Came Quotations | Page 2

For about 30 years, Halloween was taken over by pranksters. By the '30s, pranks were causing cities millions of dollars of damage. They considered banning Halloween in many cities, but instead, parents got together and came up with party ideas for kids, and a lot of them involved dressing up and costuming.

The first time I came to California was in January 2013, when I auditioned for 'Vampire Academy.'

From each one of them rose separate columns of smoke, meeting in a pall overhead, and through the smoke came stabbing flashes of fire as German shells burst with thudding shocks of sound. This was the front line of battle.

Well, I came the second year. I mean I just fit right in. They wrote a great person and I'm so lucky that I got to be part of the family.

I have the cliche 'struggling actor' story. I was waiting tables in New York, went out to L.A. soon after graduation to get some jobs, but it didn't work out. I wanted to cut my teeth in professional theater, so I came back to New York. It made my journey a longer one, but I really wanted to excel in the theater.

When I first came to California, it was fun and exciting to get any part in any movie and get paid for it. Because of my size and my background, it seemed like I was right for just about anything.

When I first came down stairs, for two or three minutes I went down cellar to the water closet.

Too often, it seems, conservatives have scorned experts as incompetent, biased, or otherwise worth ignoring because they came up with answers that didn't fit their politically desired answer. Often, they proclaim experts have a liberal bias. Of course, plenty of Democrats have voted for conservative ideas, but that is beside the point.

I was writing this really long joke about the smell of poop, and I was like, 'What am I doing with my life?' I started to think about why I was a comedian, and then I came up with a reason for existence, which is: inserting absurdity or stupidity into strangers' lives in order to make the world a better place.

I think whatever art form you're in, whether TV, film or theater, you should know the history of who came before you and how the art form has changed or not changed and to learn from the greats.

The stuff I did in 'Rescue Me' was great. It gave me the opportunity to play comedy, and Denis Leary was the first one to take a chance with me. And from that experience, we had a comedy pilot that we did that I was going to play the lead in. And then 'Person of Interest' came along. They're all new experiences.

I've been a fan of The Rock ever since he first came to wrestling. Every time I went to school, I talked about The Rock. So when I finally got to meet him I couldn't believe it! When he walked through the door, I went bug-eyed! 'I'm standing next to The Rock, man!' He's huge. He's very nice, though.

I took two or three months and I came up with a reason that I thought was enough and I went with it: if there is a God he's definitely not benevolent. We should mean less to him than ants. And if there is a God or there are gods they would value, more than anything, free will.

When I first came into the business, I had to, for the sake of being able to sell myself as an artist, always be happy and jovial and smiling. I was the happy nice girl, and I am the happy nice girl, but I have my moments, too.

What I learned was that we Millennials possess one factor that supposedly sets us apart from those who came before us. Is it incredibly clear skin, since most of us took Accutane at some point? No. The recurring description of our generation is 'entitled.'

When Europeans first came to Africa, they considered the architecture very disorganized and thus primitive. It never occurred to them that the Africans might have been using a form of mathematics that they hadn't even discovered yet.

I had my daughter, and with that came a deep sense of responsibility; my time for work had become precious, and it had to have more meaning.

The road passed through a curtain of pine forest and came out on a flat, rolling snow field. In this field the sprawled or bunched bodies of Germans lay thick, like some dark shapeless vegetable.

People in my village had this mindset that in big cities like New York, if you are lost or without directions, no one will help you. The first time I came here, I tried to make sure not to walk by myself, because it would be difficult for me if I got lost. But people will help you.

In a few days an officer came to our camp, under a flag of truce, and informed Hamilton, then a captain of artillery, but afterwards the aid of General Washington, that Captain Hale had been arrested within the British lines condemned as a spy, and executed that morning.

A newspaperman said, 'You have to have a team in New York.' I replied, 'Who says you have to have a team in New York?' What came out in the papers was a headline that said, Giles Says, 'Who needs New York?' I confess that quote bothered me, and there seemed to be no way to dispose of it. It was repeated again and again.

I started writing 'Leaves Of Grass' when my professional life was falling apart somewhat. I just had a movie implode in pre-production. And so I came back licking my wounds to New York, where I live, and started to write a script about a protagonist for whom the exact same thing happened: His life was falling apart.

I have said with as much sincerity as I can muster that if I were thrown into a dungeon with a sentence of one hundred years, with my only company being an illiterate guard who came twice a day with meals but who never spoke, I would still write - on coarse toilet paper in the dark if I could spare it.

