Roger Ebert Two Quotations

We can now have action movies with two stars where one might be African American and one might be Asian American. One of them doesn't have to be white, and the other one doesn't have to be the ethnic sidekick. We're way over that. And I think it's happening in society, too.

If a movie is really working, you forget for two hours your Social Security number and where your car is parked. You are having a vicarious experience. You are identifying, in one way or another, with the people on the screen.

The layout was griping, the glide is awesome. Two ten-inch fins up, way up.

One, don't wait for inspiration, just start the damned thing. Two, once you begin, keep on until the end. How do you know how the story should begin until you find out where it's going?

What I believe is that all clear-minded people should remain two things throughout their lifetimes: Curious and teachable.

Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them.

Now I see that all relationships are virtual, even those that take place in person. Whether we use our bodies or a keyboard, it all comes down to two minds crying out from their solitude.

When I go to the movies, one of my strongest desires is to be shown something new. I want to go to new places, meet new people, have new experiences. When I see Hollywood formulas mindlessly repeated, a little something dies inside of me: I have lost two hours to boors who insist on telling me stories I have heard before.

Sometimes two people will regard each other over a gulf too wide to ever be bridged, and know immediately what could have happened, and that it never will.

One of the most sublime and hazardous moments in human experience comes when two people lock eyes and realize that they are sexually attracted to one another. They may not act on the knowledge.They may file it away for future reference. They may deny it. They may never see each other again. But the moment has happened, and for an instant all other considerations are insignificant.

There are two things you can't argue in film: comedy and eroticism. If something doesn't make you laugh, no one can tell you why it's funny, and it's difficult to reason someone out of an erection.