W. H. Auden Men Quotations

A tremendous number of people in America work very hard at something that bores them. Even a rich man thinks he has to go down to the office everyday. Not because he likes it but because he can't think of anything else to do.

Choice of attention - to pay attention to this and ignore that - is to the inner life what choice of action is to the outer. In both cases, a man is responsible for his choice and must accept the consequences, whatever they may be.

A poet can write about a man slaying a dragon, but not about a man pushing a button that releases a bomb.

The words of a dead man are modified in the guts of the living.

To save your world you asked this man to die; would this man, could he see you now, ask why?

If we apply the term revolution to what happened in North America between 1776 and 1829, it has a special meaning. Normally, the word describes the process by which man transforms himself from one kind of man, living in one kind of society, with one way of looking at the world, into another kind of man, another society, another conception of life.... The American case is different: it is not a question of the Old Man transforming himself into the New, but of the New Man becoming alive to the fact that he is new, that he has been transformed already without his having realized it.

Most poetry is the utterance of a man in some state of passion, love, joy, grief, rage, etc., and no doubt this is as it should be. But no man is perpetually in a passion and those states in which he is amused and amusing, detached and irreverent, if less important, are no less amusing. If there were no poets who, like Byron, express these states, Poetry would lack something.

Nobody knows what the cause is, though some pretend they do; it like some hidden assassin waiting to strike at you. Childless women get it, and men when they retire; it as if there had to be some outlet for their foiled creative fire.

Men will pay large sums to whores for telling them they are not bores.

To the man-in-the-street, who, I'm sorry to say, is a keen observer of life. The word Intellectual suggests straight away. A man who's untrue to his wife.

Man is a history-making creature, who can neither repeat his past, nor leave it behind.

The surest sign that a man has a genuine taste of his own is that he is uncertain of it.

It is nonsense to speak of 'higher' and 'lower' pleasures. To a hungry man it is, rightly, more important that he eat than that he philosophize.

The true men of action in our time, those who transform the world, are not the politicians and statesmen, but the scientists

Laziness acknowledges the relation of the present to the past but ignores its relation to the future; impatience acknowledge its relation to the future but ignores its relation to the past; neither the lazy nor the impatient man, that is, accepts the present instant in its full reality and so cannot love his neighbour completely.

The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.

A man is a form of life that dreams in order to act and acts in order to dream.

Let us honor if we can the vertical man, though we value none but the horizontal one

Christ did not enchant men; He demanded that they believe in Him: except on one occasion, the Transfiguration. For a brief while, Peter, James, and John were permitted to see Him in His glory. For that brief while they had no need of faith. The vision vanished, and the memory of it did not prevent them from all forsaking Him when He was arrested, or Peter from denying that he had ever known Him.

A dead man who never caused others to die seldom rates a statue.

Every man carries with him through life a mirror, as unique and impossible to get rid of as his shadow.

A man has his distinctive personal scent which his wife, his children and his dog can recognize. A crowd has a generalized stink. The public is odorless.

A writer is a maker, not a man of action: his private life is of no concern to anybody but himself, his family and his friends.

In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.

Routine, in an intelligent man, is a sign of ambition.

There must always be two kinds of art: escape-art, for man needs escape as he needs food and deep sleep, and parable-art, that art which shall teach man to unlearn hatred and learn love.

All I have is a voice to undo the folded lie, the romantic lie in the brain of the sensual man-in-the-street and the lie of Authority whose buildings grope the sky: There is no such thing as the State and no one exists alone; Hunger allows no choice to the citizen or the police; We must love one another or die.

I see little hope for a peaceful world until men are excluded from the realm of foreign policy altogether and all decisions concerning international relations are reserved for women, preferably married ones.

In a land which is fully settled, most men must accept their local environment or try to change it by political means; only the exceptionally gifted or adventurous can leave to seek his fortune elsewhere. In America, on the other hand, to move on and make a fresh start somewhere else is still the normal reaction to dissatisfaction and failure.

Between labor and play stands work. A man is a worker if he is personally interested in the job which society pays him to do; whatfrom the point of view of society is necessary labor is from his point of view voluntary play. Whether a job is to be classified as labor or work depends, not on the job itself, but on the tastes of the individual who undertakes it. The difference does not, for example, coincide with the difference between a manual and a mental job; a gardener or a cobbler may be a worker, a bank clerk a laborer.

Man desires to be free and he desires to feel important. This places him in a dilemma, for the more he emancipates himself from necessity the less important he feels.

Left to itself the masculine imagination has very little appreciation for the here and now; it prefers to dwell on what is absent, on what has been or may be. If men are more punctual than women, it is because they know that, without the external discipline of clock time, they would never get anything done.

The masculine imagination lives in a state of perpetual revolt against the limitations of human life. In theological terms, one might say that all men, left to themselves, become gnostics. They may swagger like peacocks, but in their heart of hearts they all think sex an indignity and wish they could beget themselves on themselves. Hence the aggressive hostility toward women so manifest in most club-car stories.

There's only one good test of pornography. Get twelve normal men to read the book, and then ask them, ''Did you get an erection?'' If the answer is ''Yes'' from a majority of the twelve, then the book is pornographic.

Machines have no political opinions, but they have profound political effects. They demand a strict regimentation of time, and, by abolishing the need for manual skill, have transformed the majority of the population from workers into laborers. There are, that is to say, fewer and fewer jobs which a man can find a pride and satisfaction in doing well, more and more which have no interest in themselves and can be valued only for the money they provide.

If the most significant characteristic of man is the complex of biological needs he shares with all members of his species, then the best lives for the writer to observe are those in which the role of natural necessity is clearest, namely, the lives of the very poor.

America has always been a country of amateurs where the professional, that is to say, the man who claims authority as a member of an élite which knows the law in some field or other, is an object of distrust and resentment.

Behind the corpse in the reservoir, behind the ghost on the links, Behind the lady who dances and the man who madly drinks, Under the look of fatigue, the attack of migraine and the sigh There is always another story, there is more than meets the eye.

The Ogre does what ogres can, Deeds quite impossible for Man, But one prize is beyond his reach: The Ogre cannot master speech. About a subjugated plain, Among it's desperate and slain, The Ogre stalks with hands on hips, While drivel gushes from his lips.

The commonest ivory tower is that of the average man, the state of passivity towards experience.

The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have; Not universal love But to be loved alone.

Moreover, if great men are the only hope of the Evolutionary Process, they are morally bound to rule over the masses for their own good -- we are all here on earth to help others: what on earth the others are here for, I don't know -- and the masses have no right whatsoever to resist them.

The element of craftsmanship in poetry is obscured by the fact that all men are taught to speak and most to read and write, while very few men are taught to draw or paint or write music.

An honest self-portrait is extremely rare because a man who has reached the degree of self-consciousness presupposed by the desire to paint his own portrait has almost always also developed an ego-consciousness which paints himself painting himself, and introduces artificial highlights and dramatic shadows.

Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse.

An unmanly sort of man whose love life seems to have been largely confined to crying in laps and playing mouse.