Some people think electronic music is cold, but I think that has more to do with the people listening than the actual music itself.
I think the biggest part of a good party is the host and then going around making sure nobody's left alone and knows enough about the people in the room to know who to introduce to whom.
Even though the popularity and the fanbase is much much greater, and more people have heard about me through things like the Grammys and the Ivors and touring and word of mouth, it doesn't reflect in the sales of the record and doesn't go into my pocket.
If the night's right and the people are right, of course I want to be out, I want to be socializing. I don't want to be in my studio 24 hours a day for the whole rest of my life.
Twitter helps me connect to the people who help make my music, or the cycle of an album, complete. Without them experiencing the music, it doesn't really exist, so it doesn't make sense to not involve them.
Living in the U.K., there is no way to know whether anyone in India likes my music, but I was surprised to see people singing along while I performed in Pune.