mill all my adult life and there were a lot of funny guys there. So you pick up on that. Even though something really bad might have happened to somebody you can still make a joke out of it.

When I first started out, I was trying to write stories about nurses and lawyers and a lot of people I didn't know anything about, and they just weren't working.

I took a correspondence course with a guy at Ohio University. He gave me ten exercises, and one of them resulted in the story "Bactine." It pleased me a lot more than anything else I'd ever done, so I kept messing around and by the time I got to Ohio State I'd written maybe eight stories.

When I was growing up, I always wanted to be somebody else and live somewhere else. I've always felt a little uncomfortable around people.

When I was growing up, I just wanted to be somewhere else. I didn't like living in Knockemstiff, and I figured when I got older, I'd move off to some big city.

Don't get me wrong: I think that everyone should put forth an effort to do better, but let's face it, some of us are just plain luckier than others.

I listen to a lot of different stuff, from Mozart to Johnny Dowd to Monster Magnet. I don't listen to music while I'm writing a draft, but I do listen to it when I'm revising.

I'm probably the least cerebral guy you're ever going to meet as a writer.

I'm not really a good reader. What I mean is, I think I'm not one of those people who can read a story and analyze it just like that.

I'm not sure about 'absolute' happiness, but I am happiest when I go to bed at night knowing that I tried to do my best that day.

I was 35 when I started taking classes at Ohio University. After I got my degree, I kept working at the mill. When I was 45, I decided I was going to try to learn how to write short stories.

I am very indebted to southern writers and not just Flannery O'Connor. Also Harry Crews, Larry Brown, Tennessee Williams, Barry Hannah and William Gay.