Leonard Cohen Song Quotations

We're in a world where there's famine and hunger and people are dodging bullets and having their nails pulled out in dungeons so it's very hard for me to place any high value on the work that I do to write a song. Yeah, I work hard but compared to what?

I always felt I was scraping the bottom of the barrel trying to get a song together.

My sense of proprietorship has been so weak that actually I didn't pay attention and I lost the copyrights on a lot of the songs.

Women stand for the objective world for a man. They stand for the thing that you're not and that's what you always reach for in a song.

There are always meaningful songs for somebody. People are doing their courting, people are finding their wives, people are making babies, people are washing their dishes, people are getting through the day, with songs that we may find insignificant. But their significance is affirmed by others. There’s always someone affirming the significance of a song by taking a woman into his arms or by getting through the night. That’s what dignifies the song. Songs don’t dignify human activity. Human activity dignifies the song.

I know that there is an eye that watches all of us. There is a judgment that weighs everything we do. And before this great force, which is greater than any government, I stand in awe and I kneel in respect. And it is to this great judgment that I dedicate this next song.

If I knew where the good songs came from, I’d go there more often. It’s a mysterious condition. It’s much like the life of a Catholic nun. You’re married to a mystery.

I think what we like about music - and what we like about art in general....is that enterprise that stops our minds from spinning. Because we're always all over the place. A good song, a good lyric is a movie: it will just focus and calm and confer significance on this completely bewildering reality that all of us live in.

Songs don’t dignify human activity. Human activity dignifies the song.

When we are touched by a song, it is because the artist cannot hide himself.

I swear by this song and by all that I have done wrong, I will make it all up to thee.

My friends are gone and my hair is grey. I ache in places I used to play. And I’m crazy for love but I’m not coming on. I’m just paying my rent every day in the tower of song.

Suzanne had a room on a waterfront street in the port of Montreal. Everything happened just as it was put down. She was the wife of a man I knew. Her hospitality was immaculate. Some months later I sang it for Judy Collins over the telephone. The publishing rights were lost in New York City, but it is probably appropriate that I don't own this song. Just the other day I heard some people singing it on a ship in the Caspian Sea.

I've always held the song in high regard because songs have got me through so many sinks of dishes and so many humiliating courting events.

I'm writing all the time. And as the songs begin to coalesce, I'm not doing anything else but writing. I wish I were one of those people who wrote songs quickly. But I'm not. So it takes me a great deal of time to find out what the song is.

A song, you know, you've got a tempo. You know,you've got something that is moving swiftly. You can't stop it, you know? Andit's designed to move swiftly from, you know, mouth to mouth, heart to heart,where a poem really speaks to something that has no time and that is - it's acompletely different perception.