The whole film is about people being convinced that they can reduce themselves to their archetypes.
You are traveling and see these people shooting the entire experience of going through a city, and maybe in the back of their minds they sustain the illusion that they will edit it all, but I don't think that's it.
April 24th was another commemoration of the genocide of Armenia people by Turkey. The perpetrator never admitted the crime. I was raised with that, this question: how do you actually find the truth of such a traumatic event? I'm obsessed with that issue.
I love when people are resilient and when they form ways of dealing with grief or dealing with some traumatic episode, and sometimes those are the wrong choices.
People make decisions that may have one intent and yet are somehow perverted into something else. And sometimes it's because of design. Sometimes it's because of happenstance. But very often, it's mysterious to them.
We hear about the experiment that is Canada but we are now entering the most interesting phase of that, where people are interacting with their own culture and understanding the degree of tolerance we have created in this place.