Steven Soderbergh People Quotations

I'm sure some people will say, 'Why do this?' And my response is, 'Why wouldn't you?' The film business in general is using a model that is outdated and, worse than that, inefficient.

But my sense in talking to people when I travel is that the film business is not that dissimilar from a lot of other businesses.

I don't think we should be trying to control how people experience art. They can see it on a screen or on a T-shirt. If you've got something that's interesting, it just really doesn't matter how they're seeing it.

The biggest thing is people having access to the movie who might not have access to it for a while. They might have read about it and they're interested but they don't live near an art cinema, or they don't have a video store that carries this kind of stuff, and this way they can get it and get a hold of it as soon as they've heard about it.

That line doesn't exist, ... It's all exploitation. I mean, it is if you're honest about it. You pick up a camera and point it at someone, you are exploiting them. I don't care who you are. The issue to me is what is the agreement between you and the person you are exploiting? But I know the experience we had in Ohio and how people on both sides of the camera felt. And that is what matters to me.

It's as much defined by the people who haven't gotten it as by the people who have,

They're forcing the issue onto characters, ... force these people to be humiliated.

If you’re sitting around thinking what other people think about your work, you’ll just become paralysed.

We [people] are a species that's wired to tell stories. We need stories. It's how we make sense of things. It's how we learn.

We're all standing on the shoulders of what other people have done. But you're supposed to take that and add your own sauce. It can be intimidating, believe me.

People are sort of numb to watching violence, but sexual activity is still as strong as it ever was in terms of generating response.

What are the stories you want people to tell about you?

The best set was probably 'Bloody Sunday.' We had no money for extras and gambled on months of outreach to persuade the people of Derry to turn out and march for us on one single afternoon. And they did. In their tens of thousands. Seeing them march, their patience and their dignity and their commitment, I knew the movie would have a quality of truth.

It's become absolutely horrible the way the people with the money decide they can fart in the kitchen.

My working life is me doing what I want to do. This is that. I've made movies that people don't go to see.

I tend to be drawn more to people than pure story ideas.

A lot of people go to the movies wanting the movie to be about feelings, and it's really not about that. Or rather it's about feelings in the abstract.

I grew up mostly in the South, and there's definitely something about the South that's different from the North. When people ask me where I'm from, I say Louisiana. I spent more years there than anywhere else.

If you think that because you're Che, when you go into Bolivia, when people find out it's you, that they're going to have the same kind of reaction that the Cubans had to Castro, then you're high.

I actually didn't find out about a lot of music until I was older. Some people have been listening to the Beatles their whole lives; I didn't discover them until I was 18 years old.

I want to form a political party that's based entirely on what music people listen to. To me, it's a much better barometer of what they think and feel than their political stance.

You can't change who you are, so I think that the only thing you can do is just never talk to people about stuff and then hope that maybe does something.

A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.

Whenever you experiment with something, it's very easy to take the emotion out of it. And going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.

I have no shame in making music that maybe, if you listen to it long enough, you'll realize you've heard this or that part of it before. I'm still very excited by an amazingly written song, so that's really the thing that I work on when I make records with people.

If you're a painter and you want people to know who you are and recognize your work, you've got to build some long-term value.

A real litmus test for me is how people treat someone who is waiting on them. That's a dealbreaker for me.If I were on the verge of getting into a serious relationship and I saw that person be mean to a waiter... I'm out.

In nature, if a cell gets too big, it divides. You can't come up with a set of rules that's going to work for 350 million people. You're just not.

Your take on things is what is either going to make you somebody people talk about or no.

There are people who are originals and the stuff they make really is new. It isn't based on anything else. But I've decided I'm not that-I was never that. My abilities are to synthesize a wide range of references and ideas into something that feels relatively unified and coherent.

If you're not flying people around on wires, and you're only allowing them to do things that people can really do, it can't go on for very long, because eventually somebody gets the drop on the other person and then it's over.

People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.

I stopped reading reviews about my own movies. I read stuff about other people's movies.

[I watch] Fincher, Spielberg, Cameron, McTiernan. Just people who are good at staging action. I like to know where I am. I don't like the kind of cutting where you don't know where you are.