On the high wire, within months, I'm able to master all the tricks they do in the circus, except I am not satisfied.
I have been performing in the street for more than 50 years: magic for basically 60 years, and the high wire 45 years. The beauty of it is that it's never the same. It's never easy. And yet, part of my art is to make it look easy.
I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
It's very normal - when you're not used to the world of the high wire, it's very normal to be simply terrified. The reason I'm not is because I've done it for so many years.
It is treacherous on a high wire to change your focus point and suddenly look down.
If I had been born in the circus, my parents would have pushed me on that little high wire at four years old. That's when the body is most limber to learn those acrobatics.