Stephen King Book Quotations

I love the movies, and when I go to see a movie that's been made from one of my books, I know that it isn't going to be exactly like my novel because a lot of other people have interpreted it. But I also know it has an idea that I'll like because that idea occurred to me, and I spent a year, or a year and a half of my life working on it.

Every book you pick up has its own lesson or lessons, and quite often the bad books have more to teach than the good ones.

People think that I must be a very strange person. This is not correct. I have the heart of a small boy. It is in a glass jar on my desk.

The U.S. economy is continuing to weaken, ... We are bearish over the next few months. The beige book continues to show weakness in the U.S.

The U.S. economy is continuing to weaken. We are bearish over the next few months. The beige book continues to show weakness in the U.S.

I want to engage the reader. I'm an emotional writer, in the sense that I would be happy if you re-read a book for the intellectual or the mental part of it, but, the first time, I just like to reach out and grab you, pull you in.

I have an idea of how the book will finish up, but it very rarely finishes up the way that I think it's going to.

You have to go where the book leads you.

Books are the perfect entertainment: no commercials, no batteries, hours of enjoyment for each dollar spent. What I wonder is why everybody doesn't carry a book around for those inevitable dead spots in life.

I think the best writers are voracious readers who pick up the cadences and the feel of narration through a number of different books. And you begin by maybe copying the style of writers that really knocked you out.

Speaking personally, you can have my gun, but you'll take my book when you pry my cold, dead fingers off of the binding.

If I have to spend time in purgatory before going to one place or the other, I guess I'll be all right as long as there's a lending library.

Books are a uniquely portable magic.

My books depend on someone in danger, putting pieces together and figuring things out. They do a lot of thinking, and that gets lost in the movie.

Books and movies are like apples and oranges. They both are fruit, but taste completely different.

Some of this book—perhaps too much—has been about how I learned to do it. Much of it has been about how you can do it better. The rest of it—and perhaps the best of it—is a permission slip: you can, you should, and if you're brave enough to start, you will. Writing is magic, as much the water of life as any other creative art. The water is free. So drink. Drink and be filled up.

I'm a slow reader, but I usually get through seventy or eighty books a year, most fiction. I don't read in order to study the craft; I read because I like to read

This is a short book because most books about writing are filled with bullshit.

When you write a book, you spend day after day scanning and identifying the trees. When you’re done, you have to step back and look at the forest.

I don't make movies. I don't feel that I have to have artistic control. Part of this comes from the fact that the book lives on no matter what Hollywood does to your novel in terms of a film. Now, you try to be careful who you allow to do your film because nobody wants their novel to become a turkey movie. But, on the other hand, it is a crapshot anyway, because even the best people can make a bad film.

Jake went in, aware that he had, for the first time in three weeks, opened a door without hoping madly to find another world on the other side. A bell jingled overhead. The mild, spicy smell of old books hit him, and the smell was somehow like coming home.

The first movie I can remember seeing was The Creature From The Black Lagoon. And, I can remember hearing a radio play of Ray Bradbury's Mars Is Heaven. And when I cut my teeth on comic books, they were not the easy ones of today like Spiderman, Superman and The Hulk. they were Tales Of The Crypt, The Vaultkeeper, and that sort of thing.

Until we see each other again, keep your head together, read some good books, be useful, be happy.

The death of the music business was insane, but audio recordings have been around now for maybe 120 years. Books have been around for, what, nine centuries? So they're more entrenched than music.

JK Rowling created seven Horcruxes. She put a part of her soul in every book and now her books will live forever

Reading is the creative center of a writer’s life. I take a book with me everywhere I go, and find there are all sorts of opportunities to dip in. The trick is to teach yourself to read in small sips as well as in long swallows. Waiting rooms were made for books— of course! But so are theater lobbies before the show, long and boring checkout lines, and everyone’s favorite, the john. You can even read while you’re driving, thanks to the audiobook revolution. Of the books I read each year, anywhere from six to a dozen are on tape.

I'm a situational writer. You give me a situation, like a writer gets in a car crash, breaks his leg, is kidnapped by his number-one fan, and is kept in a cabin and forced to write a book - everything else springs from there. You really don't have to work once you've had the idea. All you have to do is kind of take dictation from something inside.

You want to remember that while you're judging the book, the book is also judging you.

Everybody wants to psychoanalyze horror. They don't want to psychoanalyze a book like Gay Talese's "Sex with Your Neighbor" or something like that. It's pretty much accepted that Americans should be interested in who they're diddling and how they're doing it.

When it comes to horror there's a strange need to analyze. When "evil children" fad happened, there was The Exorcist and The Other and The Omen. People would say, "What this really means is that Americans don't want to have kids anymore. They feel hostility towards their own children. They feel they're being tied down and dragged down." In fact, in most cases, what those books are about is nice children who are beset by forces beyond their control.

There are books full of great writing that don't have very good stories. Read sometimes for the story... don't be like the book-snobs who won't do that. Read sometimes for the words--the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book.

As we get older, our fears, in some way, sharpen and become more personal, because we can no longer - let's say take a book like "It" or maybe "Christine," and say these are make-believe fears.

Most books about writing are filled with bullshit. Fiction writers, present company included, don’t understand very much about what they do—not why it works when it’s good, not why it doesn’t when it’s bad.

The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.

