At the end of every stage performance, the audience all applaud me for doing my job, but I have friends who work in offices who don't get that.
I think television goes through phases, like other creative arts, where suddenly a group of people are producing exciting work all at once.
What you want is the opportunity to work and an audience. Prizes after that are just a great big bonus.
My experience of great storytelling, working with classics, is just finding a way to present it simply but let the story do its own work, or be an invite to the audience's imagination.
The records - what little we know about Shakespeare, including the records of the plays in his playhouse - were often the story of how quickly they came off if they didn't work. They had to move on. They were absolutely led by box office.
I've heard from quite a few people, you sense that there is an ownership of the [ Cinderella], it was so personal for so many people, so I was interested in trying to work out why that was.