Rufus Wainwright Thinking Quotations

I think the minute you mention death, people run for the hills - unless it's heavy metal. People do not like death.

I think we could all be a bit more elitist.

I'm definitely a fan of juxtaposition. Using the most beautiful line to say the most horrific thing - I think one of the main things in songwriting is definitely friction between the words and the melody.

Climate change has always been sort of my main focus. I think also with [what happened in Fukushima, Japan] there's still a lot to think about in terms of what's coming down the pike into the world's oceans, too.

I just think it's better to have ideas. I mean, you can change an idea. Changing a belief is trickier, people die for them, people kill for them.

I've written songs for Shirley Bassey, Marianne Faithfull, and Linda Thompson. I sort of focus on these wonderful, aging divas. But maybe that's because I think I'm Christina Aguilera.

Places that have experienced great defeat experience a kind of rebirth, which I think America has to do - unless we want to get more decrepit. I don't think we have to destroy the place totally.

One of the main destructive forces within our family has been these runaway egos. I think if you look at any show business family, that struggle exists.

I think my imagination and my passions are still firing away, but it's really the body that starts to make up the rules. It's not a major problem; it's just when you get a little older you realize how much your body thanks you when you are good to it.

I think I've done a pretty fantastic job, but of course I want to sell millions of records.

I think my mother, more than anyone, knew the importance of inspiration. If it was occurring, you had to use it.

I think everybody identified at a pretty young age that I was fairly entranced with myself. And that I had to be tempered.

I've been thinking of trying my hand at rap. I've been recording snippets on my BlackBerry.

There's prejudice everywhere. I don't think the music industry is as bad as the movie industry. But I have taken a few hits over the years for my sexuality, and for being honest about my life. In the end, it's the music that rules the roost.

When I wrote the opera, I made a deal with myself that for at least an hour a day I would work on it, even if it meant just sitting on my piano bench, staring into space and thinking about it. It's about keeping it regular, like your bowel movements - let's get real: it's your bodily artistic movements! It comes from the same place.

I don't know if it will be my big comeback, but I think it is a statement - that I am a self-sustaining, vibrant, long-term artist, and I'm not going away! And if you don't give me credit, then the musical gods will!

For better or worse, I've always been curious musically. Whether it's opera or Judy Garland or pop, I've deliberately sought those things out. I've never wanted to do the same things over and over. Some think I've accomplished what I set out to do, and others consider me a dilettante.

I am under no illusion that I will ever be the greatest opera composer in the world, with Wagner and Verdi and Strauss before me. I think my work could fit very nicely into musicals, though.

I made the decision to take on board the critical feedback. Reviews are something you can easily ignore as a performer or writer but I chose to not ignore them here and I think that I benefited. I think I'm stronger for it - and I have a tougher skin as a result.

I like to think of myself as a combination of Sid Vicious and Virgil Thompson

But I don't even think you hear me at all Under your medieval ceiling behind your biblical wall