The ought to be a worldwide cultural taskforce that just stops you when you have ideas like combining The Red Desert with an armored car heist movie.
If you're going to make a movie for ten thousand you can talk everybody into doing it for free. You could make a really good-looking movie right for ten grand, if you have an idea.
Sometimes I might feel like [a movie] is kind of a weird idea and if I'm going to get enough money to execute it properly I've got to get somebody in it that is going to justify the expense.
In the land of ideas, you are always renting.
When I look around the world and think why is everything working or not working, it's because it's entrenched ideology. You can't solve a problem if you're sitting down with people who say, "All these ideas are off the table because of what I believe."
I'm probably more character-driven than plot-driven. It's rare for me to attach myself to an idea for a story.
"A meteor hits planet Earth" - that's a story idea but that doesn't give me any indication of what the character is.
I tend to be drawn more to people than pure story ideas.
It takes one asshole to ruin the whole thing. That's it. One. The problem with the world is one asshole comes up with a really bad idea and now we're all taking our shoes off at the airport.
There are people who are originals and the stuff they make really is new. It isn't based on anything else. But I've decided I'm not that-I was never that. My abilities are to synthesize a wide range of references and ideas into something that feels relatively unified and coherent.