With the 'Silly Boy' track, I mean, people knew about it, but it wasn't really like, 'oh that's Eva Simons.' But when 'Take Over Control' came out, that's when people started to get interested in me personally, which is great because it was something I really believed in.

Whether we want to acknowledge it or not, Jesus didn't do it the world's way. He came in and offended the world. He came in and did everything the wrong way.

After the fall of dictator Nicolae Ceausescu, Romanians were crazed with happiness. People who never met each other before hugged each other in the streets - convinced that tomorrow things would look different. Then came the many disappointments.

Hardboiled crime fiction came of age in 'Black Mask' magazine during the Twenties and Thirties. Writers like Dashiell Hammett and Raymond Chandler learnt their craft and developed a distinct literary style and attitude toward the modern world.

It's a humbling thing, having kids. One of my sons came to rehearsals, and now he says Daddy's job is 'go play loud music.'

As England manager I always felt we needed an extra man in midfield to retain the ball, but that was more as an attacking ploy to help create opportunities. It came from my experience playing international football in a 4-4-2 and spending half my time chasing the ball.

Until Systers came into existence, the notion of a global 'community of women in computer science' did not exist.

And I came back and it was great, 'cuz George had set up all these flowers all over the studio saying welcome home. So then we got it together again. I always felt it was better on the White one for me. We were more like a band, you know.

Windows were the first thing we made ourselves. Other products, such as cement and plasterboard, came later. Some of the factories we actually built because of union blockades trying to stop us getting supplies.

I came up with the idea for what later became Paychex in 1970 when I was working for Electronic Accounting Systems, a company that sold payroll processing to companies with 50 to 1,000 employees.

When I was reading books for 'Seesaw Girl,' I came across several references to the fact that in the 11th and 12th centuries, Korean pottery was considered the finest in the world. I liked that - the idea of a little tiny country being the best at something.

You go to work, tape five shows in one day and then go home and play golf for the rest of the week and then start the week all over. I thought if something like that came along, I'd love to do that.

One of the main reasons I came back to Mexico is because I've found freedom and democracy here, something I never found in the United States.

It came as a surprise to find that a professional society and journal (Econometrica) were flourishing, and I entered this area of study with great enthusiasm.

My husband loves the '90s; he's an avid '90s movie watcher, and it drives me insane. Nothing real came out of the '90s! The bad bathing suits that came up too high on women's hips came out in the '90s!

I used to think, 'I'm going to write.' I knew that from quite early on, but I also thought, 'Maybe I'll be an explorer or a spy,' and it all came from books.

In a way, the popularity of Corona came too fast for its own good, initially. We took a few steps back.

I was mugged when I was 12. I had a portable radio, and I ran into this building and these two guys came in and hit me, busted me up and took the radio. After that I was very paranoid and I started taking kung fu and karate. But I didn't want to fight.

At midnight every night, I would methodically leave the house for a couple hours' walk, come back in, and record. And then the sun came up. If I had done something good, then I'd be happy and go to sleep.

For me, the fall of the Wall came at the exact right time because, I mean, I was 17, basically I hadn't missed anything, unlike the generation of my parents, who were deprived of a lot of things. They couldn't travel, and they couldn't really get ahead in their professional careers. So for me, it was perfect timing.

When I was a young artist, and I would go look at other artists' career retrospectives, and I was often disappointed with the lack of story line... What was missing to me was the story of where the artist came from and how they got to where they were.

I came quite late to gaming: I didn't start playing until 2002.

Having been kept pretty strict in prep schools, I guess I couldn't cope with all the freedom at Yale. I had a wild, wonderful time, got abysmal grades and was bounced out in my freshman year. I then came back the following fall as a repeating freshman, lasted until April and got bounced out again - for the same reason.

Believe it or not, the first spark for everything I've done today came down to me meeting one person in college who changed my life. A student named Anthony Adams who lived across the hall from me in our freshman dorm showed me what it meant to be an 'entrepreneur' when I saw him launch his own start-up company.

I made the decision when I came to Seagram that it had to be OK that my public persona would be bad. It's the downside of a family business: anything good is because I'm somebody's son; otherwise, I'm a schmuck.

If a Middle Eastern sheikh comes to buy Bayern Munich, he could buy 49 per cent. Fifty-one per cent must stay in Germany with the club. That law came about because of the developments of international football.

