One of the eternal mysteries of ballet is how untalented choreographers find backers for their work, and then find good dancers to perform in it. Is it irresistible charm? Chutzpah? Pure determination? Blackmail? Or are so many supposedly knowledgeable people just plain blind?
Yes, bad or mediocre ballets can be useful to the dancers and temporarily fun for the audience, but in the long run, the lowering of standards can only erode the art form we all love.
'Empty Moves' is elegantly and coolly inventive. Two pairs of dancers shadow each other in slow, deliberate rearrangements and manipulations of legs and torsos, only occasionally switching partners or breaking free of the formal patterning.
The mystery of Christopher Wheeldon deepens. Yes, he's the most talented of the younger ballet choreographers - indeed, where's the competition? Yes, he's particularly good at nurturing dancers and identifying their essential qualities.
You can usually tell how healthy a ballet company is by the degree of your interest in the middle ranks of the dancers - the not-yet stars, the up-and-comers.