Books Quotations | Page 3

Producing words isn't a problem for me. And I usually write two books at a time. When one horse gets winded, you jump on the other.

Because books are written by individuals, it has often made knowledge seem like the product of individuals, even though everybody has always understood that individuals are working within the social network.

Through the eight books in 'The Treasure Chest' series, readers will meet twins Maisie and Felix and learn the secrets and rules of time travel, where they will encounter some of these famous and forgotten people. In Book 1, Clara Barton, then Alexander Hamilton, Pearl Buck, Harry Houdini, and on and on.

Laughter is healing and helpful and fun, and I see my role as an entertainer, and I want readers to leave my books smiling.

Most of the great books on prayer are written by 'experts' - monks, missionaries, mystics, saints. I've read scores of them, and mainly they make me feel guilty.

Often, when people ask me what I read as a young girl, I lie. Or, I should say, I lie by omission. I tell them about my brilliant fourth-grade teacher, Miss Artis, who assigned us 'Johnny Tremain' and 'Where the Red Fern Grows' and 'Tuck Everlasting,' all books that made an impression on me. And people nod in approval.

I discovered Deborah Ellis's books in the school library after my head teacher encouraged me to go beyond the school curriculum and look for books I might enjoy.

I love reading; I really enjoy it. I read books quite fast, which kind of annoys me, but I like it at the same time because I can read a book in a day.

I like to write books that I would have liked as a child, that would have got me thinking and imagining beyond the words on the page. In a way, my audience is always how I remember myself as a child.

A lot of the books that I grew up reading were pretty brutal, like the 'Redwall' books.

What I like writing about are people's relationships, not necessarily great big dramatic things but the smaller things in life and how they affect characters and challenge and change the people that they are. I do like a happy ending, so my books have to have a happy ending.

With the '39 Clues,' we were making history jump out of the page for the readers, so they don't know they're learning. The kids can't put the books down - it's so exciting.

I think there is something in my books that says these are people doing their best under difficult circumstances - sometimes they do wrong things and make mistakes, but who doesn't? And who wants to read about somebody who never does?

With so many forty- and fifty something mums and dads in Converse stalking the streets, I can see why there's a slew of books about the menopause and middle age, the most recent addition being David Bainbridge's plucky, glass-half-full meditation or, as he calls it, 'natural history.'

It's true that I had a bucolic, truly peaceful childhood, growing up in a house next to our family's orchard. We had a lot of books and art, but no electricity until I was eight years old. Since then, I have seen a lot of inner-city life, though.

My first biography was 'Our Golda: The Life of Golda Meir.' To research that book, I bought a 1905 set of encyclopedias. Those books told me what each of the places Golda Meir lived in were like when she lived there.

I got hit by the bug of reading - not via a person, but via the one-room library in our small town. I remember that the children's books were in the right-hand corner near the floor. Often when I went there, I was the only visitor.

I don't need the water to be inspired. My stories inspire me, not the location of where I'm parked. And good thing, since I've had to finish books in airports, in the RV we used to have, the lake house, while on vacation, at home, in the kitchen when my office PC was on the fritz.

I fell in love with reading when I was allowed to choose whatever books I wanted to check out of the library. I was around nine years old when I began choosing my own books in earnest.

I write for children because I am interested in fantasy and the possibilities for experience of all kinds before the time of compromise. I believe that children are far more perceptive and wise than American books give them credit for being.

I often write two books simultaneously. Usually one of them starts out as a fun experiment designed to give me a daily break from the real book I'm writing. And then that becomes a real book too.

My home nurtured in me an early attachment to books and other things of the intellect, to music, and to the out of doors.

There's only one set of books I've written that I knew was going to be more than one book at the beginning, and those are the 'Missing Link' books.

It was an easy decision for me which books to self-publish as ebooks. I got the rights back to two Avon books that I wrote at the start of my career. I paid to have these two books, 'Bold Conquest' and 'Wild Hearts,' scanned. When I got them back as documents, I had to clean them up and correct all the typos, etc.