I have three degrees in history and only one in law, but since I came back to specialize in constitutional law where history is so essentially a part and an explanation of much that exists, the two disciplines blended very well.

I knew I'd never make it back to the major leagues as a player. Lee MacPhail came to me and asked if I wanted to manage the Yankees' Fort Lauderdale club. I thought about it for a day or two and decided to take the job. That was the turning point. I knew it was what I wanted to do.

When I decided to take writing seriously, I did a lot of reading and analyzing of the books I liked, and came up with what I thought were pretty sound plotting and structure basics.

My mother tongue, Mende, is very expressive, very figurative, and when I write, I always struggle to find the English equivalent of things that I really want to say in Mende. For example, in Mende, you wouldn't say 'night came suddenly'; you would say 'the sky rolled over and changed its sides.'

Before it was revealed that my character on 'Lost' had a troubled history, a fan came up to me and said, 'Wow, you're a really nice guy.' To me, that was a compliment, having played a very villainous guy.

I had the house rhythm section at a club called the Sundown in Hartford. Stan Getz came up and played with us.

I got this Jesus tattoo on my wrist when I was 18 because I know that it's always going to be a part of me. When I'm playing, it's staring right back at me, saying, 'Remember where you came from.'

Because Ernest Lawrence's award came in the war years, I had the unusual opportunity of attending his Nobel Prize presentation ceremony.

Every pioneer and musician who could carry a musket went into the ranks. Even the sick and foot-sore, who could not keep up in the march, came up as soon as they could find their regiments, and took their places in line of battle, while it was battle, indeed.

Right around 2004 when 'Ray' came out, I made a conscious decision to be more discerning because I thought to myself, 'After something like this, I really have to try to be strong enough to turn stuff down.'

I went overseas hoping to prove that all our POWs were home. I came back convinced that they were still alive.

The title came rather early in one of Ringo's more tired and emotional moments.

I was single for six years and during those six years I went back to college and got my degree in Social Work and then... while I was single... Barney came here to Portsmouth on vacation.

I don't want to be treated like I came from another planet or something or was somehow born with some weird birthright or super power. I don't view myself that way. I am a normal guy, picking up the crap from the dog and scraping the BBQ and having a beer and fixing the shed out back.

Anyway, the title The War of the Insect Gods came before we had that ending, before we knew they had become gods. That we knew the evolutionary cycle they went through. Before we even knew anything about that. We had an ending.

Every time I went into the studio, I always sung with my heart. If it came out as strong, as good, as powerful as that to my fans, then I was satisfied. I never slacked. I always did all the songs the same way as the first.

At my confirmation, where you get the Holy Spirit, I came down the stairs at my party and had torn, like, 80 holes in my pantyhose and said I had the Holy Spirit, and just would do things like that all the time.

At last, someone came to tell me I'd been selected as commissioner, which gave rise to the line that I took the job with clean hands. I was then taken downstairs to a press conference, and the reporters were as surprised as I was.

A little light on the RPG elements but heavy on action, 'Mass Effect 2' was the game that created a world of characters that I actually cared about. When it came down to making those tough decisions during the final mission, I actually had to put the controller down and think about my choices.

If you are fortunate in life, age and knowledge breed compassion. And as I have gotten older, I came to understand, that a person's sexual orientation has absolutely nothing to do with their ability to be a good parent.

I came to Hollywood determined to follow in Jean Harlow's footsteps, but I was determined not to die young. My hope was to endure. And endure I have.

The music we made then was so amateurish, compared to the rest of mainstream pop or rock and roll. But what differentiated us from what everybody else was doing in the business was the fact that you could tell that these people came from different reference areas.

The principles upon which a safety lamp might be constructed I stated to several persons long before Sir Humphrey Davy came into this part of the country.

At that point, which would be around February 2002, they came and they confiscated my computer, because, they said, they were suspecting that I was communicating with certain Senate members and taking this issue outside the Bureau.

After I came out of surgery - I was in the hospital for five weeks - I found that I gravitated toward very gentle sounds: chant music, solo bamboo flute sounds, a laid-back record of my own called 'Inside.' And the music became a very real part of my recovery process.

I came to Southbury because I wanted to live a more simple life. When I was a child, I saw lots of movies about happy people living in Connecticut. And ever since then, that was where I wanted to live. I thought it would be like the movies. And it really is. It's exactly what I hoped it would be.

