I wrote 'The Match,' my cricket novel, between 2002 and 2005. In retrospect, almost an age of innocence in cricket and a time when it was rare to find the game deep in fiction.
For me, there is urgency in fiction, even though writing is, in itself, an act against the corrosiveness of time.
Language is the means by which we negotiate our relationship with time.
Novels are the means by which we can escape the moment we are imprisoned in, but at the same time, the roots of a novel are in the world in which it is written. We write, and we read, to understand the world we live in.
I grew up in Colombo but was lucky enough to spend a lot of time in the countryside as well. Although there was considerable turbulence, even in the 1950s, it did not throw a shadow on my consciousness.
If you are writing something, you automatically create a certain distance. It can be very little. Even within the same city you imaginatively have a certain distance from your subject, and at the same time, you have to have a connection.
In the sense that writing is to retrieve the past and stop the passing of time, all writing is about loss. It's not nostalgia in the sense of yearning to bring back the past, but recognition of the erosion of things as you live.
I believe if a sentence is to retain its strength over time, it needs to be carefully made.