I loved doing problems in school. I'd take them home and make up new ones of my own. But the best problem I ever found, I found in my local public library. I was just browsing through the section of math books and I found this one book, which was all about one particular problem - Fermat's Last Theorem.

My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters.

The most important thing is readers. I've got a huge Twitter following, but I don't really think it sells books; I don't think a huge Facebook following sells books - although these things aren't bad, of course.

In our fathers' time nothing was read but books of feigned chivalry, wherein a man by reading should be led to none other end, but only to manslaughter and bawdry.

I feel lucky that my career so far has included books for adults and books for kids. They're equally important to me, and I hope I get to continue writing both.

I teach 18- to 21-year-olds - the 'Harry Potter' generation. They grew up as voracious readers, reading books in this exploding genre. But at some point, I would love for them to give Umberto Eco or A.S. Byatt a try. I hope 'A Discovery of Witches' will serve as a kind of stepping-stone.

As any student of literature knows, the books that last are often not the books that are most popular when they are written. Both 'Moby Dick' and 'The Great Gatsby' were complete failures, critically and commercially, when they first appeared.

I believe we need more culturally diverse books - about disabled characters, though not about their disability, about people with different sexual orientations, or a boy who is a cross-dresser. We need to reflect the diversity of our society.

There is a lot of talk in publishing these days that we need to become more like the Internet: We need to make books for short attention spans with bells and whistles - books, in short, that are as much like 'Angry Birds' as possible. But I think that's a terrible idea.

Most authors writing books like 'He's Just Not That Into You' dream of doing what I was being asked to do. I didn't like it. I'm good at giving advice, but doing it on TV and radio felt wrong, and when people resisted my point of view, I was like, 'Why am I doing this? This was not the plan.' So I stopped. It didn't make me feel good.

I am an Air Force brat who grew up at various Air Force bases. I changed six schools in about five years and got stability for the first time when I was sent to a boarding school, Rishi Valley. I lived outside of a cantonment-style living and was among an eclectic mix of kids and got exposed to books and other things.

Books have the power to be the light we are seeking at crucial moments in our lives. Reading helps us realize we are not alone, that we can change our circumstances and even achieve the impossible.

I was completely devoted to reading and books from the age of seven. It took until I was 18 to have the confidence to write poetry.

With fantasy, one often has to think of a well-loved series before narrowing the selection to a favourite book. So it is with Zelazny. I've read his 'Princes in Amber' books so often, I know them almost verbatim, so much so that I am now trying to forget them so I can return to them with renewed pleasure.

It was really written as most, I think, books are by writers - for themselves. There was something that just had to be written, in a way that it had to be written. If you know what I mean.

I couldn't enjoy 'A Dance With Dragons,' unfortunately. Of course, I enjoyed it, but it was the first of the books I read as a writer on 'Game of Thrones,' so all I could do is think, 'We're going to have to shift that,' 'We won't be able to afford that,' or 'That's a great scene.'

What's important to me is that all of my books are in print - and, in a way, that becomes the challenge, not winning this prize or getting that review. It's that the work is there, and you can walk into many bookshops throughout the world and buy it.

I read fantasy books like the Harry Potter books, 'Twilight,' also biographies, and I like to read about people who have been through stuff like wars or lost their families - real life stuff, you know? I like to read about their experiences and how they coped with that.

The stereotype of psychotherapy portrayed in popular books and movies is lying on the couch and saying whatever comes into your mind, while a kindly psychoanalyst listens and nods knowingly from time to time. After years and years, something wonderful is supposed to happen.

I confess that I am a messy, disorganized and impatient reader: if the book doesn't grab me in the first 40 pages, I abandon it. I have piles of half-read books waiting for me to get acute hepatitis or some other serious condition that would force me to rest so that I could read more.

My books are water; those of the great geniuses are wine - everybody drinks water.

I am happy to keep working on books because I'm always reading, and I'm always trying to fall in love.

As a father, I understand the importance of the bond that develops through reading picture books with your child.

Complex astronomical instruments like the Antikythera Mechanism and the Nebra Sky Disk were made by Pagans. Our Pagan intellectual heritage includes poets and scientists and literary intellectuals of every kind, especially including those who wrote some of the most important and influential books in all of Western history.