I always got a kick out of it when they called it the California Sound because it really came out of Liverpool and Greenwich Village.

I think even when homeowners love their room, it's still a shock, because you left your house, went to sleep, came home and your room was dramatically and drastically different.

I consider myself almost a Californian at this point, because I've been here long enough. Obviously, when I first came to the land of blond-haired, blue-eyed surfer types, I was the sardonic, sarcastic, liquor-swilling, chain-smoking, dark-haired, dark-eyed guy from New York.

When I was 15, I came downstairs one morning, picked up mother's newspaper and, oh, what a shock! The Titanic had gone. The 'unsinkable' ship - but it had gone down so simple.

'Mariah' was the first series-regular role for me, and that really came about because of 'Secret Honor.' That really was a direct result of that. Because now I had an agent and was submitted for that part, for James Malone. And... I was the casting director's first choice for James Malone.

I think in the wake of Katrina, the Coast Guard may well have been the only entity or agency that came out of that exercise free of fault and free of blame.

In the development of antibiotics, the soil microbiological population has contributed more than its share. It is to the soil that the microbiologists came in search of new antibacterial agents.

From Italy, I'd get calls from cousins and aunts saying, 'I don't think you should act. It's really tough. What are the chances?' This was around the time 'Flashdance' came out, and I was like, 'What about your dreams? I'm a maniac.'

The way I dress, I dress totally different than I did when I was in college. I have to - try to - look professional. You change a lot when you are in the NBA, but I know where I came from.

I never went to college. But the structure I grew up with was planted so deep that when it came to doing business, I knew how to be disciplined, create teamwork, and persevere. It set me up to be an entrepreneur and a successful franchiser.

My grandfather milked several cows twice a day and supplied the neighbours with dairy products. He liked to go visiting around the county on Saturdays, and he also enjoyed the neighbours when they came by once a week with their empty milk jars. He walked them out to their cars and hung over the driver's side window until they drove off.

I know a lot of people didn't understand why I came back, and people are still going to say it was stupid and it was the wrong decision. But I'm happy.

The fundamental importance of the subject of molecular diffraction came first to be recognized through the theoretical work of the late Lord Rayleigh on the blue light of the sky, which he showed to be the result of the scattering of sunlight by the gases of the atmosphere.

I was a huge David Letterman fan, even going back to when he was on NBC. My parents would only let me watch a half hour of television a day, so I would record Letterman the night before and then watch it when I came home from school. That's what made me want to do a T.V. show.

I grew up a clumsy kid with bad hand-eye coordination. Yet here on El Cap, I felt as though I had stumbled into a world where I thrived. Being up on those steep walls demanded the right amount of climbing skill, pain tolerance, and sheer bull-headedness that came naturally to me.

When I came to New York, I was really awkward. I went to military academy for high school, so I didn't have the socialization that most kids do. When I got here, I was five years behind everybody. Talking to women was weird for me.

Everything I know about the FBI came from movies! Right? The idea of these kind of uptight, conservative guys whose ties are tied too tight.

When I was 14, my mother died. My father, who had always had ulcers, came apart. He had a series of intestinal operations, and was in the hospital for nearly a year. So the four of us teenagers lived by ourselves in the apartment without a guardian.

And we... right from moment one, we were always kinda up against the wall a little bit when it came to the future of the show. There were always rumors.

I have been sitting watching that ever since I came back, the continuous variations of light and shadow.

Rose was sexy. It was my fantasy about her. She accomplished so much and came from so little in terms of a background that would have prepared her for the world, let alone the world of entertainment.

I love when people laugh. I love when they cry, I like a story to say something, and I hope the audience feels happier leaving the theatre than when it came in.

I came to Los Angeles only after filming 'A Good Day to Die Hard,' when I was cast in the independent movie 'Delirium.' Director Lee Roy Kunz was looking everywhere for a Russian actress. He saw my photos, and only then he learned where I starred before! Eventually, I spent several months in the U.S., and we made the film quickly.

Towards four o'clock, the rebels felt strong enough to take the offensive. A brigade with a battery under Earle managed to strike the Federal right on the flank and rear and throw it into utter confusion, which spread rapidly along the whole front. Now came the disastrous end.

I think one of the reasons Stephen King's stories work so well is that he places his stories in spooky old New England, where a lot of American folk legends came from.