Over the years, when you're in a band with a catalog like Aerosmith's, you accumulate a lot of instruments to duplicate those songs.
Listening back to the tapes to make this record, it was just one of those nights. Usually when you put out a live record, you kind of cull them from a series of shows -- you get the best performance of each song and hone it down. But with that one, we just kind of let it fly.
Berry's On Top is probably my favorite record of all time; it defines rock and roll. A lot of people have done Chuck Berry songs, but to get that feel is really hard. It's the rock and roll thing-the push-pull and the rhythm of it.
I have seen more bad songs make it because of MTV than good ones that haven't.
Sometimes when a record's done, I'm satisfied and I won't listen back to it for a while 'cause I'm usually pretty tired of the songs. Then I've got to learn them again to play them live, and sometimes it takes a while to realise it's a really good record.
I think that... the age of just slapping songs into movies, that's done.
Rhythm and sex go together and that's where I come from as far as the music goes. Rag Doll and Love In An Elevator are such sexual songs that you put them on & the strippers go NUTS!