Ambrose Gwinett Bierce Word Quotations

OCCASIONAL, adj. Afflicting us with greater or less frequency. That, however, is not the sense in which the word is used in the phrase "occasional verses," which are verses written for an "occasion," such as an anniversary, a celebration or other event. True, they afflict us a little worse than other sorts of verse, but their name has no reference to irregular recurrence.

RIBROASTER, n. Censorious language by oneself concerning another. The word is of classical refinement, and is even said to have been used in a fable by Georgius Coadjutor, one of the most fastidious writers of the fifteenth century --commonly, indeed, regarded as the founder of the Fastidiotic School.

LEONINE, adj. Unlike a menagerie lion. Leonine verses are those in which a word in the middle of a line rhymes with a word at the end, as in this famous passage from Bella Peeler Silcox:The electric light invades the dunnest deep of Hades. Cries Pluto, 'twixt his snores: "O tempora! O mores!"It should be explained that Mrs. Silcox does not undertake to teach pronunciation of the Greek and Latin tongues. Leonine verses are so called in honor of a poet named Leo, whom prosodists appear to find a pleasure in believing to have been the first to discover that a rhyming couplet could be run into a single line.

MAGDALENE, n. An inhabitant of Magdala. Popularly, a woman found out. This definition of the word has the authority of ignorance, Mary of Magdala being another person than the penitent woman mentioned by St. Luke. It has also the official sanction of the governments of Great Britain and the United States. In England the word is pronounced Maudlin, whence maudlin, adjective, unpleasantly sentimental. With their Maudlin for Magdalene, and their Bedlam for Bethlehem, the English may justly boast themselves the greatest of revisers.

KISS, n. A word invented by the poets as a rhyme for ""bliss."" It is supposed to signify, in a general way, some kind of rite or ceremony appertaining to a good understanding; but the manner of its performance is unknown to this lexicographer.

HASH, x. There is no definition for this word --nobody knows what hash is.

HAG, n. An elderly lady whom you do not happen to like; sometimes called, also, a hen, or cat. Old witches, sorceresses, etc., were called hags from the belief that their heads were surrounded by a kind of baleful lumination or nimbus --hag being the popular name of that peculiar electrical light sometimes observed in the hair. At one time hag was not a word of reproach: Drayton speaks of a ""beautiful hag, all smiles,"" much as Shakespeare said, ""sweet wench."" It would not now be proper to call your sweetheart a hag --that compliment is reserved for the use of her grandchildren.

PALMISTRY, n. The 947th method (according to Mimbleshaw's classification) of obtaining money by false pretences. It consists in ""reading character"" in the wrinkles made by closing the hand. The pretence is not altogether false; character can really be read very accurately in this way, for the wrinkles in every hand submitted plainly spell the word ""dupe."" The imposture consists in not reading it aloud.

DIE, n. The singular of ""dice."" We seldom hear the word, because there is a prohibitory proverb, ""Never say die."" At long intervals, however, some one says: ""The die is cast,"" which is not true, for it is cut. The word is found in an immortal couplet by that eminent poet and domestic economist, Senator Depew:A cube of cheese no larger than a die May bait the trap to catch a nibbling mie.

DIE, n. The singular of "dice." We seldom hear the word, because there is a prohibitory proverb, "Never say die." At long intervals, however, some one says: "The die is cast," which is not true, for it is cut. The word is found in an immortal couplet by that eminent poet and domestic economist, Senator Depew:A cube of cheese no larger than a die May bait the trap to catch a nibbling mie.

BONDSMAN, n. A fool who, having property of his own, undertakes to become responsible for that entrusted to another to a third. Philippe of Orleans wishing to appoint one of his favorites, a dissolute nobleman, to a high office, asked him what security he would be able to give. ""I need no bondsmen,"" he replied, ""for I can give you my word of honor."" ""And pray what may be the value of that?"" inquired the amused Regent. ""Monsieur, it is worth its weight in gold.

EMANCIPATION, n. A bondman's change from the tyranny of another to the despotism of himself.He was a slave: at word he went and came; His iron collar cut him to the bone. Then Liberty erased his owner's name, Tightened the rivets and inscribed his own. --G.J.