For me, as a child, I certainly thought that there were more black people in the world than white people.
You can not have comedy unless people are behaving badly. You can't have it.
A poet can feel free, in my estimation, to write a poem for himself. Or a painter can paint a painting for himself. You can write a short story for yourself. But for me, comedy by its nature is communal. If other people don't get it, I'm not sure why you are doing it.
Being a melting pot is what I think is great about being American, and also that we get to do something that other people don't get to do, we get to be a hyphenate. That's a good thing.
I'm racist against non-black people.
I have this little thing that people call Keegan-ese, where I don't speak English words at all. I just say stuff like, "You gotta toish the doish and you gotta maloish the hoish."
I think the reason I went into theater, ultimately, was because that was one of multicultural groups. Because you identify with other people that share similar passions to you, so it didn't matter how much melanin was in their skin.
I want people to say, "Oh my God, I'm laughing out loud at television."
I have always, or for the most part, identified myself as a biracial person. Much to the chagrin of a lot of African-American people that I meet, because it's almost like there's a betrayal, an intrinsic betrayal: "Don't do that, brotha, we need you. We need you here, in this fold."