I write everywhere. I've written books while I was on planes, at Disney World, and in multiple countries of which I am not a native. It can be a struggle to make word count sometimes, but I will persevere!

I've got a bunch of books... I rely on funny books and movies to cheer me up. Oh, but I must say, I do have the world's most perfect husband, so a cuddle from him always cheers me up. He's a good guy.

I consider a house without books or a piano to be unfurnished.

They lard their lean books with the fat of others work.

Books is our main type of content, but we include user-generated content and will include other verticals such as scientific papers, sheet music, and comic books.

I didn't study science beyond high school level, but I'd been reading a lot of science books by people like Richard Dawkins, Matt Ridley and Daniel Dennett. I also spent a year working on a fellowship in a research centre - the Allan Wilson Centre - where I got a hands-on look at their work sequencing DNA.

Listen, I wrote 10 unsuccessful books before I broke through, so I'm looking all the time to keep my books fascinating. I want to write what people want to read, not push any message.

I'm always in search of those books where you don't want to stop reading, and 'Me Before You' is at the top of that list.

My books fall in the wobbly middle between historical fiction and historical romance.

Writing is a intensely personal activity. I can pen down my best thoughts when I'm alone. But when one is elevated into the stature of an author, you have to think about your books in terms of their business angle.

I have tons of art books. I have them all over the place. They are in my car, in my bag, and in my studio. There are books around me all the time.

People think children's books are about teddy bears and little flowers. I realize people sometimes don't know what to do with my books because they say, 'Is it a children's book, and what age group?'

I'm a novelist - not an expert on coal mining. I'm not a politician with an agenda to push. I'm not a reporter presenting facts, and I'm not a sociologist documenting the last struggling remnants of blue-collar America. I'm simply an author who sets her books in coal country because it's where I come from, and it's what I know.

I wrote six nonfiction books before getting into narrative fiction with 'Robopocalypse,' including 'How to Survive a Robot Uprising.' My goal all along was to start writing fiction, and I guess one day I'd just had enough.

I didn't even realize this at first, but there's almost no central character in any of my 24 books who doesn't have a dead mother or a lost parent.

I think that, for me, the great books like that, autobiographies, are great when the artists who write them throw caution to the wind and really put it out there as they saw it.

From the age of 13, I was attracted to physics and mathematics. My interest in these subjects derived mostly from popular science books that I read avidly.

There's two tiers of science fiction: the McDonalds sci-fi like Star Trek, where they have an adventure and solve it before the last commercial, and there are books that once you've read, you never look at the world the same way again.

I think what makes good children's books is putting the same care and effort into it as if I was writing for adults. I don't write anything - put anything in my books - that I'd be embarrassed to put in an adult book.

I definitely don't write with any kind of 'message' or 'lesson,' probably because when I was a child, I used to run a mile from books like that.

As a historian, I love every little detail, but whole long passages about wood paneling and journeys on horseback and every stop at every inn had to go out the window. I decided the history in the books should be like spice in a soup - a little went a long way. Like cilantro.

I used to think that when I finished a book, I was finished with it. But it's like a wonderful Hydra. Every time a head disappears, more heads appear, so I will be writing for the rest of my life. The more books I write, the more books I find that I still have to write about. I use it like an inspiration, and that's wonderful.

And after I compose my programs, but it is very easy because I look to the music in a very natural way without fuss, and so I look always music, in my home, like books and books and books, choose books and you read the pages, so I do this with music, and I make programs.

The role I see for my books is trying to think through the consequences of various things because a lot of the issues around technology and the nuances in it are not usually widely appreciated. That's how I view my writing as I sort of explore this terra incognita ahead of us in an effort to try to understand where we might be heading.

All comic books take place in built environments, and I was very good at drawing people and animals, and stuff like that, but I hadn't spent much energy drawing buildings. So I thought, maybe I could, and then I became an architect.

People make me key chains... someone attached a Dauntless symbol to a silver pen. That one is what I use to sign books. I use that a lot. I like to keep them around because they remind me that people are waiting for these books and that they really love them. It gives me motivation in those times when I'm not feeling very motivated.

