Richard Russo Thinking Quotations

I don't think there's a shortage of material in the world. Or in my head. I just pray for continued good health, because I've got other stories to tell.

I think that if people are instructed about anything, it should be about the nature of cruelty. And about why people behave so cruelly to each other. And what kind of satisfactions they derive from it. And why there is always a cost, and a price to be paid.

I think a lot of what is going on with kids who get pushed too far and attempt either murder or suicide is that they are trying to deal with their own non-existence for the people who are supposed to care most for them.

I looked back at some of my earlier published stories with genuine horror and remorse. I got thinking, How many extant copies might there be, who owns them, and do they keep their doors locked?

At the risk of appearing disingenuous, I don't really think of myself as 'writing humor.' I'm simply reporting on the world I observe, which is frequently hilarious.

I want that which is hilarious and that which is heartbreaking to occupy the same territory in the book because I think they very often occupy the same territory in life, much as we try to separate them.

I think the darker aspect of my fiction-or anybody's fiction-is by its very nature somehow easier to talk about.

When I look back over my novels what I find is that when I think I'm finished with a theme, I'm generally not. And usually themes will recur from novel to novel in odd, new guises.

My books are elegiac in the sense that they're odes to a nation that even I sometimes think may not exist anymore except in my memory and my imagination.

My God, he couldn't help thinking, how terrible it is to be that age, to have emotions so near the surface that the slightest turbulence causes them to boil over. That, very simply, was what adulthood must be all about -- acquiring the skill to bury things more deeply. Out of sight and, whenever possible, out of mind.

I've never written nearly as much about place as people seem to think I do. I just write about class.

I think it would be harder for me not to write comedy because the comic view of things is the one that comes most naturally to me.

I don't think America has ever had a center the way London is the center of England or Dublin is the center of Ireland.

A short story is something that I think can be intuited and envisioned and held in your mind almost at once.

As I drift back into sleep, I can't help thinking that it's a wonderful thing to be right about the world. To weigh the evidence, always incomplete, and correctly intuit the whole, to see the world in a grain of sand, to recognize its beauty, its simplicity, its truth. It's as close as we get to God in this life, and reside in the glow of such brief flashes of understanding, fully awake, sometimes for two or three seconds, at peace with our existence. And then back to sleep we go.

If you paid me for work," continued Max, whose rhetoric was more sophisticated than you might expect from a man with food in his beard, "I wouldn't have to feel worthless. There's not law says old people have to feel worthless all the while, you know. You paid me, I'd have some dignity." Now it was Mile's turn to nod and smile agreeably. "I think the dignity ship set sail a long time ago, Dad.

One of the nice things about our marriage, at least to my way of thinking, is that my wife and I no longer have to argue every thing through. We each know what the other will say, and so the saying becomes an unnecessary formality. No doubt some marriage counselor would explain to us that our problem is a failure to communicate, but to my way of thinking we've worked long and hard to achieve this silence, Lily's and mine, so fraught with mutual understanding.

Were it not for Occam's Razor, which always demands simplicity, I'd be tempted to believe that human beings are more influenced by distant causes than immediate ones. This would especially be true of overeducated people, who are capable of thinking past the immediate, of becoming obsessed by the remote. It's the old stuff, the conflicts we've never come to terms with, that sneaks up on us, half forgotten, insisting upon action.