I enjoy going back and forth between plays and novels. It`s like having a wife and a mistress. Books are the wife; plays, the mistress.

The books are always there, just the way you wrote them. The plays often don`t turn out the way you wanted them to because in the theater, you`re always involved with collaborators and they don`t always see the work the way you do.

Good books don't give up all their secrets at once.

The first draft of a book—even a long one—should take no more than three months, the length of a season.

Good books are for consideration after, too.

I'm not the first person to have said this - no writer ever feels that the execution of a book lives up to the idea for that book. The execution always falls short.

The advantage of horror books is to take the reader and cut him out of the pack and work on him one on one. It has its advantages because the people that are there in the movie theater really are a mob. If you get one guy alone you can do a more efficient job of scaring him.

I have grown into a Bestsellasaurus Rex - a big, stumbling book-beast that is loved when it shits money and hated when it tramples houses.... I started out as a storyteller; along the way I became an economic force.

...book-buyers aren't attracted, by and large, by the literary merits of a novel: book-buyers want a good story...something that will first fascinate them, then pull them in and keep them turning the pages.

Men who find themselves late are never sure. They are all the things the civics books tell us the good citizen should be: partisans but never zealots, respectors of the facts which attend each situation but never benders of those facts, uncomfortable in positions of leadership but rarely unable to turn down a responsibility once it has been offered . . . or thrust upon them. They make the best leaders in a democracy because they are unlikely to fall in love with power.

There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.

How does it happen that a writer who's not even very good - and I can say that, I've read four or five of his books - gets to be in charge of the world's destiny? Or of the entire universe's?" If he's not very good, why didn't you stop at one?" Mrs. Tassenbaum smiled. "Touché. He is readable, I'll give him that - tells a good story...

Only library books speak with such wordless eloquence of the power good stories hold over us.

Superhero movies and comic books teach a lesson that runs directly counter to the culture-of-violence idea: guns are for bad guys too cowardly to fight like men.

There is a story in the book Night Shift, called 'The Mangler,' about a laundry machine that takes on a sort of malignant life. I worked in a laundry for about a year and a half after I got out of college. It was the only job I could find to support my wife and our first child. There was a fellow there that had no hands or forearms. He simply had hooks. This is one of the things that they don't tell you about when you become management. You have to wear a tie. It was this fellow's tie that did him in.

Not every book has to be loaded with symbolism, irony, or musical language, but it seems to me that every book-at least every one worth reading-is about something.

Waiting rooms were made for books-of course! But so are theater lobbies before the show, long and boring checkout lines, and everyone's favorite, the john.

Once I fell in love with books, I fell in love completely.

The book is not the important part. The book is the delivery system. The important part is the story and the talent.

But it's writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else. Wash the car, maybe.

It had that comfortably sprung, lived-in look that library books with a lively circulation always get; bent page corners, a dab of mustard on page 331, a whiff of some reader's spilled after-dinner whiskey on page 468. Only library books speak with such wordless eloquence of the power good stories hold over us, how good stories abide, unchanged and mutely wise, while we poor humans grow older and slower.

Terrifying. . . . A Dark Matter is populated with vivid, sympathetic characters, and driven by terrors both human and supernatural. It's the kind of book that's impossible to put down once it has been picked up. It kept me reading far into the night. Straub builds otherworldly terror without ever losing touch with his attractive cast of youngsters, who age beautifully. Put this one high on your list.

Whenever I publish a book, I feel like a trapper caught by the Iroquois. They're all lined up with Tomahawks, and the idea is to run through with your head down, and everybody gets to take a swing. They hit you in the head, the back, the ass, and the balls.

I feel better in my mind because I'm doing what God made me to do. He said, 'Go write books, Steve, and you'll be happy.' I'm happy now, and that has had an effect on my life and my relationship with my wife and kids and even my friends. I've always wanted to be a writer.

I like to get ten pages a day, which amounts to 2,000 words. That’s 180,000 words over a three-month span, a goodish length for a book — something in which the reader can get happily lost, if the tale is done well and stays fresh.

A book is like a pump. It gives nothing unless first you give to it. You prime a pump with your own water, you work the handle with your own strength. You do this because you expect to get back more than you give.

Kindle, isn’t it?” the waitress asked. “I got one for Christmas, and I love it. I’m reading my way through all of Jodi Picoult’s books.” “Oh, probably not all of them,” Wesley said. “Huh? Why not?” “She’s probably got another one done already. That’s all I meant.” “And James Patterson’s probably written one since he got up this morning!” she said, and went off chortling.

I believe the first draft of a book — even a long one — should take no more than three months…Any longer and — for me, at least — the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity.

If a writer knows what he or she is doing, I'll go along for the ride. If he or she doesn't... well, I'm in my fifties now, and there are a lot of books out there. I don't have time to waste with the poorly written ones.

The idea for each of the stories in this book came in a moment of belief and was written in a burst of faith, happiness, and optimism. Those positive feelings have their dark analogues, however, and the fear of failure is a long way from the worst of them. The worst - for me, at least - is the gnawing speculation that I may have already said everything that I have to say, and am now only listening to the steady quacking of my own voice because the silence when it stops is just too spooky.

Without story books is like a person with no soul.

Come to a book as you would come to an unexplored land. Come without a map. Explore it, and draw your own map.... A book is like a pump. It gives nothing unless first you give to it.