For years I've wanted to find some guys that I could work with, because I realized a long time ago that I can do a lot of things other than Aerosmith.
I don't spend much time listening to the records when they're done. Usually I let go of it. Especially in the Eighties and Nineties - they were like product, almost.
That's what I love about music. It's immediate. There's a connection whether you are playing at Hyde Park or Chicago, and it's been happening since the beginning of time and the troubadours.
Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.
People spend their careers trying to figure out what makes a hit single. But I learned a long time ago that you can't anticipate what people want, because it's always going to change.
This time it wasn't like I had some deadline or any agenda or was even thinking like that. This was an absolutely no-pressure situation, just an at-home project, totally different from any kind of record I've made before.
I really didn't like 'Done With Mirrors.' I really didn't like 'Just Push Play.' Then there are other records I really think were good for their time, like 'Toys and Rocks.'
I'm glad that I never ended up killing myself, though I came close more times than I would like to admit.