I use colors to bring fine points of story and character.
Fortunately, John Houseman is a marvelous writer and he sat in on so many story conferences. He worked with Welles, you know, and he's a marvelous man.
I always liked the Van Gogh story because I was terribly involved in that.
I allow an area for improvisation because the chemical things actors bring to stories make it not work.
No, I only like whether I like the story or not, essentially see something in it that isn't completely there.
It's always the story that interests me.
It's the story that counts.