I was reading a lot of books I admired, and thought that I would like to write something like that someday.

I understand why parents worry about books - they're worried about their kids. They want to keep their kids safe. But parents aren't always realistic.

When I was growing up, if there was a Young Adult section of my town's library, I missed it. I wandered right from 'The Babysitter's Club' over to Stephen King. His books were big and fat and they seemed important. I eventually worked my way through most of the shelf, but 'It' is the one that stuck with me.

The library world is set up on this model where the library is a physical building and has a number of books and serves a geographical community.

When I wonder what the future of books will be, I often think about horses. Before automobiles existed, everyone had a horse. Then cars became available, and their convenience, compared to horses, was undeniable.

The Classics are those books which constitute a treasured experience for those who have read and loved them; but they remain just as rich an experience for those who reserve the chance to read them for when they are in the best condition to enjoy them.

I loved horses and horse books as a child.

Many self-help books give you these neat, tidy formulas that are really illusions. They dupe people into thinking, 'Well if I can just do that, then everything's going to be okay.' My work differs in that I don't offer quick solutions and simple explanations.

J. K. Rowling is one of my favourite authors, and I really admire how she created this big wizarding world. But I think our books are very, very different, and I don't think there can be a next J. K. Rowling. She is one of a kind.

As for genre, my adult books are usually filed under science fiction / fantasy, although some stores put them into romance, and few have stuck them into horror. I consider all my books a mix of steampunk and urban fantasy.

What I do find enormously gratifying is the reviews my books get from the American press. They are so on the ball compared to anywhere else. It's so satisfying to get a review that conveys the reader understood precisely what I was trying to get at.

The more sins you confess, the more books you will sell.

I remember that I used to get lots of books from the library, and 'Little Women' was one of them. And I used to just cross out the parts of it that really upset me because it's such a sad book in so many ways. I'd cross out the parts that upset me, and I would rewrite new endings.

I will always respect the beliefs of fellow Christians who aren't comfortable reading or writing explicit love scenes, but I believe romances are beautiful and spiritual books that celebrate the best of what love has to offer and mirror the love God has for his children.

I grew up around books - my grandmother's house, where I lived as a small child, was full of books. My father was a history teacher, and he loved the Russian novels. There were always books around.

I like cups of tea and reading books and poetry and old people things.

There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are - at their best - an amazing blend of art literature and the theater of the mind.

I was attacked by a dog when I was a toddler, and my injuries were so bad, I spent quite a bit of my childhood in and out of hospital. Books were absolutely my salvation during those years.

I honestly think I was an Indian living in the time of the Trail of Tears. Something like that. Every time I read books about back then, I get so devastatingly sad, so, so... I feel such a deep connection to it.

When I go on holiday and people ask me what I do, I tell them I do some internet stuff and I've done a couple of books and I hope they just leave it at that.

Books are as dark as what is available to teenagers through the media every day.

When I won my way to the international science fair, I didn't want to embarrass myself. It was the first time I was going to be away from home, the first time taking an airplane. I went to the local library, checked out every single etiquette book, and I read those books like I was uncovering some sort of treasure.

When the whole world reads your books, is there any other happiness for a writer? I am happy that my books are read in 57 languages. But I am focused on Istanbul not because of Istanbul but because of humanity. Everyone is the same in the end.

The stakes in my books tend to be kind of ridiculously high. In 'Kid vs. Squid,' the question is whether or not the California coast will be subsumed by the ocean in favor of the creation of a new Atlantis. In 'The Boy at the End of the World,' what's at stake is the survival of the human species.

Anyway, in the mid 80's I was spending a fortune buying old Golden Age books from the late 30's and 40's and I was making personal appearances at a lot of sci fi and comic book conventions all around the country here so that I could find books for my collection.

I think people in Botswana are pleased that my books paint a positive picture of their lives and portray the country as being very special. They've made a great success of their country, and the people are fed up with the constant reporting of only the problems and poverty of the continent. They welcome something which puts the positive side.